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Fiction. Literature. HTML: A GOOD MORNING AMERICA COVER TO COVER BOOK CLUB PICK This program includes a bonus conversation with the author.Named a Most Anticipated Book by The New York Times, Entertainment Weekly, The Washington Post, O Magazine, Time, Real Simple, Chicago Review of Books, Kirkus Reviews, Nylon, BuzzFeed, Lit Hub, The Millions, Instyle, Bustle, Refinery29, Hello Giggles, AARP, Domino "Coral Pena's strong delivery is a breath of fresh air...a master of accents and emotion, bringing genuine pathos to the story." � AudioFile Magazine, Earphones Award winner Fifteen-year-old Ana Cancion never dreamed of moving to America, the way the girls she grew up with in the Dominican countryside did. But when Juan Ruiz proposes and promises to take her to New York City, she has to say yes. It doesn't matter that he is twice her age, that there is no love between them. Their marriage is an opportunity for her entire close-knit family to eventually immigrate. So on New Year's Day, 1965, Ana leaves behind everything she knows and becomes Ana Ruiz, a wife confined to a cold six-floor walk-up in Washington Heights. Lonely and miserable, Ana hatches a reckless plan to escape. But at the bus terminal, she is stopped by Cesar, Juan's free-spirited younger brother, who convinces her to stay. As the Dominican Republic slides into political turmoil, Juan returns to protect his family's assets, leaving Cesar to take care of Ana. Suddenly, Ana is free to take English lessons at a local church, lie on the beach at Coney Island, see a movie at Radio City Music Hall, go dancing with Cesar, and imagine the possibility of a different kind of life in America. When Juan returns, Ana must decide once again between her heart and her duty to her family. In bright, musical prose that reflects the energy of New York City, Angie Cruz's Dominicana is a vital portrait of the immigrant experience and the timeless coming-of-age story of a young woman finding her voice in the world. Praise for Dominicana: "Through a novel with so much depth, beauty, and grace, we, like Ana, are forever changed." �Jacqueline Woodson, Vanity Fair "Gorgeous writing, gorgeous story." �Sandra Cisneros.… (more)
User reviews
Angie Cruz based this novel on her mother's recollections and this novel is full of what life was like in Washington Heights in the mid-sixties as well as what was expected of her by both her husband and her family. Cruz is writing about a fifteen-year-old girl and the narration reflects the emotions and excitements of that age, even as Ana inhabits the life of a married, pregnant woman. This is a wonderful book, both as a vivid account of a specific time and place, and as the coming of age story of a young woman thrust into unfamiliar circumstances who fights to make a life for herself.
Angie Cruz’s novel is set in the 1960s, but her protagonist’s fate could be as real in 2020. Young and naive girls fall prey to seducing men or are forced by their parents to leave their home country for a supposedly better life abroad where they, with the status as an illegal immigrant, hardly have a chance to escape their domestic situation which is often marked by poverty, oppression and being exposed to violence of all kinds by their domineering husbands. Dependence due to lack of language knowledge often combined with isolation makes them sooner or later give up all opposition and succumbing to the life they are forced to live.
It is easy to sympathise with Ana; at the beginning, she is a lively girl with dreams and vivid emotions even though she has also experienced her parents’ strict and at times brutal education. She is quite clever, nevertheless, the new life in New York overburdens her and she needs some time to accommodate and develop coping strategies. However, then, she becomes the independent thinker I had hoped for, but never egoistically does she only think about herself, she also reflects what any step could mean for her family at home whose situation with the political turmoil of 1965 worsens dramatically.
A wonderful novel about emancipation and a strong-willed young woman which allows a glance behind normally closed doors.
"We marvel at the humongous dinosaur robot and the Ferris wheel.
Do you think one day we will all be able to fly, I say, and see each other when we make a phone call?
We'll even be able to take a vacation on the moon, Ana Mañana. Imagine us walking on the moon.
Not if we are wearing these clothes, I say."
Juan travels to New York City, where he has an apartment and works many jobs. Ana’s mother believes that if Ana marries Juan, it will enable the entire family to emigrate to the United States where they can make money and have a better life.
Ana does not want to marry Juan, but has no choice. She must do this for her family. She travels to New York where she is expected to cook and clean for Juan and his brother Cesar, who also lives with them. She speaks no English, and is not allowed to leave the apartment.
We see 1965 New York City through the eyes of these hard working immigrants. Juan and Cesar line up daily outside a hotel, hoping to be chosen as day worker in the kitchen or as a bellboy. They work two or three jobs, often in a single day, to make enough money to send home to fulfill their dream of opening a restaurant.
Ana does not love Juan, he can be abusive and demanding. She is lonely, and wants to learn English and get a job to have her own money. She’s not allowed to make any friends.
When there is political upheaval in the Dominican Republic, Juan returns home to protect his property. That leaves Cesar to keep watch over Ana. Cesar allows Ana more freedom, and she experiences life in New York on a different level. She and Cesar become closer as well.
It’s interesting to read an immigrant story set in this time period, to see New York City in 1965 through their eyes. It’s not a story often told. This celebrated book is a Good Morning America Book Club pick.
On page 48, Ana Canción gets raped by Juan, the man she's already agreed to marry in order to escape Rafael Trujillo's repressive Dominican Republic for a "better life" in New York City.
They get to New York, start a tailoring business, and Ana gets pregnant. Yay. She decides to
Some more pages flip...
Juan behaves himself after he comes home from a trip to the Dominican, sort of; the baby's born; Ana's Mamá comes to stay just before the baby's born, the excrement saltates into the rotary ventilation enhancement device, Ana lives to fight another day.
It's a bog-standard immigrant story. It could be told by any woman of any nationality, not one thing here is unique. The author had a very good editor, one who left in enough Dominican Spanish to make the text more engrossing, and she possesses a finely honed sense for how much story she can tell before she hits telenovela territory. I didn't dislike it but in a week I won't remember a thing about it.
This is a powerful story, nicely set within the political struggles of the times (NYC and the DR in the 1960s), and Ana's own story mirrors the turmoil felt outside her small apartment walls. Cruz is a good storyteller, and expertly makes the reader both worry for Ana as an innocent in a big, scary city while also wondering at her amazing strength. Definitely recommended.
Good writing and an interesting start, I just am having trouble focusing on the story - I think I would do better
Ana's
That is, until Juan must return to the DR for an extended visit to deal with family finances during the civil war. Supervised only by Juan's fun loving brother César, Ana gets the physical and emotional space to begin to dream, to think about what she wants.
Ana's entire existence--and that of those around her--is enmeshed in a web of mutual obligation, and Cruz conveys that on both a personal level and as a symbol of immigration. (The novel is based in part on her mother's story.) Ana knows her success means her family's survival, and she cannot pursue her own dreams without crushing those of others. That said, it's not a heavy read; Cruz has a good eye for detail, and there are some delightfully funny sections, such as the one where Ana, angry at her husband, kills a New York City street pigeon, cooks it, and serves it to him for dinner.
1965 was a pivotal year in more ways than one: in the US it was the year of Malcolm X's assassination; in the DR it was the year of the civil war that ended with US intervention. The history of the period is woven in to the story, and it's worth further reading.
Well down and wonderfully narrated by Coral Peña, the story is linear and well suited to an audiobook.
Bowing to pressure from her family, Ana eventually agrees to marry Juan, to go with him to New York, and once established there, to help the rest of her family emigrate.
That’s the set-up for the bulk of the novel, as 15-year-old Ana rapidly becomes disillusioned with marriage, pines away in an essentially empty apartment as her husband goes about his business (which includes selling stolen goods, waiting tables at a hotel, promoting various deals, and carrying on an affair with a married woman). Her efforts to adjust, to improve herself by learning English and getting a basic education, to squirrel away a few dollars at a time out of Juan’s view, propel her into multiple situations that test her resilience and resourcefulness. Things take a turn when Juan leaves his pregnant bride to go back to the Dominica Republic to nail down the land transfer. But he is caught in a war zone when the U.S. occupies the island to intervene in a civil war. Meantime, Ana is placed under the protection of Juan’s youngest brother, and the undeniable attraction between the two young people creates complications.
There’s a lot going on here, most of it seen through Ana’s eyes, with short excursions into Juan’s POV. In some ways, she’s incredibly resourceful; in others she handles herself the way most 15-year-olds would. She longs for her family, for the familiar foods and social events of her home, tries to prepare for the coming baby, and copes with Juan’s rages and frustrations, which he frequently takes out on her with his fists. And underneath it all is her own grown sexual awareness, which finds its inevitable outlet with the only man to whom she is physically close.
Ana is an easy character to identify with – basically good, hard-working, and utterly in over her head in New York. Many of the challenges she faces are exacerbated by her own awareness that she’s in the country with falsified papers and could face deportation if she interfaces with any official agencies. This fear keeps her from utilizing the social safety nets that might make her plight easier to bear.
Juan, while less likeable, is also a man of his time and upbringing. He has certain expectations of his wife’s place, and reacts to any conflict with her in the same way he saw other men react within their own families. He’s utterly sincere about succeeding in business, but the deck is pretty well stacked against him. He knows this, and so has no compunctions about bending the rules to even up the odds.
The novel is set in the mid-sixties and utilizes then-current events well as a backdrop to the characters’ actions and impressions of their newly-adopted country.
Author Angie Cruz tells a story inspired by her own mother and others who had similar experiences moving from the Dominican Republic to Washington Heights. Ana is a strong character and really grows into her own as she becomes pregnant and carves out a life for herself. Her experiences and that of her family are sometimes hard to read about it, but it's realistic and still allows glimpses of hope.