""If you cannot speak truth at a beheading, when can you speak it?" England, May 1536. Anne Boleyn is dead, decapitated in the space of a heartbeat by a hired French executioner. As her remains are bundled into oblivion, Thomas Cromwell breakfasts with the victors. The blacksmith's son from Putney emerges from the spring's bloodbath to continue his climb to power and wealth, while his formidable master, Henry VIII, settles to short-lived happiness with his third queen before Jane dies giving birth to the male heir he most craves. Cromwell is a man with only his wits to rely on; he has no great family to back him, no private army. Despite rebellion at home, traitors plotting abroad and the threat of invasion testing Henry's regime to the breaking point, Cromwell's robust imagination sees a new country in the mirror of the future. But can a nation, or a person, shed the past like a skin? Do the dead continually unbury themselves? What will you do, the Spanish ambassador asks Cromwell, when the king turns on you, as sooner or later he turns on everyone close to him? With The Mirror & the Light, Hilary Mantel brings to a triumphant close the trilogy she began with Wolf Hall and Bring Up the Bodies. She traces the final years of Thomas Cromwell, the boy from nowhere who climbs to the heights of power, offering a defining portrait of predator and prey, of a ferocious contest between present and past, between royal will and a common man's vision: of a modern nation making itself through conflict, passion, and courage"--
Thomas Cromwell may have once been a poor man, but that was many, many years ago. He's now very wealthy and the king's right hand man. And he doesn't mind getting his hands dirty and rewarding good service. That's his modus operandi and has kept him in good stead. But things seem to be gradually changing and Cromwell is beginning to wonder if his enemies, and there are several, may be aiming to undermine him. But how can that be? He has the confidence of Henry, the king......Doesn't he?
Hilary Mantel hit another homerun in this conclusion to her Wolf Hall Trilogy, the story of Thomas Cromwell told from his point of view and in a first person narrative that was compelling, educational and heart pounding with touches of laugh out loud moments. I was a little bit surprised in the author's note to see just how many of the characters were actual historical figures. I knew the king and his family and some of the major characters were factual but I was taken aback by the minor factual characters.
But the real star here is Mantel's luscious writing and her brilliant characterizations. The characters are all so well drawn and meaty. When Cromwell's downfall begins, the presentation of Anne of Cleeves places a special burden on him, because he is responsible for the match between Henry and his fourth wife (it's his third wife's head, that lies on the ground beneath the executioner's sword in the first paragraph above). Things are not working out very well and Cromwell seems to be losing his sway over the king.
If you're new to Mantel, don't start here. You need to get the full treatment from the beginning of the trilogy. It is magnificent, in my opinion. I really didn't want it to end. People who complain about the tedious details that Mantel includes in all three books simply don't appreciate excellent historical fiction. And that's what we have here. Remarkable. Brilliant. Magnificent. I've run out of superlatives. Oh there's another one....superlative.
When I received my
At this point in history, Thomas Cromwell was at the height of his career, serving as Master Secretary to the King and Lord Privy Seal -- not bad for a commoner from Putney. But what do those titles mean, in practical terms?
Somewhere--or Nowhere, perhaps--there is a society ruled by philosophers. They have clean hands and pure hearts. But even in the metropolis of light there are maddens and manure-heaps, swarming with flies. Even in the republic of virtue you need a man who will shove up the shit, and somewhere it is written that Cromwell is his name..
Cromwell is a busy man, managing the dissolution of the monasteries and quelling the uprisings that followed, fending off potential threats from France and the Roman Empire, and -- most significantly for this novel -- engineering Henry’s next marriage, to Anne of Cleves. This strategic and initially promising match turned disastrous the moment Henry set eyes on Anne, and he held Cromwell responsible. This was just the opening his political opponents needed, and thus began Cromwell’s downfall.
This book is much longer than its predecessors, but so well written that I couldn’t put it down. Despite a very large cast of characters, it was fairly easy to keep track of who’s who (and Mantel includes a helpful reference). The characters are richly detailed, and the reader gets to know them so well they can actually spot the tiny details foreshadowing the betrayal of Cromwell. And those same tiny details are used to brilliant effect in showing Cromwell’s internal failings. A man formerly on top of his game would suddenly lose focus in a meeting, or forget to handle some small but strategically important matter. The final pages are, like the rest of the novel, told from Cromwell’s perspective which, given the outcome, is a literary feat unto itself.
To fully appreciate this book you have to have read the first two in the trilogy. So please, go do that and then immediately read The Mirror and the Light.
I don't know if it was Mantel's intention, but there is much in her Henry that reminded me of our outgoing President. Henry is petulant when he doesn't get his way, quick to blame others for his own defects, erratic in his outlook from moment to moment, rewriting stories about himself and his actions.
Ultimately, the book was good but it is thick so plan accordingly.
But, I'm sure I'll re-read it in years to come and maybe that will make all the difference. I loved her first two volumes and hope to love this one more.
"The monuments of dead monarchs draw together, as if their bones were counseling each other; and the prophetic pavements beneath them, those stones of onyx, porphyry, green serpentine and glass, advise us through their inscriptions how many years the world will last."
All in all, I preferred the earlier two volumes, but should I survive until I can check a hardback from the library for more than a couple of weeks, this will merit a more leisurely read.
This third instalment was much chunkier, and Mantel perhaps overindulged herself in the plot
Mantel has proven herself to be an author that is simply on another level with this trilogy. The historical research on its own is simply mind-blowing, but she also handles that research with such a deft hand, avoiding the temptation to include what is not pertinent to Cromwell's story yet using detail and emotion with the cleverest of brush strokes to invoke all our senses as readers.
As we have lived inside Cromwell's head for almost 2,000 pages it was difficult not to feel saddened by his demise at the end of The Mirror and the Light. That I need to think about some more. Has Mantel gone too far in invoking my sympathy for him? History often has it that Cromwell was ambitious, unscrupulous, brutal and corrupt, yet Mantel very much left me feeling of him less as a monster and more as a man who yes, was undeniably ruthlessly fixated on advancing his own position, but who was also playing a game where only dirty tactics win. He was a man also prepared to take much personal risk for the advancement of the knowledge of the gospel, and ultimately a person of great guile, which for a long time protected the interests of Henry.
My ultimate conclusion of Cromwell (thanks to Mantel) is that he was all these things: brutal when he needed to be (especially with his personal enemies), power-hungry, loyal, sympathetic and, above all else, rather brilliant in terms of how he manoeuvred himself and spun so many plates for the king.
4.5 stars - I feel almost cruel for knocking off half a star (for those moments when the plot meandered without needing to), but a fantastic end to a trilogy that has simply astounded me.
The consistent use of the third person for Thomas, Tom, Crumb, Cremuel and yet feeling as a reader as if one lives, breathes, despairs as the person himself in the most I form one can
And yet there is more. Cromwell’s policy of hiring and firing of servants, spies and councillors as well as the re-allocation of impounded real estate formerly known as monasteries and the accompanying titles, shows how patronage is dispensed to not only concentrate power, but also foster changes in the cultural and spiritual live of England as a polity. In the process Cromwell rises to meteoric heights, whilst creating a network of enemies that will ultimately deliver him to the chopping block.
What brings him down in the end? A combination of the whimsical, lust driven character of Henry VIII; a history and commitment on the part of Cromwell himself for the protestant cause of Tyndale and Calvin (who hovers in the background) making him liable to accusations of heresy; and the ruthless, grudge driven policies of Norfolk and other ancient knightly families who consider Cromwell to be a low life and usurper of the King’s patronage that by heritage is their prerogative.
This is a fascinating read about Tudor England and how an ambitious man finally reaches too high. Dense, colorful prose flows from a sure-handed author inviting the reader to smell the sewage and taste the food.
Again and again Thomas goes back to his earlier life and the people and forces that made him what he is. It’s an effective technique for
Mantel’s writing here is as graceful as ever; this isn’t a book to race through but rather one to savor. By paying careful attention the reader will be dismayed, just as Cromwell is dismayed, when old friends turn out to be less that that.
Two things struck me: the resolution of his relationship with Brandon; and Cromwell’s casual order to rack a prisoner, when he had done his best to avoid using torture for so long.
A fine conclusion to a mesmerizing trilogy
Henry comes accross as less barbaric and more fallible than I would have pictured him. Cromwell is certainly interesting and one can see there must have been something commanding in his Genes as his great great grand nephew lead the English civil war.
I suspect the reformation would have persisted with or without Henry taking the church or England out of the Catholic church - but that was not a trivial event for church history.
The status of women, and the relationship between men and women is portrayed very clearly. At times I find myself surprised at the words the woman author was able to put into the mouth of the male characters - she is clearly a thoughtful observer.
There were many details of the history or that time - such as some of the rebellions that I was unaware of. Of course the Tudors took over the throne as the result of the war of the roses.
It has been said that the game of thrones is a fanciful retelling of the war of the roses.
The politicians of that time were bloodthirsty. Perhaps our contemporary politicians are just more subtle about their blood thirstyness.
This is a very long book - not something for a quick weekend read to pass the time. It is thought provoking and will surely reward pondering.
The story of Henry VIII and his six wives is one that all history lovers
An excellent series.