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A magnetic novel about two families, strangers to each other, who are forced together on a long weekend gone terribly wrong Amanda and Clay head out to a remote corner of Long Island expecting a vacation: a quiet reprieve from life in New York City, quality time with their teenage son and daughter, and a taste of the good life in the luxurious home they've rented for the week. But a late-night knock on the door breaks the spell. Ruth and G. H. are an older couple-it's their house, and they've arrived in a panic. They bring the news that a sudden blackout has swept the city. But in this rural area-with the TV and internet now down, and no cell phone service-it's hard to know what to believe. Should Amanda and Clay trust this couple-and vice versa? What happened back in New York? Is the vacation home, isolated from civilization, a truly safe place for their families? And are they safe from one other? Suspenseful and provocative, Rumaan Alam's third novel is keenly attuned to the complexities of parenthood, race, and class. Leave the World Behind explores how our closest bonds are reshaped-and unexpected new ones are forged-in moments of crisis.… (more)
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But, really, everything's fine. Everything is absolutely fine. How can everything possibly not be fine, when you're on vacation?
Hooooo boy.
For most of this novel, I kept thinking that I didn't like it very much, that the writing just wasn't working for me. Such a pity, I thought to myself, because it has a lot going for it, otherwise. The author clearly does have some real talent, and the characters are very believable, the details of their lives and attitudes almost painfully recognizable at times. There's some good suspense, and some complicated, insightful thematic stuff. But, oh, I told myself, I just can't get along with the writing style at all. All that head-hopping (a particular pet peeve of mine, and something I believe very few authors can get away with). That detached narrative voice that keeps flat-out telling us things about the characters instead of showing us through words and actions (even if it doesn't feel amateurish the way that sort of thing usually does). The places where the sentences start to seem like they've maybe been polished one too many times, to the point where they've become slightly unnatural. The "little did they know"-type moments that start to pop up here and there, which surely must be just a little too coy, a little too narratively convenient. Yes, I decided, all of that is just too much of a problem for me. A pity, but that's obviously the reason I keep not wanting to pick this back up after I've put it down, the reason I'm not fully sinking into the story, the reason I feel sort of stressed out and annoyed as I read.
Yeah, well, you know what? Most of that is me being almost as much in denial as some of the characters. Because this is not a badly written book, or even a book whose writing is so much not to my taste that it just kind of ruins everything for me. I'm still not a fan of this particular POV structure, but Alam does actually do some good stuff with it, and those moments of dramatic irony that I kept wanting to think of as coy and convenient ultimately turn out to be nothing short of devastating.
No, it took me until very near the end to fully admit it to myself, but the truth is, the reason I kept fighting getting too much into this novel and telling myself it wasn't working is because it was just absolutely, positively not the book I should have been reading in the first week of 2021. Which is to say, a novel that, among other things, plays on the anxious possibility that if you take your eyes off the news for one moment something terrible will happen while you're not looking (something that did, in fact, happen for me on the same day I started reading this), a novel that reminds you, slowly but insistently, that the lives and the systems that we take for granted are in fact vulnerable and unstable and maintained largely by fragile consensus
Yeah. Basically, it stirred up every single horrible, anxious, frightened thing that's sitting in my brain right now, and it seems I am not quite emotionally equipped to confront in fiction what I'm already currently having a hard time handling in reality. And yet, once I finally recognized this fact, once I gave up fighting against it and just let myself go where it wanted to take me... Well, the result was very powerful. I may have let out a very long, ragged breath at the end. I guess you do have to count that as a significant success.
I still really, really wish I'd read it some other week, though. Or some other year. Or maybe in some other timeline.
Rating: 4.5/5, entirely despite myself. Damn you, Rumaan Alam.
What I liked most was that Alam didn't fall into the usual plot stereotype of this type of book. It's not like McCarthy's The Road, focusing on the fallout of an apocalypse for
It feels believable, and for that reason successfully edgy and eerie, particularly in this COVID era where the end of the world now feels depressingly possible rather than the stuff of fictional fodder.
The setting for the book is a family in an upmarket holiday rental who are forced to accommodate some unexpected and unwelcome visitors as the situation starts to unfold. It works brilliantly; the polite, awkward tension between the two families as they're thrown together in the situation, neither wanting to be with the other, no one knowing what is happening, how serious the situation is and whether it's safe to leave the social discomfort of the house. Rumaan Alam could have easily got carried away with the plot and taken it into full apocalyptic territory, but he controls it and keeps it tightly reined in to the hinterland of the event.
4 stars (possibly a bit more) - clever writing that haves you questioning throughout - 'what would I do?'
This is the kind of novel that you don't want to know too much about before you read. It depends on atmosphere and the reader's imagination for it's effectiveness and it ends at exactly the right point. This is also a novel where the characters remain somewhat unnuanced. I can see this being easily adapted for the screen because the novel doesn't depend on the interior lives of the characters, or more precisely, the characters outward appearances perfectly coincide with their thoughts and reactions. I did enjoy this novel. It was well-paced and unsettling.
I loved the author’s writing, from her detailed character descriptions to
This is certainly an eerily timely book, what with the events of the world happening and how some are choosing to react to it. Do you prepare, or do you carry on as normal? What makes this book heightened in tension is not only the not knowing the true cause of the events outside, but the loss of the access to 24/7 news and information, and how both families choose to forge ahead with little information, each one believing they are in the right. It proposes a great discussion point: if you were in the same situation, would you choose to stay and wait it out, or would you leave and seek help elsewhere?
At first, this story, and this family, were annoying me. The family is so bland, so white-bread, that they didn't seem to be characters so much as caricatures. But when the Black couple shows up, they are completely ordinary as well, boring even. It's not a mystery whether they are truly the house's owners; the omniscient narrator lets us know fairly quickly that they are. The mystery is what is happening out in the world, and how will these people handle it?
It gradually dawned on me that all of these people were so ordinary and indistinguishable because they are meant to be anybody, and everybody. This is, I think, a story that pretty realistically depicts what it might be like if an unthinkable disaster were unfolding and you really had no idea what was going on or what to do. The narrator is godlike in knowing everything that is happening and will happen, and sometimes doles out little bits of information so we, the readers, know slightly more than the characters. But the questions of interest are: What would you do if you had no idea what to do? Would you come together? Or lock the doors? Much has been made of the race-relations aspect of the story, and the white couple are pretty typical in that they hold some fairly stereotypical views of Black and Hispanic people, but I don't think that's the point. I think the point is that these are ordinary people, the world may be ending, and what are they going to do? Anything besides getting drunk?
I don't think it's any accident that climate change is mentioned so frequently. The disaster unfolding, whatever it is, happens more quickly, but there is a point being made: that the world is already ending, and collectively, we're not doing much about it. However, it is interesting to me that there is one character who recognizes what is happening and knows what to do--who that character turns out to be. So although when the book started, it had me rolling my eyes at this Wonderbread family, by the end, it had me thinking about some very interesting questions. Overall, a win.
I did have to read this is short spurts so maybe that led me to my disinterest; however, there were just too many things that didn't seem legitimate for people who thought the world was ending.
Amanda and Clay, a yuppie couple from NYC and their 2 teens have rented a vacation house on the eastern edge of Long Island. The first few days are idyllic--playing in the pool, a beach day, indulging in luxury items at the grocery store. Then late one evening there's a knock at the door, and they panic--should they answer? Is there a baseball bat they could brandish? This seemed a bit much for me, but their indecision went on several pages before they finally opened the door to find--
G.H. and Ruth, an older couple who claim to be the owners of the house. They relate they had been driving home from a concert (in NYC) when it looked like the lights went out, so, instead of going home to their apartment (and risking the elevator being out of service), they drive out to their vacation home (a several hours drive in RL). Although, G.H. had been noticing some strange things in the stock market, so he thinks something bad may be about to happen.
The tvs have gone out, but the house still has electricity, so the next day Clay decides to drive into town to see if there's any news. He's driven into town before to get groceries with no problem. But this time, he gets in the car and drives around and around in circles, hopelessly lost; he can't find his way to town, and he can't even find his way back to the house for a long while.
Then all sort of strange things start happening: a flock of flamingos lands in the pool, there's a loud unexplained noise (a sonic boom?), the teenage son vomits and all his teeth fall out. When this latter event happens, G.H. and Clay decide to take the son to the ER, only on the way there, they decide to go to the contractor who had renovated G.H.'s house. They just do, don't ask why. In the meantime, Amanda and Ruth are left back at the house looking for the teenage daughter who has disappeared. Inexplicably the daughter felt compelled to wander to a neighbors house, which is empty (there is a brief and jarring interlude introducing the neighbor and why he's not there). So the daughter breaks in and decides to watch videos.
And then the book ends. The bulk of the book seems to be trying to build a sense of forboding (which I guess it does), but it is so illogical and the characters are so not acting like real people that it's not a story I could believe in or a fear I could feel. It's possible that whatever caused the possible blackout (just in NYC or worldwide? why was the house spared?) and the flamingos landing in the pool and the loud noises and the teeth falling out and so on, has also caused the humans in this story to act like zombies (except for not craving human flesh). I dunno--the author did not make me feel like any of this was really happening, or to care about any of the characters.
I will note that one of the reviews on Amazon noted that the book had great reviews from a lot of respected authors, and asked, What Kool Aid were they drinking?
Not recommended.
1 1/2 stars
Leave the World Behind is chilling on so many levels – the lack of news, the isolation, the panic. What will strike readers the most, however, is the self-reflection required of each of the characters as they strive to work together all while trying to overcome their inherent biases. After all, the two families are as opposite as can be. Black versus white. Rich versus middle class. Retired versus vacationers. Old versus young. A reliance on wifi and electronics versus those who view such gadgets as unnecessary. Plus one family has the experiences that come with living a full and long life while the other family is still in the throes of puberty, school, and everything else that comes with raising a family.
Not every character is as successful at addressing their inner biases as others. In fact, much of what makes Leave the World Behind so brilliant is the fact that the characters acknowledge their racism and other biases while also understanding that they shouldn’t have those feelings if they want to consider themselves truly enlightened. It makes for some very uncomfortable reading at times, which, I believe, is Mr. Alam’s point. While showing the characters’ weaknesses, he forces readers to confirm their own.
The unknown event in New York is very much a secondary character in its own right, even though we never find out what exactly happened. Mr. Alam draws our attention to certain seemingly random events happening in nature as well as mentioning various long-term effects of that event so that you understand just how catastrophic, almost apocalyptic, it was. As a result, the characters’ state of uncertainty and eventual panic becomes that much more palpable because you understand the gravity of the situation more than they do.
Ultimately, Leave the World Behind is a rather intense apocalyptic novel that fits well into 2020. Its deep dive into the inherent racism and other biases we each internally carry is spot on for this year’s ongoing fight against systemic racism. Plus, its unknown catastrophe is an intriguing alternative to our current, still-relatively-unknown pandemic. Make no mistake, Leave the World Behind is going to be among many a Best of 2020 list.
This is such a riveting and intelligent literary thriller, complete with scenes that are absolutely heartbreaking. Yet I appreciate that the author never tries too hard to force the reader's feelings. This isn't the kind of story that provides all the answers, but if that's something that doesn't bother you, I highly recommend this one.
This book was very suspenseful, due to two things: First, the characters' lack of knowledge. The reader, through the omniscient narrator, knows quite a bit more than the character do about what's going on. Not that it helps. Second, this book is deeply introspective. Alam slides seamlessly from the perspective of one character another, and we are privy to each one's sense of insecurity that they aren't responding "well" to the crisis. And it turns out that the inside of peoples' heads during a mysterious calamity is a deeply creepy place.
FTC Disclaimer: I received this book from the publisher in exchange for this review.
This book left me unsettled and anxious but the story will stay with me for a very long time.
The Rest of It:
Amanda and Clay leave the city to rent a luxurious vacation home in Long Island. A week away with their two teenagers, simple meals, days spent swimming and lounging, is just
The home is beautiful and private and as they fill the fridge with their own groceries and begin to fill the space with their own belongings, they begin to unwind and enjoy this brief respite. But then, they hear voices and shortly thereafter, there is a knock at the door. Who could be knocking at this late hour? Should they open it? Is it safe?
Ruth and G.H. Washington are at the door. They explain that something has happened in the city, a power outage and that they did what they felt was right, headed to their home in Long Island, yes the home Amanda and Clay are renting. You see, Ruth and G.H. are the owners.
Well folks, this presents all kinds of problems. It’s their home, so how can Amanda and Clay deny them access to their own home? Plus, Ruth and G.H. are older and it’s cold outside and a storm is on its way. How can they not let them in? But Amanda is concerned for their safety. Their kids are asleep and these people are strangers.
I want to be careful what I say here as I don’t want to give anything away but these two couples are put into a very difficult spot and they are tested in many ways. Their trust for one another, their lack of communication or real news (satellite, Wi-Fi and cell service is down), and yet their power remains. What has happened in the city? And then, something happens that forces them to consider that whatever has happened, is much bigger than a power outage.
Reading this book was stressful! There is an underlying current that runs through the book that keeps you on the edge of your seat. You can’t relax, yet you can’t put it down. You spend time with these people and get to know all their insecurities, their fears and in less than three hundred pages, a good sense for what makes them tick. As I was reading, I kept thinking about what I would do in that situation. When I turned the last page, I was at a loss for words. I had to buzz a friend who read it so we could discuss. It’s that kind of book. Plus, it’s a genre bender. Could be classified many different ways.
I will warn you, it’s gotten mixed reviews. Many readers hated it. Perhaps for the feeling it gave them or that the story is a little ambiguous. I, however, LOVED it. But I don’t rate books the same way most people do. I rate often for the experience. Did it take me away from my daily concerns? Yes. Was I riveted? Yes. Did I appreciate how the author told the story? Yes. So for me, it was a solid five stars and will be on my list of faves at the end of the year.
For more reviews, visit my blog: Book Chatter.
It was the depressing story I hated.
The writing was good enough but the story, in my opinion, left a lot to be desired.
I’d heard a review on the radio that this book was up for some award. They hyped the story mostly about two families. One a young one (white) with children who
There has been a blackout in New York where black family lives and they’ve come to see if they can stay in their house that they’ve rented out to younger couple, it has a mother-in-law’s suite in the basement). Communications are all down so there is no way to variety just who black couple are or if they actually own the home.
This is how the radio presented the book but really, this is not the crutch of it in my opinion.
Again, I really hated this book!
The plot is simple. A Brooklyn family of four rents an
I found it enthralling and scary. It's just about how these different people respond to crisis. And the scary part was reading it during this little world crisis of our own - not knowing what chapter we are currently in, out of how many chapters, of THAT crisis.
First stirring quote: "Waist-deep water was lapping against Venetian marble, and tourists were smiling & taking snapshots. It was like some tacit agreement: everyone had ceded to things just falling apart." Makes me feel like the way most of this country seems to just be shrugging their shoulders at 300,000 dead - crisis came, and we all just acted like such a bunch of surrender-monkeys, we would put France to shame.
Clay & Amanda, the renters, fantasize about what they will do when (they imagine) shortly they will pack up and head on home to Brooklyn... Clay wants to stop in a diner. "Chrome. Jukeboxes. Corned beef hash." Amanda wants to go to an old-fashioned sit-down Chinese restaurant. "The only things a person ever wanted were food and home." Preach!
"Lemmings were not suicidal; they were driven to migrate and overconfident about their ability. The leader of the pack was not to blame. They all plunged into the sea, thinking it easy to traverse as a puddle; so human an instinct in a bunch of rodents."
The narrator is omniscient. The perspective of each character in turn is assumed. The narrator also knows exactly what is going on, but is coy about sharing it. You may be more clear than I about exactly what happened and is going to happen, but I felt I might have blinked and missed a thing or two.
Chilling in a subtle suspenseful way that reminds me of Donna Tartt.
Thanks to the author, ECCO (HarperCollins) and Edelweiss for an advance copy of this book in exchange for an impartial review.