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History. Politics. Sociology. Nonfiction. A startling and profound exploration of how Jewish history is exploited to appease the living. Renowned and beloved as a prizewinning novelist, Dara Horn has also been publishing penetrating essays since she was a teenager. Often asked by major publications to write on subjects related to Jewish cultureâ??and increasingly in response to a recent wave of deadly antisemitic attacksâ??Horn was troubled to realize what all of these assignments had in common: she was being asked to write about dead Jews, never about living ones. In these essays, Horn reflects on subjects as far-flung as the international veneration of Anne Frank, the mythology that Jewish family names were changed at Ellis Island, the blockbuster traveling exhibition Auschwitz, the marketing of the Jewish history of Harbin, China, and the little-known life of the "righteous Gentile" Varian Fry. Throughout, she challenges us to confront the reasons why there might be so much fascination with Jewish deaths, and so little respect for Jewish lives unfolding in the present. Horn draws upon her travels, her research, and also her own family lifeâ??trying to explain Shakespeare's Shylock to a curious ten-year-old, her anger when swastikas are drawn on desks in her children's school, the profound perspective offered by traditional religious practice and studyâ??to assert the vitality, complexity, and depth of Jewish life against an antisemitism that, far from being disarmed by the mantra of "Never forget," is on the rise. As Horn explores the (not so) shocking attacks on the American Jewish community in recent years, she reveals the subtler dehumanization built into the public piety that surrounds the Jewish pastâ?? making the radical argument that the benign reverence we give to past horrors is itself a profound affront to… (more)
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Just reading the diary out of context, though, readers are offered grace and optimism without having to confront the reality of what happened to Anne.
Horn asks, âWhat would it mean for a writer not to hide [the] horror?â The answer, she avers, is that practically nobody reads the book.
One of her most funny-but-not-funny anecdotes is about a young Jewish man who worked at the Anne Frank house, and who tried to wear his yarmulke to work. His employers, she relates, told him to hide it under a baseball cap. She writes:
âThe museum finally relented after deliberating for four months, which seems like a rather long time for the Anne Frank House to ponder whether it was a good idea to force a Jew into hiding.â
Jewish literature in English, Horn writes, is basically Holocaust fiction, but fiction, like the story presented in Anneâs diary, that meets certain requirements. She notes that in the West, as the literary critic Frank Kermode suggested, âreaders desire coherent and satisfying endings,â which he connected to the history of Christian religion - i.e., the desire to live in a world that makes sense and provides happy or at least understandable endings. At the every least, the main character should have an epiphany or give us a moment of redemption.
But the problem is, as Horn observes: âthe canonical works by authors in Jewish languages almost never give their readers any of those things.â The world Jews have known, she writes, is broken and unredeemed, and often doesnât make any sense. Thus the Holocaust novels that have sold millions of copies have all been âuplifting.â The ones that havenât been successful have âno contrived conversations with Nazis that show their humanity, nor even any brave rebellion - at least, not until the very end. Instead there is confusion, starvation, denial, and sheer sadistic horror.â
She also writes about âJewish Heritage Sitesâ in places that no longer have any Jews at all. She calls the phrase âa truly ingenious piece of marketing. It is a much better name than âProperty Seized from Dead or Expelled Jews.ââ [We have taken a number of tours at such sites. The emphasis is always on how the city honors its former residents, with nary a mention of why they arenât there anymore.]
One of her essays deals with the role Jews play in popular imagination rather than the reality of who they are. Somewhat humorously (but not) she relates the story of Harbin, China, the former home of around 20,000 Jews, and since 2007 the location of one of these âheritage exhibits.â When it opened, Harbinâs mayor welcomed visitors by referring to âesteemed Jewsâ such as J. P. Morgan and John D. Rockefeller. Of course, neither one was Jewish, but they were rich, so the mayor assumed they had to have been (secretly, if not openly) Jewish, because âthe Americansâ money is in the pockets of the Jews.â
How Jews themselves cope with antisemitism is another recurrent theme. Horn relates very interesting research that shows Jewish names were not in fact stripped of their identifying characteristics by officials at Ellis Island. Instead, the names were changed afterward, by Jews themselves (as well as by people in other disparaged ethnicities) in the courts. She writes:
âThese new Americans and their children, living in what they hoped was the first place in centuries where their families could enjoy full and free lives, soon discovered that when they applied for a job as Rosenberg no one would hire them, but when they applied as Rose, everyone would.â
Horn has a theory that Jews are reviled because since ancient times, they âhave represented the frightening prospect of freedom.â By that she means the freedom to be different, but also the Jewish notion that freedom is inextricably associated with responsibility, accountability, and obligations to others. Blaming others for your problems, and being accountable to no one or no law but yourself and your own desires, is much easier, and, as it turns out, much more popular.
How do non-Jews account for antisemitism? She points out the message promulgated by the newest Auschwitz traveling exhibition by Musealia, a producer of blockbuster museum shows. Their contention is that what is needed is more love. Horn writes:
âThe Holocaust didnât happen because of a lack of love. It happened because entire societies abdicated responsibility for their own problems, and instead blamed them on the people who represented - have always represented . . . the thing they were most afraid of: responsibility.â
Evaluation: As usual with the writings of Dara Horn, these essays are full of thought-provoking insights, historical information, and moral passion. I highly recommend this collection for book clubs - it will provide hours of contemplation and discussion.
According to Horn, Jews are seen as a morality story for the rest of society, martyrs to the importance of tolerance, stories to make others feel good about their tolerance and humanity. But living Jews are much less valued, as are dead Jews who have the temerity to have been angry about their persecution.
Horn is a wonderful writer- she's even kind of funny while expressing all her anger. I'm totally here for it- moving, rage-inducing in the right way, and thought-provoking. Great read.
Excellent! Well written, great
Iâd like to read more books by this author so Iâll look at her novels and if their stories appeal to me Iâll definitely add them and hopefully get to them and read them.
There is a list of works consulted included at the end of the book.
I thought that she might lose me in the last 10 pages but nothing could diminish the impact of the thoughts the author puts into these essays and I enjoyed even these last pages.
In spoilers because this is NOTHING to do with this book and I hate to take attention away from its contents but
Brilliant book and Iâd like to recommend it to all readers or at least all non-fiction readers or at least all who have Jewish heritage or know anyone whoâs Jewish, but really almost all readers.
The author is a LibraryThing author. I would like it if she also became a Goodreads author member.
A thought-provoking, engagingly written, but at times difficult, read.
I just finished People Love Dead Jews: Reports from a Haunted Present by Dara Horn. This book joins the many I have read that relates in one manner or another to anti-Semitism or the Shoah. These include Why the Jews? by Dennis Prager. A Rabbi at a series of study sessions on Shavouth, this year
The book's premise is that dead Jews, i.e. Holocaust victims (Anne Frank in particular) and other similar people are a lot more popular than actual, identifiable living Jews. The author writes a lengthy chapter on a righteous Gentile, Darian Fry, The gist of that appears to be that Darian Fry was not well liked as an actual person and got little glory. What the author did tell us about him was that aside from his year engaging in rescue he was extremely unhappy and not easy to get along with.
The book makes a lot of good points, about Jewish writing as well as the main topic. I recommend it, but can't give it a "five."
I was reminded of two supporting experiences:
I was in Cologne a few years ago and a tour guide made a big
I've been to a couple of places in the American West where American Indians perform sacred dances for tourists and then are given a dollar or two to have their pictures taken with these people. While Indians are living on a reservation with a life expectancy of 45 years, we can honor their culture but when they lived where we live now our ancestors had a different response.
[I just thought of another one. A gentile colleague of mine was telling me how beautiful Prague was and how much she enjoyed visiting the old Jewish cemetery there. I'll leave a blank here for you to put in the obvious response:___________.]