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Out of the Silent Planet is the first novel from Lewis's Space Trilogy, (also called the Cosmic Trilogy and the Ransom Trilogy,) considered to be his chief contribution to the science-fiction genre. A planetary romance with elements of medieval mythology, the trilogy concerns Dr. Ransom, a linguist who, like Christ, is offered as a ransom for mankind. On a walking tour of the English countryside, Ransom falls in with some slightly shady characters from his old University and wakes up suddenly to find himself naked in a metal ball in the middle of the light-filled heavens. He learns that he is on his way to a world called Malacandra by its natives, who also call our world Thulcandra...the Silent Planet. The Malacandrans see planets as having a tutelary spirit: those of the other planets are good and accessible, but that of Earth is fallen and twisted.… (more)
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I would not classify Out of the Silent Planet as this type of novel however. It is an
I am always blown away by C.S. Lewis's ability to write extremely simple and down to earth stories and anecdotes, yet fill them with deep and complex emotions and thoughts. This book is no different, the simple tale leaves complex underlying questions about the other world's relationship to Earth. I am excited about the two remaining books in this trilogy.
The trilogy starts with the end. Not the end of the series, mind you: the end of Martian society. But let's back up...
Elwin Ransom, philology professor, when taking a hike, ends up the subject of a scientific experiment by two fellows, Weston and Devine. After being drugged to sleep, he finds himself aboard a space ship headed for Mars, or Malacandra.
It is here he meets a civilization nearing the end of its life, in contrast to Earth, which is somewhere in the middle. Ransom and his captors are caught in an endgame struggle between the three races of Mars.
Lewis is able to write science fiction that isn't overly preachy, like many Christian sci-fi writers. And this makes it a bit more enjoyable thean the rest. This book, like many of Lewis' fiction, is very allegorical, even to the point of character names, like Pilgrim's Progress Through Space, or something. Nevertheless, those familiar with Lewis' writing, or of other allegorical science fiction, may find Out of the Silent Planet a nice way to break up the quiet period between your last and next book.
What did I discover after all the uming
Funnily enough, after all the positive feelings I had reading this book, I didn't find myself grasping for the next instalment right off my bookshelf, but instead vouched for something a little different instead. I'm not sure why? Usually I have to read a series right through without a break (unless it's as expansive as the Tarzans or Doc Savage collections) but I guess I will probably make a point of reading the others before the year is out? I am certain that once I have read all three I will probably want to go back and re-read Silent Planet again.
Overall: Beautifully worded period (futuristic) drama.
He wondered how he could have ever thought of planets, even of the Earth, of islands of life and reality floating in a deadly void. Now, with a certainty which never after deserted him, he saw the planets—the "earths" he called them in his thought—as mere holes or gaps in the living heaven--excluded and rejected wastes of heavy matter and murky air, formed not by addition to, but by subtraction from, the surrounding darkness.
On Mars we're introduced to various sentient species, the Sorns, the Hross, the pfifltrigg. They're all ruled over by Oyarsa, and when we finally meet that entity, we have allusions to what is obviously the story of Satan and the Fall. In other words, this novel has a lot more in common with Dante, Milton, even Swift than Verne, Wells or Burroughs. Ransom even tells us the purpose of his book is "a change-over from the conception of Space to the conception of Heaven."
And I prefer Space. Greatly.
So, if that were all there were to it, I'd probably not rate the book so highly. But speaking of the spirit of Swift... Well, the scene where Ransom translates Weston's speech to Oyarsa, nay, the whole interview between Weston and Oyarsa, is priceless. I have mentioned this was published in 1938? Given this is the age of Mussolini, Hitler, Franco, the satire of fascism has particular resonance but that scene hits out not only at that kind of totalitarianism but the idea of Kipling's "White Man's Burden" and so Anglo-American forms of imperialism as well--and does so in a way not at all dry and didactic but really quite funny. Definitely my favorite scene in the book, although even the more allegorical passages had its pleasures if only for the poetry of Lewis' prose.
Always wondered about this book, found it at a used book store and enjoyed reading it during lunch breaks. This is supposed to be an Narina for adult readers. Everything is perfect on Malacandra (Mars). The man who is kidnapped is named Ransom (how poetic is that?).
Lewis uses
Ransom encounters a talking beast (also at the beginning on the Narnia Chronicles, Lucy meets a Faun, and sees talking animals) Hnohra saves his life and explains everything (also the same exact thing in Narnia).
Lewis uses an all seeing God figure that everyone will someday be able to go to for eternal happiness. Sound familiar?
This book is a nice story, but too descriptive, I'm in no hurry to read the whole trilogy as I could just pick up the Chronicles of Narnia books again. Same formula, worked the first time (which came first, Narnia or Malacandra?) but fans of one series will see the other series right off the bat.
11-2004
Before reading this trilogy, know that Lewis attempts to address religious and philosophical issues rather than focusing on plot. Why use
However, even if life exists only here, there is certainly more to reality than meets the eye. We are not alone--there is a whole world of almost visible reality around us, if we but open our spiritual eyes to see. The characters are interesting, the events and dialogue are plausible (considering the genre), and the writing is excellent, as one would expect of Lewis. At 158 pages it's a quick read and a good introduction to the celebrated Space Trilogy.
A lot of it is simply an exploration of the landscape and its species - hopefully
I find several things of interest within that I believe are of importance in
The most obvious is [ SPOILER ALERT ] that the book centers around the planet Mars. I find this ironic given today's Mars conspiracy theorists such as Richard C. Hoagland. Hoagland is quite interesting to listen to, though I highly suspect mass pareidolia. I might throw in that Tesla suspected life on Mars, as does NASA, though they have failed to prove it (or have succeeded in hiding it) . It is a fascinating planet, Mars.
I found Lewis' description of the eldila, Oyarsa, and Maleldil to be quite thought provoking. They, nearly invisible beings, were hindered from being whole in our world as we are hindered from even perceiving theirs—which is the Heavens. As Lewis put it, if you go so fast, you become still. They were creatures of Light, different from ours. His digression on Light and the Universe was quite stimulating.
Essentially, Malacandra is a Garden of Eden with not one but 3 intelligent races. Lewis did an excellent job at developing each race. We had the Thinkers (Giants), Builders (Dwarves), and Poets (Beast-like).
The Fall had never happened on Malacandra, though they did experience repercussions from Earth's fall—which was in fact the fall of Earth's Oyarsa.
Within this peculiar world, Lewis is able to look back to Earth and reflect upon its inhabitants, its history, and its future. He succeeds in illuminating the failures of humanity and why postmodern materialism and the humanist's goals (Weston) are not logical (think of London's Wolf Larsen as the example of modern man).
Ransom's eventual meeting with Oyarsa reveals much— not only to the story, but to Christian thought, and to Lewis' own unique and deep thoughts on God an the Universe.
I can't imagine where the other 2 books in the trilogy will go from here, though I suspect Weston (as well as Ransom) will play a part!
I think my favorite parts of this
Now, don't get me wrong - there's a fairly simplistic "man is often evil due to the presence of Satan/bent Oyarsa on Earth, but the peoples of Mars are good, kind, and wise because they have true angels/true contact with God" theme running through the novel. Being as it's Lewis, I guess that's par for the course, and it didn't keep me from enjoying the story itself. I was intrigued by the idea of the various Martian races seeing each other as both human and animal (and thereby not needing pets in the way that Earthlings seem to, as a connection to the animal world within our own culture). I suspect that some folks right here see other races/nationalities the same way, and not in the respectful way Lewis lays on his creations.
You know, I think this book (or the whole series - I haven't got far enough into it to know) helped inspired L'Engle when she wrote A Wrinkle in Time. Ransom's discussions with the different races is echoed in some of the childrens' encounters as they travel outward from Earth. Plus, there's the image of our planet being shrouded or silent - set apart from the rest of creation.
final thought: It really all comes down to whether your believe that "Our right to supersede you is the right of the higher over the lower." I don't, and I enjoy the case made by Lewis on the matter as much as I enjoy his descriptions of the petrified Martian forests and the bright, warm stretches of space.
"Out of the Silent Planet" is the first of Lewis' Space Trilogy. Dr. Ransom is taken captive on a space ship and where they eventually land on the planet of Malacandra. It is a planet it our own solar system, but you need to read the book to discover which one. He escapes from his captors and journeys to discover the planet.
Conversation is a large part of the story and through Ransom's encounters with the species of a different world Lewis puts forward theological ideas. He is able to discuss sin, death, eternity, full life (not mortal life), love that becomes twisted to sit as a god--to name a few.
I loved this book and am looking forward to the next in the trilogy (but I don't know when I might take it up). For those unfamiliar with Lewis, I'd suggest reading a few of his essays (The book "Mere Christianity" is a great place to start) and his book (its short and an easy read) "The Great Divorce." I would also advise you to skim over some biographical information, but I do not know that this is a necessity, just interesting.
A man named Rasom was on a walking tour
There are a lot of symbolism in this book as there are in his Chronicles of Narnia and there are a few situation lessons that we can all learn from today as when this book was written in 1938.
I really enjoy Lewis's writing style and the subtle thread of joyful spirituality that lies beneath it. There is a good deal of theology woven into this story but it's not heavy-handed, and you won't enjoy it any less if you don't notice or don't believe in it. (After all, how many of you read and loved The Lion, the Witch, and the Wardrobe as kids without noticing the rather obvious theological parallels? I know I did.)
Something I particularly liked was that Lewis does not pit spirituality against science itself, but against science used indiscriminately to serve greed and violence. This is a distinction that many Christians in this day and age have failed to grasp.
I'm hoping the second and third parts of the trilogy turn out to be as good as this one.
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