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Fiction. Literature. HTML:"Readers of Anne Tyler and Jodi Picoult will appreciate the lyrical prose and expert rendering of the themes of heartbreakk and loss."�??Booklist An unforgettable novel about friendship, love and loss. With extraordinary emotional power, Linda Olsson�??s stunningly well-crafted debut novel recounts the unusual and unexpected friendship that develops between two women. Veronika, a young writer from New Zealand, rents a house in a small Swedish village as she tries to come to terms with a recent tragedy while also finishing a novel. Her arrival is silently observed by Astrid, an older, reclusive neighbor who slowly becomes a presence in Veronika�??s life, offering comfort in the form of companionship and lovingly prepared home-cooked meals. Set against a haunting Swedish landscape, Astrid & Veronika is a lyrical and meditative novel of love and loss, and a story that will remain with readers long after the characters�?? secrets a… (more)
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The writing shows some descriptive talent. However, it's like this the whole book. Nearly everything is described this way, and it starts to get tedious rather quickly. As Veronika and Astrid meet, they both start to wake up to life or something, and start telling each other of their pasts. And the descriptions in their narrated stories are also this overdone and emotionally loaded. There's also no sense of priority as far as what has significance; memories from years ago still contain bits about the angle and quality of the light on the floorboards. Every pause in conversation, every "Astrid said nothing" and "Veronika fell silent" is recorded, as is every detail of everything they pass when they walk together. It's incredibly tiring, as are the instances of things like, "You know, Veronika, there was a time when I was afraid to come here. Now I understand that it was my own company that I feared." There are many of these.
Overall, the book is tedious and melodramatic; you hear about their great pains, and how much they've been afraid of life, and you want to tell them to get OVER it already. I found myself constantly rolling my eyes at the writing, and got sick enough of it that I didn't care about the characters at all. Had I not been reading this for a book club, I wouldn't have gotten past page 50.
The two women spend a lot of their time together on walks, or having dinner. And as is the case with most female friendships, they spend a lot of time talking. They begin sharing their personal stories; Veronika has spent her life searching for love and a sense of place; Astrid’s life has been solitary, full of loss and devoid of love. Entire chapters are devoted to one woman recounting a significant event in her life. I experienced Astrid and Veronika as an audiobook, and this format worked quite well, especially for the “storytelling” chapters where it felt as if I were right there at the kitchen table with them.
Linda Olsson’s language is quite deliberate. She provides tremendous detail in setting each scene. The simplest acts are embellished with visual details. For example, where one author might write, “She sat down on the grass,” Olsson would write something like, “She sat down on the grass, her legs stretched out in front of her, hands folded in her lap.” This same technique was used time and again, whether the women were sitting, standing, walking, driving, cooking, etc. This resulted in some repetition: Astrid seemed to fold her hands across her chest a lot; Veronika was often naked in front of a mirror!
While it’s clear that Olsson wants the reader to see how the friendship changed the lives of both women, Veronika’s impact on Astrid came across more clearly than Astrid’s influence on Veronika. Veronika seemed a bit shallow throughout. Nevertheless, I found this a poignant and beautiful story that I can easily recommend to others.
The book's messages are a bit cliche. No man (or woman) is an island. All you need is love. Love never dies. But some cliches may ring true.
Olsson's spare style neverthless succeeds in depicting place and the senses more effectively than I've experienced in awhile. The grey cold of a Swedish winter. The taste of warm berries in early summer and wild mushrooms in late fall. The green scent of a forest in the rain. The immediate emptiness of loss.
Veronika is a writer who recently lost the love of her life; Astrid lost her youth, her love and her child years ago and
When Veronika rents the cottage near her, Astrid re-awakens to the promise of hope and of renewal.
I recommend the book, and enjoyed the gentle tone. However, there seemed to be choppy gaps and a bit of unnecessary, trite sappiness. Still, it is worth time spent because the writing is good -- not great, but good.
This book explores friendship and its healing powers. It makes excellent
Sounds good? Well, not as good as I'd hoped. Astrid and Veronika are very alike in their thinking and extremely non-judgemental of each other. This made for an absence of any dramatic tension in the novel. The way the two women spoke to each other was very poetic and sentimental, which gave their conversations an air of unreality.
Just too melodramatic for my taste.
The seasons are turned interestingly upon their heads: spring is portrayed as the hardest time to bring forth young, while in autumn mothers have the benefit of the fullness of Earth's bounty - it's easy to find food and provide for offspring. The friendship has its hard knocks, and survives everything.
This is a gentle, graceful tale, with the possible subtitle, "Now let me sing gentle songs." This, in fact, is the name of the book Veronika winds up writing. It's life-affirming, wonderfully written, and well worth it. If you haven't checked this one out, do so right away.
The story is beautifully written and beautifully paced, unfolding with gentle slowness against the seasonal backdrop of Sweden and with a loving attention to detail that makes each page a pleasure to read. It touches on sensitive subjects--suicide, molestation, infanticide--but with a very light touch indeed. The controversial nature of some of the action discussed in the book, and Olsson's unique style would make it a good candidate for book club discussion.
At the start, this book
However, the backstory of the two women is really too melodramatic. You name a traumatic event, and one of them will have suffered it. For me, the book would have been a lot stronger if it had had the courage to be more subtle.
So, this was very nearly an excellent book. But I probably wouldn't have finished it, except for the fact that I was away from home and didn't have anything else to read.
While some of the events should have been deeply disturbing, the soft focus dulled the effect.