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Amongst the ancient papyri of the Dead Sea, a remarkable scroll is discovered. Written in the first century AD, it purports to be the true account of the life of Jesus, as told by Youdas the sicarios - Judas Iscariot. If authentic, it will be one of the most incendiary documents in the history of humankind. The task of proving - or disproving - its validity falls to Father Leo Newman, one of the world's leading experts in Koine, the demotic Greek of the Roman Empire, and a man the newspapers like to call a 'renegade priest'. But as Leo absorbs himself in Judas' testimony, the stories of his own life haunt him. The story of his forbidden yet irresistible love for a married woman. The story of his mother's passionate and tragic affair amidst the war-time ruins of Rome. They are stories of love and betrayal that may threaten his faith just as deeply as the Gospel of Judas... With a dramatic narrative that spans from the Europe of the Second World War to Jerusalem two thousand years after Jesus' birth, THE GOSPEL OF JUDAS is a compelling and erudite thriller.… (more)
User reviews
The motif of infidelity
The novel took about a hundred pages or so to really get started, and those first hundred pages were the most fragmented and difficult to comprehend. After those first few chapters, it became much more engrossing. The book really has three stories going on simultaneously, each taking place at a different time. One is the story of Leo's mother during World War II, the second takes place during the recent past when the "Gospel of Judas" is found, and the third is the present, after Leo has played his part in the documents translation. This format didn't work as well as it could have, but it was interesting to see the story from three different perspectives: before, during, and after. Ultimately, the story was rather depressing and not everything was resolved by the end, but it was an intense read.
Experiments in Reading
The gospel find in this novel is not at all similar to the one recently published.
This is the second of Simon Mawer’s novels that I’ve read. In each, there is a subtle thread of suspense that lends the air of a thriller, but without gun fire and chase scenes. In each his protagonist is an intellectual, an international expert in his field. In each the story hinges on an improbable love affair. And in each there is an ending that startles the reader into uncomfortable conjecture about what could have followed. His endings are beginnings—much as in real life. We are left neither with the horror of a certain disaster nor the comfort of an implied happily-ever-after. The star in each of these novels is his writing, his magnificent use of language.