Nobody Knows My Name More Notes of a Native Son

by James Baldwin

Book, 1961

Status

Available

Call number

E185.61.B353.N63 1963

Publication

Delta Book (1961), Mass Market Paperback

Description

Essays discuss race relations, segregation, the role of the writer in society, and the work of Andre Gide, Richard Wright, and Norman Mailer. Baldwin's early essays have been described as 'an unequalled meditation on what it means to be black in America' . This rich and stimulating collection contains 'Fifth Avenue, Uptown: a Letter from Harlem', polemical pieces on the tragedies inflicted by racial segregation and a poignant account of his first journey to 'the Old Country', the southern states. Yet equally compelling are his 'Notes for a Hypothetical Novel' and personal reflections on being American, on other major artists - Ingmar Bergman and Andre Gide, Norman Mailer and Richard Wright - and on the first great conference of Negro - American writers and artists in Paris. In his introduction Baldwin describes the writer as requiring 'every ounce of stamina he can summon to attempt to look on himself and the world as they are' ; his uncanny ability to do just that is proclaimed on every page of this famous book.… (more)

User reviews

LibraryThing member andyray
Baldwin is in his Muse when he's writing essays, and that's what thius is. One could be reading Bertrand Russell or Biill Buckley as an essay's structure is the same for all writers. Baldwin opinionates on the race problem mainly, with two discussions of Richard Wright and Norman Mailer thrown into
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the mix. And as he argues, Baldwin does so with emotions and feelings, not facts, but he does the former so well one doesn't realize the facts are absent until somewhere down the line.
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LibraryThing member Muscogulus
This is a magnetic book. Whenever I leaf through it again, I get the feeling I have to reread it once more.

Read this, for example: "...[T]he American equation of success with the big times reveals an awful disrespect for human life and human achievement. This equation has placed our cities among
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the most dangerous in the world and has placed our youth among the most empty and most bewildered. The situation of our youth is not mysterious. Children have never been very good at listening to their elders, but they have never failed to imitate them. They must, they have no other models. That is exactly what our children are doing. They are imitating our immorality, our disrespect for the pain of others."

My copy is a gift from one of my sisters, who wrote inside, "My favorite author." I believe I know why.
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LibraryThing member SeriousGrace
Nobody Knows My Name is a collection of essays continued from Notes From a Native Son. While the essays are less biting than those in Notes they are just as honest and clear about the Negro condition at the time of Baldwin's writing. He has a sharp eye for the social and economical position of the
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time. As he was frequenting Paris I find it interesting that for Baldwin the question of color did not exist in Europe whereas in America he was afraid to listen to Bessie Smith or even touch watermelon. It is in Europe that Baldwin discovered what it mean to be an American.
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LibraryThing member heggiep
I enjoy reading essay collections from the '50s, '60s and '70s because they are from another time that, nonetheless, still feels somewhat contemporary. This excellent collection, unfortunately, feels too contemporary. During these Black Lives Matter days, that a book written 60 years ago should
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feel so currently on-point is, while fascinating, quite disturbing.
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LibraryThing member IonaS
This is an excellent collection of articles/essays by the late James Baldwin.

He left the US for Paris at one point because he felt he could not survive “the fury of the colour problem” there.

He writes about being a Negro and also being an American writer.

He introduced me to Richard Wright, a
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renowned black American writer, who, among other books, wrote “”Black Boy”. He tells us it is the study of “the growing up of a Negro boy in the Deep South, and is one of the major American autobiographies”.

Wright was one of the speakers at a conference of Negro-African writers and artists in Paris in 1956, which Baldwin attended, and we are given the content of Wright’s speech.

Baldwin tells us about Harlem and that “Negroes want to be treated like men”.

He discusses the differences between the South and the North (of the US).

He quotes a black friend as saying “The spirit of the South is the Spirit of America”.

He tells us “the South is not merely an embarassingly backward region, but a part of this country, and what happens there concerns every one of us”.

For the Northener, “Negroes represent nothing to him personally except, perhaps, the dangers of carnality”. “He never sees Negroes, Southerners see them all the time. Northerners never think about them whereas Southerners are never really thinking of anything else. Negroes are, therefore, ignored in the North and under surveillance in the South, and suffer hideously in both places. Neither the Southerner nor the Northerner is able to look on the Negro simply as a man.”

This book was written many years ago; I hope that what Baldwin wrote then has become outdated. I don’t know because I've never been to the US at any time.

There’s an article/chapter about Faulkner and desegregation and an interesting description of Baldwin’s visit to Sweden, where he visited Ingrid Bergman. He gives us a detailed account of the intricacies of their conversation.

There is also a chapter describing Baldwin’s complicated relationship with Richard Wright, and one about his relationship with Norman Mailer.

I found these latter chapters wonderfully illuminating both as regards Baldwin’s and the others’ characters/personalities.

Although this volume may seem and in fact is rather obsolete, I found many of the chapters fascinating. I would highly recomend that any reader at all interested in Baldwin or his work read this book, if it can still be obtained.
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Awards

Language

Original publication date

1961

ISBN

9780803764354

Local notes

OCLC = 2556
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