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Set against the harsh reality of an unforgiving landscape and culture, The Man Who Fell in Love with the Moon provides a vision of the Old West unlike anything seen before. The narrator, Shed, is one of the most memorable characters in contemporary fiction: a half-Indian bisexual boy who lives and works at the Indian Head Hotel in the tiny town of Excellent, Idaho. It's the turn of the century, and the hotel carries on a prosperous business as the town's brothel. The eccentric characters working in the hotel provide Shed with a surrogate family, yet he finds in himself a growing need to learn the meaning of his Indian name, Duivichi-un-Dua, given to him by his mother, who was murdered when he was twelve. Setting off alone across the haunting plains, Shed goes in search of an identity among his true people, encountering a rich pageant of extraordinary characters along the way. Although he learns a great deal about the mysteries and traditions of his Indian heritage, it is not untilShed returns to Excellent and witnesses a series of brutal tragedies that he attains the wisdom that infuses this exceptional and captivating book.… (more)
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This book is magical in the lushly, unique characters, the impossible but semi-true to life setting (Idaho), the 'outside the norms' sexual perimeters, and pulls the reader in so magically that you are heart-broken and smitten half the time you're reading it. I cried a lot while first reading this book. The author poured his heart into it and it was easy to see how he arrived at the title. A title I love equally as much as the book.
His great feat? Tackling the most unlikely of love stories in the most bizarre but tender and fierce of ways. This book stole my heart at times, and luckily, I've never wanted it back since. Thank you Tom!
It has racism, bisexuality, Indian mythology, love, craziness and Mormons and I'm not sure how I feel about it at all. Glad I went there.
Out-In-The-Shed, usually shortened simply to Shed, is just one of the many names held by the narrator of this story. He shares his "human being story" as well as the human being stories of those closest to him: Ida
As a bit of a warning, there is quite a bit of tragedy lurking in this book. Although it was expected (readers are told virtually at the beginning that it ends bad), I found myself hoping over and again that it wouldn't. There is plenty of life in this novel, but ultimately it is not a happy one.
I will admit that the writing style, which was very colloquial, took me some time to get used to, and the very very ending didn't really seem to work very well. However, this is one of the best books I've read in a while, even if it's difficult for me to identify exactly what made this so. But, despite its flaws, I really, really enjoyed it.
Experiments in Reading
What the book actually contains: rape. Murder. Mutilation. Prejudice. More rape. Actually, pretty much anything unspeakable you can think of - it'll be in there
Life is vile enough. I don't need my literature to mirror it. To Oxfam it goes!
The narrator is Shed, or Duivichi-un-Dua, a half-breed berdache who makes his living at the Indian Head Hotel in the little turn-of-the-20th-century town of Excellent, Idaho and pursues killdeer, the concept of staying hidden and secret.
Love and acceptance, the freedom to be who you are is what Ida Richelieu, the hotel madam who wears blue when she ovulates, believes in. “Oh, the humanity,” is one of her favorite sayings and one that encompasses what this book is about.
Shed believes Dellwood Barker is his father. He isn’t, but he is a philosopher. He teaches Shed that, "Smoke and wind and fire are all things you can feel but can't touch. Memories and dreams are like that too. They're what this world is made up of. There's really only a very short time that we get hair and teeth and put on red cloth and have bones and skin and look out eyes. Not for long. Some folks longer than others. If you're lucky, you'll get to be the one who tells the story: how the eyes have seen, the hair has blown, the caress the skin has felt, how the bones have ached. What the human heart is like. How the devil called and we did not answer. How we answered."
Spanbauer has created a tale that exposes intolerance set against a pansexual West, unknown to Hollywood depictions. It is a novel in which the characters (and the reader) are entangled in a struggle to find out the answer to the questions of what makes family, are there limits to love, and how does one set the self – after it’s been identified – free. Freedom is what the devil would deny us and this is a book that does battle with the devil.
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