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Set at a small, affluent liberal-arts college in New England at the height of the Reagan eighties, The Rules of Attraction is a startlingly funny, kaleidoscopic novel about three students with no plans for the future--or even the present--who become entangled in a curious romantic triangle. Bret Easton Ellis trains his incisive gaze on the kids at self-consciously bohemian Camden College and treats their sexual posturing and agonies with a mixture of acrid hilarity and compassion while exposing the moral vacuum at the center of their lives. Lauren changes boyfriends every time she changes majors and still pines for Victor, who split for Europe months ago, and she might or might not be writing anonymous love letters to ambivalent, hard-drinking Sean, a hopeless romantic who only has eyes for Lauren, even if he ends up in bed with half the campus and with Paul, Lauren's ex, who is forthrightly bisexual and whose passion masks a shrewd pragmatism. They waste time getting wasted and race from Thirsty Thursday Happy Hours to Dressed to Get Screwed parties to drinks at the End of the World. The Rules of Attraction is a poignant, hilarious take on the death of romance.… (more)
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This novel is an interesting study on how individual interpretation can at times make navigating personal relationships a
If you liked the movie, read the book; it’s a thousand times better.
I especially enjoyed the Rashoman-like quality of using multiple narrators to tell the same story in vastly
Aside from that, a lot of it seems to be going for shock value (Kids these days are doing the drugs and having the sex ... sometimes with the gays), but it strikes me as over-the-top and forced.
A liberal arts college where nobody appears to go to class, ever, where unending drug use and casual sex is the norm...I now curse myself for going to a state college and majoring in business. Then again, I vaguely remember reading that people at Bennington (his alma mater) were rather annoyed by the way "Camden" was presented, so perhaps we've got a not so accurate presentation.
At one point the narrative shifts to Patrick Bateman, main character of American Psycho. No hint of a serial killer here, he is simply tut-tutting about his younger brother Sean. Very odd.
My favourite part is the European travelogue - having just completed a long trip along those geographical lines, it was
The three main characters intertwine, lock and disperse throughout, as people do, in a variety of ways. Their personalities are unveiled as I read on, and I actually got a lot through this book. In a way, it was like opening somebody's diary; thoughts never said, love unrequited and cheap thrills, it's all here. School daze.
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