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Drawn from the secret diaries and journals of novelist, poet, and university professor Samuel M. Steward, this is a reconstruction of one of the more extraordinary hidden lives of the twentieth century. An intimate friend of Gertrude Stein, Alice B. Toklas, and Thornton Wilder, Steward maintained a secret sex life from childhood on, documenting his experiences in vivid (and often very funny) detail. After leaving academe to become tattoo artist Phil Sparrow, Steward worked closely with Alfred Kinsey on his landmark sex research. During the early 1960s, Steward changed his identity once again, this time to write exceptionally literate, upbeat homosexual pornography as Phil Andros. An archive of his papers, lost since his death in 1993, has provided biographer Justin Spring with the material for an illuminating life-and-times biography. More than merely the story of one remarkable man, this is a moving portrait of gay life long before gay liberation.--From publisher description.… (more)
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Steward completed his PhD at Ohio State University and wrote a critically acclaimed first novel in the 1920's. But, because he refused to self censor or camouflage homosexuality in his writings he was never able to publish much of anything until the late 1960s and early 1970s. Because of the minor success of the early novel he was befriended by notable writers of the day including Gertrude Stein, Alice B. Toklas, Thornton Wilder, and many others.
His cataloging and documenting of his sexual encounters, starting in the 1920s, led to a long working and personal relationship with Alfred Kinsey and the Institute for Sex Research. (I learned more about Kinsey from reading this book than I ever knew before).
I highly recommend this book to anyone interested in 20th century American history, history of homosexuality, sex, tattooing, writing and publishing.
Spring gives the various components of Steward's life equal treatment, and the reader while aware that sexual encounters were a very large and important part of Steward's life, never loses track of the fact that the man was a professor, a writer, and an artist. In fact, even his sexual life took on a creative bent as he found new ways to meet men and interesting ways to document them.
In writing of Steward's life, Spring takes his readers through a complete history of gay life in America from the 1920s through the 1980s. As we follow Steward's sexual conquests and his various careers, we are also following gay lifestyles from the closeted and careful times to the breakaway and coming-out decade of the 1970s. In many ways using Steward's fascinating life as a way to trace gay history in America is a brilliant path for Spring to have taken. He uses Steward as the vehicle to present more gay and American history than we might expect from a biography of one man.
Steward may not have been a household name, but he was very friendly with many famous people including Alfred Kinsey. Gertrude Stein, Alice B. Toklas, George Platt Lynes, and Thornton Wilder among others. For those who avoid biographies unless there are connections to fame, Secret Historian will not disappoint. And, in many cases, it should be noted that Steward's life was far more interesting that those of his more famous friends.
One of the unique parts of the biography is the emphasis on Steward's time as a tattoo artist. While biographies of gay men, artists, and writers are plentiful, when was the last time anyone read a biography of a tattoo artist? Introducing us to the world of tattooing is an extra gift from Spring who has the admirable talent of being able to discover those with unique lifestyles and pick out the parts that are most interesting, bringing them alive to an audience who might not otherwise know or understand them.
Congratulations must also go to the executor of Sam Steward's estate who may not have known what to do with all of Steward's papers and files, but kept them anyway. If he had not preserved them, Spring would not have had what he needed to research and write this very unusual and commendable biography. We can only hope that more individuals leading quiet but "other worldly" lives leave behind the depth of documentation that Steward left. Stories such as this need to be told, and Steward probably knew that in some way during his lifetime. If he were alive, he would have every right to be proud of Spring's book about his life behind the closed door as well as in front of it.
As Spring notes in the introduction it is in many ways "a story of obsession, isolation, and failure," so don't come looking for chicken soup for the soul.
Final summation, read it. Then, track down as many Phil Andros novels as you can find.
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