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In June of 1989 Paul McLeod, a newspaper publisher and recent widower, travels to Greece, where he falls for a young American artist and reflects on the complicated truth about his marriage. Six years later, again in June, Paul's death draws his three grown sons and their families back to their ancestral home. Fenno, the eldest, a wry, introspective gay man, narrates the events of this unforeseen reunion. Far from his straitlaced expatriate life as a bookseller in Greenwich Village, Fenno is stunned by a series of revelations that threaten his carefully crafted defenses. Four years farther on, in yet another June, a chance meeting on the Long Island shore brings Fenno together with Fern Olitsky, the artist who once captivated his father. Now pregnant, Fern must weigh her guilt about the past against her wishes for the future and decide what family means to her. In prose rich with compassion and wit, Three Junes paints a haunting portrait of love's redemptive powers.… (more)
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Every novel tries to deliver deeply wrought characters that spring to life off the page. But once a reader puts a book down, and goes on to another, generally these characters slowly disappear from memory. But not all fictional characters fade away; with some novels the entire focus of the work is on such fine and deep characterization that readers will remember that character for the rest of their lives.
Three Junes by Julia Glass is just such an incredible character study. The character we come to know so deeply is Fenno McCloud. It’s a brilliant creation…no wonder it won the National Book Award in 2002!
And what type of character did Julia Glass bring to life in Fenno McCloud? Is he some larger-than-life role model? No, Fenno is just another decent human being struggling to live a good life in a difficult world. Perhaps he is unique because he possesses a strong moral compass and this is what attracts us to him. Fenno is gay, but his sexuality is not important in the overall scheme of this book; also, there is nothing in this book that is titillating.
Through its artistic three-part structure, Fenno McCloud comes alive. Much of the depth of the character study is derived from the book’s unique structure. The author describes it as a triptych—a three-part work consisting of a large center novel flanked on either end by two small novellas. Each piece could stand alone, but together they perform symbiotically to create something far greater. It is a structure that allows the reader to learn about Fenno from different perspectives.
The first part, named Collies, tells the story of Fenno McCloud’s father, Paul, during June of 1989—a time in his life when he is vacationing in Greece recovering from the death of his wife, Maureen. There are many flashbacks where we are introduced to many of the major characters in the novel including Paul’s eldest son, Fenno. There is a young American woman on the trip named Fern. Paul finds her disarming, and soon he is telling her his innermost secrets.
The long central novel, named Upright, is set in June of 1995. Fenno is living in New York at the height of the AIDs epidemic. And the mantra that runs through his head is "stay upright and you will stay alive." In this section we are introduced to Fenno’s friends and move with him through his everyday home and work life. There are numerous flashbacks where we learn about Fenno’s Scottish family.
In the third part, named Boys, and set in June of 1999, Fern again plays a pivotal role. Fenno and Fern meet each other in New York, never knowing that Fern knew Fenno’s father in Greece ten years earlier. Just like his father before him, Fenno finds Fern disarming, and soon he is opening up to her and telling her his innermost secrets. That father and son, would find Fern and both see her as the perfect confidant…well, that makes the serendipity of their coming together even more magical.
The three sections permit us to view Fenno not only from his own point of view, but also from the points of view of those people who are most important to him. The action of the book is centered around Fenno’s relationships—those with his father, his mother, his two brothers, the brothers’ wives and children, his friends and lovers in New York, and even his beloved parrot, Felicity.
This novel is not for everyone. If you need a strong plot or a compelling storyline, look elsewhere: this novel is decidedly a realistic portrayal of everyday life, nothing more. If you love a novel with deep character development, look no further: this book is about as good as they get.
If after finishing the book, Fenno becomes so much a part of your life and you want some more time with him, you will be happy to know that Fenno reappears as one of a group of major characters in Julia Glass’ latest novel The Whole World Over. Both novels are excellent and highly recommended, but “Three Junes,” is truly exceptional.
It was funny though, I am usually a pretty fast reader and this book took me longer to get through than I would have expected. I think it is particularly dense - the type of book that you need to take a little slower than expected.
It was a melancholy read - not much levity among
Well written - very engrossing -
I thought the character of Fenno was a bit aloof and pompous -- especially after I enjoyed his character in The Whole World Over. Maybe I wanted a neater ending, I wanted Fenno to realize that Fern had known his father. For Fern to provide Fenno with some knowledge about his father's last months in Greece. I wanted there to be some resolution at the end and I really didn't feel like there was.
Six years later, it's June again and Paul
Four years later, the story is narrated by...well, I won't tell you the last narrator.
So why did I like it so much? The plot of the story is pretty odd. Is there really a plot? It's really all about the characters. The story sucks you in by having Paul McLeod narrate. And you really like him. And this first part is short and then he dies. So you're already invested in the story. The second section is the longest section, narrated by Fenno, and I just fell for that character. I mean, while reading this section I loved to take the book for coffee, sit down, and just savor the book.
When I finished the book I was so disappointed. Not disappointed in the ending, but sad that it ended at all. It took me awhile to read this book. I didn't rush through it, I didn't check on what book was waiting in my TBR que, I just sat and drank coffee and savored it.
Read this novel at least a year ago and cannot now reconstruct the plot, which seems to include enough individuals and landscapes for a few novels. I remember the settings to be convincing, though far distant from one another. The central
Three summers (1989, 1995, & 1999) in the life of a Scottish family, in Dumfries & in NYC. There are some expressive observations about death
Read this if: you like cause-and-effect parent-and-children stories; or you like things tied up in a neat bundle. 3½ stars
I loved that readers learn of characters' misinterpretations of other characters' lives, but the characters themselves don't ever find out the truth, no matter how badly we might want them to. It would be tempting, I think, as the author to spell it all out, but Glass doesn't, and I appreciated this realism.
In the end, I think this is a complex novel, beautifully written, but it just didn't come together quite right for me.
This is the story of the emotional growth and fulfillment of our three principal actors - Fenno, Fern, and Fenno's dad. Tony serves as somewhat of a catalyst, if such is proper for this story. He's a bisexual who has been intimate wth both Fenno and Fern. He is capricious, ingratiating, and gorgeous, and will not be got rid of. At length, you comprehend that no one really wants to be rid of him.
"Three Junes" is touching, effective, and transporting. We come to value these main players, and hope things turn out for them. This is excellent, a fulsome journey. It led me to other work by this wonderful author.
If tidiness in plotting is an issue with you, take warning. There are a number of items left unresolved at the end of the book. Some of them are made to seem potentially important as the book evolves and then are simply abandoned. Perhaps there is some symbolism here that simply escaped me. The story seems too well crafted for carelessness but the reader is left wondering what they ultimately decided to do with Dad's ashes, who the World Wad II medals found in the vase really belonged to and whether Marjorie ever sent those letters to Fenno. A bit frustrating but bearable.
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