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"It's the week before Christmas when a lone robber bursts into a busy Glasgow post office carrying an AK-47. An elderly man suddenly hands his young grandson to a stranger and wordlessly helps the gunman fill bags with cash, then carries them to the door. He opens the door and bows his head; the robber fires off the AK-47, tearing the grandfather in two. DS Alex Morrow arrives on the scene and finds that the alarm system had been disabled before the robbery. Yet upon investigation, none of the employees can be linked to the gunman. And the grandfather--a life-long campaigner for social justice--is above reproach. As Morrow searches for the killer, she discovers a hidden, sinister political network. Soon it is chillingly clear: no corner of the city is safe, and her involvement will go deeper than she could ever have imagined"--… (more)
User reviews
To my mind, it is not as good as THE END OF THE WASP SEASON but it is certainly thought provoking.
On the surface, Alex
But really the novel is about Glasgow's underbelly of crime, the connections between politicians and criminals, between the police and criminals, and about corruption among those who should be incorruptible. Even police officers close to D.I. Morrow are flawed, and she herself is still in touch with her half-brother Danny, himself a crime boss, drug supplier and money launderer.
Strands of the novel that begin separately: the post office robbery; the fall of a well thought of politician; a sting involving drug bosses and money launderers; and union politics; converge into a stunning web. Morrow is put on a short leash by her commanding officer, as it also becomes inevitable that there will be an internal investigation into police corruption.
A few days before Christmas and there's been a brutal shooting during a robbery at a post office, leaving a man dead. There are questions about the victim's behavior before he was shot and the man who had been standing behind him seems to be more than just a by-stander. Morrow wants to do more than just find the perpetrator, she wants to find out why it happened. Along the way, there's a disgraced politician and the possibility of police corruption.
Mina always writes fantastic books, tartan noir at its finest. Alex Morrow is a wonderful protagonist; she's tough and ballsy, while still able to hurt for all the people scarred by life in a tough city.
Listened Audible. Understated reading.
The only part of Gods and Beasts that was engaging, for me, was the part with the police officers, but that was less than half the novel. I ended up skipping the political parts
This is a challenging case in a city where police corruption and criminal activities are seeming intertwined. As Alex and her partner Harris conduct a series of interviews of the colourful and eccentric characters that are part of the investigation it becomes clear that everyone has something to hide.
Denise Mina is an expert at combining fictional crime and social commentary and delivering a fast paced, exciting story. The case is closed but not until Alex realizes to her shock that the corruption has even infected her own squad, yet there is still a powerful connection to the underworld that will most certainly have an effect in future books in this series. Books like Gods and Beasts are why this author remains a favorite of mine.
Mina is a master at writing about the marginalized, at writing about the grit and grime of living "outside the city walls" of Glasgow, and I once again found myself immersed in Alex Morrow's world as she tries to solve this crime, deal with her co-workers, and be a wife and mother. Mina's world isn't always pleasant. The days are often overcast and gloomy, and violence can blindside you. But there's comfort in knowing that someone like Alex Morrow is on the job. That someone like Alex Morrow will keep fighting the bad guys with intelligence and determination.
There's a power to Mina's writing that you don't see every day. Take, for example, this one tiny scene that doesn't mean all that much in the scheme of things: "On the ground, by the side of the concrete front step, was a small ash tray, four half-smoked cigarettes laid out in a neat row, filters by filters, the burnt tips concertinaed. They made him think of diagrams of slave ships." This one small descriptive scene made this reader think of the smoker, so precise with those half-smoked cigarettes, so enslaved by an addiction to nicotine, but the scene keeps on giving. Diagrams of slave ships? My mind went on to think of people stolen from their homes, packed into filthy ships holds, and taken to work in tobacco fields. Of how slavery and poverty and drudgery grind people down.
It's a tiny scene with so much depth and power that it still takes my breath away, and it's one of the many reasons why I read Denise Mina's books. If you haven't, I hope you'll give them a try. As much as I enjoy Mina's Alex Morrow series, I found her Garnethill trilogy and her novels featuring Paddy Meehan to be excellent. Don't miss out on Denise Mina, one of the founders of Tartan Noir.
Maybe
I kept hoping for some sort of depth, some hint that more nuance might appear in the novels dwindling pages but to no avail. Disjointed, the crime didn't even matter and was barely investigated but neither were any of the other corruption issues that plagued the characters. Below mediocre.