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Fiction. Literature. HTML:25th Anniversary Edition "A magnificent treasure for all cultures and all time.ā? ā??St. Petersburg Times It is November 25, 1960, and three beautiful sisters have been found near their wrecked Jeep at the bottom of a 150-foot cliff on the north coast of the Dominican Republic. The official state newspaper reports their deaths as accidental. It does not mention that a fourth sister lives. Nor does it explain that the sisters were among the leading opponents of Gen. Rafael LeĆ³nidas Trujilloā??s dictatorship. It doesnā??t have to. Everybody knows of Las Mariposasā??the Butterflies. In this extraordinary novel, the voices of all four sistersā??Minerva, Patria, MarĆa Teresa, and the survivor, DedĆ©ā??speak across the decades to tell their own stories, from secret crushes to gunrunning, and to describe the everyday horrors of life under Trujilloā??s rule. Through the art and magic of Julia Alvarezā??s imagination, the martyred Butterflies live again in this novel of courage and love, and the human costs of political oppression. Julia Alvarezā??s new novel, A… (more)
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But this book really grabbed me. I ended up having actual nightmares because of and relating to this book. I thought the author did a tremendous job of giving an accurate feeling for what it might feel like to live under a dictatorship regime, and of being public, oppositional figures in such a situation. I enjoyed the writing style much more than Iād expected. Iād like to read other books by this author. Iāve heard her speak a couple times, and Iāve always come away favorably impressed.
I loved the humor in the book. I learned a lot about the time and place. I enjoyed the different voices, although I had to occasionally look back to see who was narrating.
I really enjoyed the characters Maria Teresa, and Minerva, but Patria less so. Maria Teresa struck me as somewhat shallow but very funny, Minerva as passionate and generous, and at times infuriating. Dede felt like a bit of a blur for much of the book; sheās the one who survived and who was available for providing some factual content. Perhaps it was her privacy that needed to be protected.
There werenāt many, but I enjoyed the little drawings in the story; some were like maps, though of small places.
My paperback copy had fascinating extras. The author talks a bit about herself; she was a refuge from Trujilloās regime because of her fatherās activism. I feel her passion coming through in her storytelling. There are discussion questions. And she explains about her choice to write this as a historical fiction novel.
Iād love to know how all the children and grandchildren and other descendents are doing now. I did get from this material how hard it must be to be a survivor of those who were and are martyred and revered. And Iād like to read more about this period in this place. Iām embarrassed that I knew nothing of it, even though I was alive (albeit young) during these atrocities. Iām always astounded and perturbed to read about horrific events that took or are taking place during my lifetime. I always think about what I was doing at the time, and how different my life was, and how ignorant I was.
I read this for my real world book club, and I finished it late, a first for me, but not because I wasnāt enjoying my reading experience.
Alvararez tell the story from the perspectives of all four
I found the story very gripping. We have all heard the stories of major revolutionaries, people who singlemindedly strive for change, but what we don't hear are the stories of the people who participate on a smaller scale to make the revolution possible. I feel that Alvarez sheds light on what it was like for people who cared for the revolution, but cared for other things as well...parents, spouses, children, siblings, and homes.
As well written and compelling as the story was, I felt a lack of connection with the characters. I felt that they made choices that were sometimes unnecessarily reckless, like keeping a diary which names names and antagonizing a political dictator publicly. Perhaps it is my own inability to truly understand what it would be like to live in a country ruled by a monster, but whatever the reason I just didn't relate to the characters in the way I wanted.
All in all it is a book I would recommend reading. It's a fascinating look into a revolution from the eyes of four very different people who were at first bonded by their sisterhood, then bonded by their cause, and ultimately by their murders.
This is an incredible piece of historical fiction that absolutely floored me. As I got towards the end, I didn't want to finish the story - I had grown to care so much about the four women that I didn't want them to be dead. Alvarez, whose family fled to the United States to escape Trujillo's rule when she was ten, has crafted a truly powerful story that will stay with me for a long time.
The book hit me at a very visceral level. By the end of the novel I felt close to the sisters and even though I knew from the start how it would end, losing them was still painful. Patria, the eldest sister, had a gentle heart and incredible courage. MarĆa Teresa, the youngest, was sweet and devoted. Minerva was incredibly headstrong and brave and it was her story that hit me the hardest. She blazed the path to the revolution for her sisters and I wonder if she ever felt responsible for their safety.
I loved how the book unfolds each sisterās story separately. Each one is interwoven with the others, but they all came to join the revolution in very different ways; for political reasons, for love or because they want to be a protective mother to the revolutionaries. Each one has such a beautiful voice and you grow to feel for each of them separately. You share their frustrations with their sisters, and then when you read the next sisterās section you love that oneās story just as much.
I was surprised that I identified with different sisters at different points in their lives. I had very little in common with some of them, but it was written in such an intimate way that you felt as though you were there, living their passion and frustration and joy right alongside them.
Trujillo regime is not one we hear about very often, but it was horrific. He ruled for 30 years and managed to kill more than 50,000 people during that time. He was an advocate of genetic cleansing and killing black people who make up a huge part of the population in the in Dominican Republic. It reminded me a bit of Hitlerās reign in Germany. People had to say "Viva Trujillo," just like Europeans had to say "Heil Hitler" to show their loyalty and support. It reminded me that if no one stands up against tyrants the world becomes a dark place. Itās easy to say the sisters should have sat back and done nothing, but in the end their deaths brought more worldwide attention to what was happening and who knows how many lives were saved.
BOTTOM LINE: Itās difficult for a book to balance a history lesson and an emotional story arch, especially when itās being told from multiple points of view. I felt like this book did all of those things so well. Itās an important subject matter to be aware of and I loved it.
āHow people romanticized other peopleās terror.ā
In the Time of the Butterflies has the power of historical truth, fueled by the passion of a truly great author. She makes you cringe at the cruelty of Trujillo's secret police and simultaneously want to shake Minerva for her inability to shut up and live to fight another day.
The narrator is Dede',the sole surviving sister, who must raise her sisters' orphaned children. She is the sane one who lacks the courage to join her three sisters and their husbands in the fight for freedom. She will be the one to bear witness to the truth while trying to justify to herself her 'failure' to join them.
The story is a powerful fictionalized account of the Mirabals sisters who drove the underground movement against Dominican Republic dictator Trujillo. Alvarez personalizes this scarred history by telling the story from the perspective of the sisters, the one survivor and the memories of the
Wonderful taste of the culture in the D.R. and the power of these four young women.
This book is much more personal and smaller in scope than the first book The Feast of the Goat. It concentrates on one family, the Mirabals. They have 4 daughters and
These were real people, and they were murdered by the regime. They became heroes and legends, the author tries to tell the story focusing on their humanity and every day lives rather than their status as martyrs. This is a work of fiction, but is done so well, that the story seems real and plausible.
They were active towards the end of the dictatorship, when it was most vulnerable. They caught the fancy of the country and were more dangerous as symbols than perhaps as actual actors. In this book because the focus is almost completely on the family, its hard to tell what their impact on the larger society was. Reading The Feast of the Goat with its wider perspective, and which talks about the Mirabal sisters, makes it clearer why they were killed.
The writing is smooth, and it flows well. The characters are interesting, and people you care about. Very good, although wrenching read.
āIn the Time of the Butterfliesā by Julia Alvarez tells the true story of the brave Butterflies through the lens of fiction, highlighting their inspiring bravery in the face of cruel despotism. Written with quiet lyricism, Alvarezās novel becomes a universal story of history, politics, freedom, and human courage.
The first two parts of this novel were rather tedious, and I had a hard time getting into them. The last part however, was thrilling as well as informative. Thats
This was a good read, which I do recommend.
Long live the butterflies.
If you'd have described this book to me, I'd have thought this would not likely be a book I'd like, let alone love. A book centered on a cell of communist revolutionaries involved in bomb-making who name their children after Che Guevera? NO! And this has these little quirks of literary fiction that often seem so artificial to me: shifts in narrative from present to past tense, from first to third person, portions in diary format, jumps in time. And I'm suspicious of works of "creative non-fiction" that blur the distinction between fact and fiction. Well, to take these things in reverse order, this isn't creative non-fiction. As Alvarez wrote in her postscript, the Mirabel sisters of this story are her invention, her creation. This is a novel, not fictionalized non-fiction--that's apparent from the start and I think made the story all the more powerful--she's not afraid to entirely inhabit her characters. Second, she's a master storyteller who kept me riveted from beginning to end--and this despite that she opens the novel with the surviving sister being visited by someone researching the story of the Mirabel sisters--so we know they're doomed from the start. Which lends only poignancy--and strangely suspense--to what follows. I was never jarred by the shifts in time, tense, point-of-view and narrative technique--Alvarez is that good.
And yes, I did care about the sisters. I didn't care for the one novel by Isabel Allende I'd tried, a celebrated Latin American author--Allende's novel seemed such naked Marxist propaganda to me. I never felt that way about In the Time of the Butterflies. Alvarez's novel is not polemic. It's a very personal, intimate story of four sisters and she's great at making them all very different from each other. I never had a problem keeping Patria, Dede, Minerva, and Maria Teresa apart--they all had such different voices, dreams and motivations. It was easy to identify with them and understand their choices. And it probably helped that I felt at home with her characters. My mother is Puerto Rican--it's not so different in culture to the Dominican Republic, and there were little phrases and details throughout where I felt a little shock of recognition. Alvarez evoked her time and place so well I felt I had visited there. It's hard to think of a higher compliment to give a novelist.
It is also one of the great novels of a semi-totalitarian government and what it means for a group of young women growing up outside the capital. It makes for an interesting pairing with Mario Vargas Llosa's The Feast of the Goat, which covers much of the same period, has some of the same events, but does it all from a different perspective. The difference is that In the Time of the Butterflies is much more subtle. It has the same torture, de facto child rape by Trujillo and other horrors, but all of it is more understated and seen through the eyes of the girls in the story. That all makes the one episode where torture is more directly described that much more powerful.
I listened to the audio version, but did not catch the names of the narrators. The book was told from the first person perspective of each sister in turn, and each one had a different narrator. All the narrators did a fantastic job with their part.
The book could get a bit melodramatic at times, but all in all, it was a very insightful work.
There are no surprises in this novel. Right from the beginning, we know how the story ends. Dede begins the narration in 1994 as she is interviewed by a journalist, and she takes the reader back to the beginning, nearly two decades before the murders. Dede is suffering from survivorās guiltā¦she needs to tell her storyā¦and really, the book is as much about this lone surviving sister as it is about the actual historical events.
Trujilloās crimes against his people are revealed through the voices of Minerva, Maria Teresa and Patria Maribel. Minerva was the most feisty and politically motivated of the three, and it was her voice which I thought Alvarez did a good job capturing. Even still, I found it hard to fully empathize with any of the characters who felt mostly flat to me.
Prior to reading this book, I had no knowledge of what happened in the Dominican Republic in the 1940s through the 1960sā¦and I did learn quite a bit. But, because of the structure of the novel, there was very little tension developed. We know the end result. We know Trujillo is a monster. We wait for Alvarez to amp up the tension, to tell us something new or illuminating. But it does not happen. Despite Alvarezās beautiful writing, and some lovely passages, In the Time of the Butterflies never felt compelling to me.
Readers who wish to learn more about the history of the Domincan Republic may find this historical novel interesting. But for me, it was just a so-so read.