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From 1884 to 1939, the Great Porter Circus made the unlikely choice to winter in an Indiana town called Lima, a place that feels as classic as Sherwood Anderson's Winesburg, Ohio, and as wondrous as a first trip to the Big Top. In Lima an elephant can change the course of a man's life-or the manner of his death. Jennie Dixianna entices men with her dazzling Spin of Death and keeps them in line with secrets locked in a cedar box. The lonely wife of the show's manager has each room of her house painted like a sideshow banner, indulging her desperate passion for a young painter. And a former clown seeks consolation from his loveless marriage in his post-circus job at Clown Alley Cleaners. Cathy Day follows the circus people into their everyday lives and brings the greatest show on earth to the page.… (more)
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This is a humorous, insightful, poignant in-depth look at circus life from 1884-1939. Painting a lovely canvas of circus
Through a series of well told, interlocking stories, this is well researched snapshot of a complex community.
Highly recommended.
I really enjoyed this collection of interrelated short stories all set in the
In other words, this collection may appeal to non-"circus fanatics" who appreciate character-driven, introspective writing.
The second section of the book deals more with the families who live in this former circus town and while not nearly as fascinating still very well written and an interesting take on how the history of a small town plays a large part in the lives of it's inhabitants.
An amazing piece of contemporary fiction, The Circus in Winter is undoubtedly a book worth reading and relishing. Cathy Day's style of writing is simple and without unneeded embellishments. I enjoyed each of her stories for what it was: a work when blended together with the others contained in the book, completes a beautifully moving portrait of the circus and small-town life.
I’ve seen it compared to Sherwood Anderson's Winesburg, Ohio, and that description is spot on. Both books breakdown small-town life and the dark secrets that lie in everyone's past. There are sweet moments, but overall it's about the heartbreak inherent in the human condition.
Day draws each character beautifully and you're invested in their story from the first pages. Each person is fragile despite their sometimes tough exteriors. Wallace Porter is a resident of Lima, Ind. and buys the circus from a man named Hollenbach. Porter’s own story is so tragic that it sets the tone for the rest of the book.
There’s Jennie Dixianna, who was raised in the Alabama bayou and now performs the “spin of death,” wearing her perpetually bloody wrist as a proud talisman of her both talent and stubbornness. Then we meet the Boela tribe, which includes generations of members. It starts with Bascomb and Pearly, but continues with their son Gordon, his daughter Verna, and her son Chicky who is a dwarf. Even characters that aren’t human, like Caesar the elephant, find a way to pull you in.
There are stories set within the circus and others that feature the lives affected by it. There’s the lonely wife of its manager who fills her home with murals of the circus. One family moves to Peru years after the circus has closed, but vestiges of its glamour still seep into their lives. The circus also barely survived a huge flood in 1913, which wiped out many of its performers and animals.
I loved how all the stories are tied together. The son of the elephant keeper lived in the Colonel’s house, later his daughter Laura is featured in her own story. Because the time period in which many of the stories take place, there is an inevitable tone of racism. The way African-Americans are treated throughout the book breaks your heart. They could be a featured act in the circus just by being black. That made them a wild curiosity that might have come from the “jungle.”
The author grew up in Peru, Ind. which was the home of the Hagenbeck-Wallace Circus. It wintered there and many of her family members were involved in it. I was curious how much of the book was inspired or based on true story she might have heard growing up.
BOTTOM LINE: Hauntingly beautiful stories about loneliness in so many different forms. The circus may be the stage for these particular stories, but their resonance and relatability reaches across the years.
"The world is made up of hometowns. It's just as hard to leave a block in Brooklyn or a suburb of Chicago as it is to leave a small town in Indiana."
“This is why they call it the heartland. In the summer, the fields on either side of Mrs. Colonel’s house glowed a brilliant green, rippling in the wind. The air stretched above like miles of blue canvas, and Mrs. Colonel pictured a center pole rising up from Indianapolis’s Monument Circle to hold up the endless sky.”