Negroland: A Memoir

by Margo Jefferson

Hardcover, 2015




Pantheon (2015), Edition: 1st Ed, 256 pages


"At once incendiary and icy, mischievous, and provocative, celebratory and elegiac, a deeply felt meditation on race, sex, and American culture through the prism of the author's rarefied upbringing and education among a black elite concerned to distance itself from whites and the black generality, while tirelessly measuring itself against both. Born in 1947 in upper-crust black Chicago--her father was for years head of pediatrics at Provident, at the time the nation's oldest black hospital; her mother was a socialite-- Margo Jefferson has spent most of her life among (call them what you will) the colored aristocracy, the colored elite, the blue-vein society. Since the nineteenth century they have stood apart, these inhabitants of Negroland, "a small region of Negro America where residents were sheltered by a certain amount of privilege and plenty." Reckoning with the strictures and demands of Negroland at crucial historical moments-- the civil rights movement, the dawn of feminism, the fallacy of post-racial America-- Jefferson brilliantly charts the twists and turns of a life informed by psychological and moral contradictions. Aware as it is of heart-wrenching despair and depression, this book is a triumphant paean to the grace of perseverance. (With 8 pages of black-and-white illustrations.)"--… (more)


½ (110 ratings; 3.6)

User reviews

LibraryThing member EBT1002
"Negroland children were warned by their parents that few Negroes enjoyed their privilege or plenty; that most non-Negro Americans would be glad to see their kind of Negro returned to indigence, deference, and subservience."

Between the late 1940s and the early 1960s, Good Negro Girls mastered the
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rigorous vocabulary of femininity. Gloves, handkerchiefs, pocketbooks for each occasion. Good diction for all occasions; skin care (no ashy knees or elbows); hair cultivation (a ceaseless round of treatments to eradicate the bushy and the nappy). Manners to please grandparents and quell the doubts of any white strangers loitering to observe your behavior in schools, stores, and restaurants."

Margo Jefferson was born in 1947 to upper middle class African American parents. Living near (and later in) the Hyde Park neighborhood in Chicago, Margo and her sister Denise had access to education, lessons, and social promotion. Her memoir examines the cost associated with living in this segment of society, knowing that her deportment reflected on far more than her family (though certainly that) and that the intersection of race and class provided for a dizzyingly complex social terrain in which to come of age.

Despite a bit of choppiness in the early going, this memoir is poignant and insightful. Jefferson's shifting sense of self in context as the civil rights, feminist, and gay rights movements of the late 1960s and 1970s is particularly evocative. She authentically shares her struggles with belonging, boys, thoughts of suicide, and finding her place as a writer and cultural critic. Definitely recommended.
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LibraryThing member WellReadSoutherner
Mixed feelings on this memoir. Another one that I don't remember where I heard about it but added it my list of books to read.

I'm reading the book from a place of white privilege and I learned a great deal. There is a great discussion in the book of the racism that is America. She speaks of her
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family trying to act white but not too white. Never fitting in with other lower-class blacks and not fitting in with whites either. Being on the radar of whites but being careful to better themselves but not too much.

I also feel ashamed. Why do we treat each other this way?

I didn't find it written well at all. Bad grammar and bad punctuation. There were sentences that didn't have any punctuation. Some of it was written like poetry. Some written like text. Entire paragraphs in italics. I couldn't quite figure it all out. Where was the sense in it all? It was all over the place. Like you walked into a conversation mid-conversation and you were never able to contribute because you had no idea where the author was going or what the hell she was talking about. When it was good it was good but when it was bad it was bad. She was trying to teach a history lesson mixed in with her memoir; which is fine but the way she went about it was hard to comprehend sometimes.

Why did the book win so many awards? Is it because she talked about race? Is it because she talked about a different class of blacks we aren't used to hearing about?

There is so much history of courageous men and women in this memoir that I loved learning about. The list of names I wrote down to do more research on begins with names like James Forten, Frances Jackson Coppin, Cyprian Clamorgan, Charlotte Forten, Ida B. Wells, Anna Julia Cooper, and many more.

Some passages really affected me.

From page 32: In speaking of Anna Julia Cooper: "Like so many women's rights leaders she insists on believing women possess sympathies and spiritual gifts men lack. But - and here she becomes a tough-minded political pragmatist - women cannot reform society without working to educate themselves. And white women can reform nothing until and unless they are willing to relinquish their caste privilege, those codes of racial and social superiority they extol in their men and instill in their children."

From page 43: Margo's mother, when asked if they were upper class, "We're considered upper-class Negroes and upper-middle-class Americans but most people would like to consider us Just More Negroes."

From page 96: She speaks about other perceived lower-class Negro children moving into the neighborhood she lived in bringing in a culture she knew nothing about. Her parents then decided it was time to move again. Better to be upper-class Negro in a white neighborhood than upper-class Negro in a black neighborhood.

From page 114: Margo writes of family members that pass for white. "He was a former white man. And my parents looked down on him a little. Not because he'd passed, but because he'd risen no higher than a traveling salesman. If you were going to take the trouble to be white, you were supposed to do better than you could have done as a Negro."

It was definitely worth the read but overall I didn't like the style it was written in.
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LibraryThing member froxgirl
A childhood in the "Talented Tenth" is reconstructed by a winner of the Pulitzer Prize for criticism of theatre and books. Growing up in middle class white neighborhoods that eventually became upper middle class black blocks, Margo Jefferson was raised with great advantages by her father, an MD,
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and her mother, a socialite. Manners and protocols ruled the day - and every public encounter was scripted to represent the race well. She was part of "a minority group with the power to set standards others have to envy, imitate, rebel against, or recede before."

At home, Margo has shelves chock full of all the classics (Tom Sawyer, Treasure Island). In the progressive Lab School of the University of Chicago, she encounters Notes of a Native Son by James Baldwin and is changed, charged, exhilarated, and disappointed by his scorn of Uncle Tom's Cabin and Little Women.

There's much about her summers at the Interlochen Arts camp and her college years at Brandeis, but disappointingly little about her career at the New York Times and Newsweek. Jefferson seems to be still pondering how to reconcile her childhood privilege, with all its arcane rules, while her family and friends still suffered the slings and arrows of Jim Crow.

Favorite quotes:

"What I would have to do later, starting in college and in the years following, to become a person of inner consequence: break that fawning inner self into pieces."

"I won't trap myself into quantifying which matters more, race, gender, or class. Race, gender, and class are basic elements of one's living. Basic as utensils and clothing; always in use; always needing repairs and updates. So the question isn't "Which matters most", it's "How does each matter?".

"Being an Other, in America, teaches you to imagine what can't imagine you."
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LibraryThing member Gwendydd
This is a poignant memoir about growing up in the African-American upper class in Chicago. Jefferson writes about becoming aware of race as a child, trying to prove herself as a teenager, and then trying to reclaim her racial heritage as a college student during the Civil Rights movement. As black
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upper class, she was between worlds: she didn't fit in with whites, but she had to prove herself to be better than other blacks. She had the extra burden of being female, and having to tread a very fine line between being flirtatious and available, and disgracing herself and her family by being too available.

Jefferson demonstrates how complex race in America can be. I read this alongside Ta Na-Hesi Coates's Between The World and Me, and the two of them taken together provide a complete (and saddening) picture of different experiences of being black in the US.
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LibraryThing member RidgewayGirl
Margo Jefferson's memoir of growing up affluent and African American is a fascinating and illuminating look at a world that is both similar and very different to my own. Jefferson's father was a respected pediatrician and she and her sister grew up in private schools and clubs, wearing expensive
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clothes, but constantly reminded of their otherness in a world (Chicago in the middle of the last century) that would allow a limited and select number of African Americans into their white, liberal enclaves, but with a certain amount of discomfort. Jefferson grew up with the idea of needing to respectable, to behave so perfectly as to overcome the ideas white people had of black people. Then, as a teenager and adult, Jefferson experiences the changes wrought by the sixties, from the Civil Rights Act to feminism as she forges a career as a journalist.

Negroland discusses the black experience and the effects of racism from a world where it was more subtle. The mothers who are overly formal with her mother, the homes where she isn't invited for playdates, the attention paid to skin tones and hair textures and the constant need to prove themselves worthy of living in a white world by being better by orders of magnitude than her peers. Jefferson has the same experiences every other girl has; self-consciousness about wearing glasses, crushes on cute boys, having a best friend. She writes with great honesty about her failings and the dreams she had.

Jefferson writes with an admirable clarity and complexity about the world she grew up in and about her adult life. That this book was so easy to read in no way dilutes the story she tells.
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LibraryThing member bell7
Margo Jefferson reflects back on her experiences growing up as part of a privileged black middle class, and the challenges and contradictions inherent in that.

I had read Between the World and Me late last year and was interested in reading another take on growing up black (or African-American, but
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generally Margo uses the word black) in America. Margo grew up in Chicago, and had a strange sort of in-between feeling - not white, but trying in a way to be "better" than other blacks, to not fall into racial stereotypes and to prove herself. Added to that, she was a woman growing up in a time when getting married and having children was expected. I have found myself drawn to memoirs and stories lately that talk about the world I live in from a different perspective. Margo Jefferson does an excellent job of just that, painting a picture of a time, place and experience with a candid and analytical eye
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LibraryThing member thewanderingjew
Negroland, A Memoir by Margo Jefferson; Robin Miles, narrator
Margo Jefferson writes about the experiences she encountered throughout her life as a woman of mixed race. Born in 1947, into an educated and successful family living in what she calls Negroland***, she writes about her struggles as a
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woman of color in a world where race, gender and sexual identification were unsettled struggles. This is not to imply that those issues are settled today, but to merely state that they have come a long way from the time when she was born. I believe that progress has been made.
She writes with a tongue in cheek irony and occasional sarcasm that is captured well by the narrator of the audio. However, there were times when the mocking tone confused me a bit, and I wasn’t sure whether an issue was being defended or denigrated, praised or reviled. She discussed black and white behavior in the same way…, mocking attitudes, calling out the falseness and lack of sincerity on the part of certain people.
When Jefferson wrote about her own background, I was impressed with the opportunities she was able to take advantage of, opportunities that were never afforded to me, and I am of a similar generation. She received the benefits of most children in upwardly mobile, generally white, Anglo-Saxon families. She went to camp, achieved well in school and went to highly acclaimed universities for her advanced education. She was indistinguishable in terms of accomplishments from her white brethren, but in terms of her lifestsyle and fears she was entirely different. She was taught she must behave better, dress better and to do better in all of her endeavors to prove to the white establishment that she was not their equal, but, perhaps, she was even their better. She was taught to conform to predetermined rules of behavior. She was not to dress loudly, look slovenly or have loose morals. She was to do as her family before her had done, rise above the masses and succeed.
However, she had some other ideas. She did not necessarily wish to marry or have children but she did wish to become a successful journalist. Her climb up the ladder was fraught with confusion and conflict in her life. She cites successful authors and entertainers and others in all walks of life that have achieved success although they are people of color and of mixed race and places great emphasis on those of color who have ended their own lives prematurely, in one way or another. She writes of the ways in which they were defiantly successful in thwarting the prejudice they faced citing one instance which stuck with me in particular, and that was of Marian Anderson performing outdoors when she was forbidden access to the stage, for her performance. Still, people of color were often depressed and downtrodden, conflicted even when upwardly mobile and from highly successful families. They were unable to be accepted into society fully. She, too, contemplated death and she extensively analyzes her feelings. Throughout the book she cites a variety of well-known personages and quotes passages from several books to explain her viewpoint.
She describes the black experience in terms of civil rights, women’s rights and class distinction. She reveals the decline of decorum in the black community and seems to blame it on the Viet Nam War with regard to drugs and on a developing ghetto mentality which took hold and surpassed the previously highly held practice of achieving and being upwardly mobile, of dressing properly and behaving morally and ehtically, of behaving with a certain deportment which was respected by all and brought honor rather than shame to the family and the race, albeit sometimes under a cloud of race baiting. Whites might wonder if people of color were as good as they were but people of color were beginning to more and more spout the wisdom of the idea that they were actually better and could simply be themselves! She describes the social change, intellectual change, and general lifestyle changes which ultimately altered their own world view and influenced their behavior and ethical and moral conduct, both positively and negatively.
Her memoir mocks the attitudes of whites toward blacks and blacks toward whites. She exposes all of the behaviors that each find annoying and condescending. She speaks of those, including her own relatives, who passed for white in order to achieve success. She highlights the lives of famous people of color who have achieved success, and she uses them to show how they have influenced her life and thinking.
The memoir is supremely honest. She describes herself, including how she believes she looks, mocks her poor eyesight and difficult to manage hair. She explains her family’s attitude to those of color who were not of their class, those she was told to avoid because of the negative influence they would have upon her. She also describes how she was told not to trust white people because they always harbored racial prejudices. She describes the negligence of the police when neighborhoods were stalked by anti-black acitivists who wreaked havoc and destruction willfully and without any intervention. Crosses were burned on lawns where her parents lived, where those in the community did not want blacks to move. She openly describes all of the insults and humiliation they were forced to endure because of their racial background. Blacks mocked them as well. Those of mixed race did not fit in, those of different degrees of color did not fit in. Being too dark was a problem as well as being too light. The size and shape of ones lips and nose was a concern as well. Certain body shapes were preferred over others. Having hair that was too frizzy, too curly, or too unmanageable was a problem, as well, and they each had to learn to handle their own particular perceived deficiency.
Jefferson does not seem to glorify or denigrate the black experience, but instead, she writes about it with sincerity, mocking her own experiences and the experiences of the whites she encountered, remarking that whites wanted just as much to be white as blacks, and they also often failed in that effort. I think Jefferson believes that the effort to be white is not the right lifestyle for those of color. They should want to be proud of who they are and not try to be something or someone else, but she also said, to overcome that need, they decided to prove they were better than those who were not black, actually better, and not equal. She sites examples of those who left the system in order to carry on the lifestyle they chose, like Josephine Baker. However, some who have made an effort to be themselves have had a negative impact on their race.
Her prose is simply flawless, without an inappropriate or wasted word. The vocabulary is a cut above what is found in so many books today. After reading her book, I wondered why it did not receive as much or more acclaim as Te ha-Nisi Coate’s book which is not written nearly as well, but is easier to understand, I must admit, because the language and vocabulary cannot compare to that of hers.
Robinson seems to me to be an erudite woman who simply wants to be allowed to live as she wishes in society, to be accepted as she is, not to have to act or become someone she is not, regardless of her racial background. I believe that in the end, Margo comes to the conclusion that in spite of all she has witnessed in her 70 years, we must all change and grow, continue on and not give up.
I must admit that while I really enjoyed listening to the narrator read this book, often, I didn’t understand the entire message because the author is extremely knowledgeable, and I am afraid, I was not quite up to the task of deciphering all that she wrote. Her articulation was a bit more cerebral than I am, and some of it went over my head. That being said, what I got from it was enlightening. I did download a print copy of the book as well as the audio because although the narrator enunciated beautifully, with exceptional expression, her sarcastic edge sometimes seemed over the top to me, and I wasn’t sure if it was her interpretation of the author’s words, or the actual intent of the author.
***Jefferson writes of her title, “I call it Negroland,” “because I still find ‘Negro’ a word of wonders, glorious and terrible.” “Negroland is my name for a small region of Negro America where residents were sheltered by a certain amount of privilege and plenty,” She writes that “Privilege is provisional. Privilege can be denied, withheld, offered grudgingly and summarily withdrawn. Entitlement is impervious to the kinds of verbs that modify privilege.”
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LibraryThing member TheLoisLevel
Strong analysis of her childhood, but the author seemed to lose interest in her story long before her book was over.
LibraryThing member gayla.bassham
I adored the first half of this book -- the author's style is a little anecdotal, with lots of brief sections, but that did not bother me. I thought it was a very interesting look at a culture I knew nothing about (and for some reason I've always had a thing about people's stories about their
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The second half lost me a little bit -- it began to feel a little more repetitive and a little more strident. That may have been more because I was tired than anything else.

This book does have some really striking images -- the author's childhood Coke-bottle glasses, for example, and later a scene with two women in a bathroom adjusting their wigs.

Very much worth your time.
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LibraryThing member etxgardener
Pulitzer Prize winning critic, Margo Jefferson, has written an extraordinary memoir about growing up in Chicago's haute black bourgeoisie: a world of Jack & Jill playdates, teenage sororities, a family cabin cruiser and a beautiful socialite mother and surgeon father. It's the story of a group who
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strove to emulate upper class white society and distance themselves from lower class African Americans.

Jefferson calls this world "Negroland" and details how she was taught to constantly strive for her mother's and grandmother's view of perection and how she storve to literally rub out traces of too overt blackness with skin lightning creams and elaborate rituals to tame her hair. Yet despite all these efforts, Jefferson began to see that no matter how hard she and her family tried, they were still regarded as black and inferior by the vast majority of white society,

This group of black people would never be participating in "Black Lives Matter" marches, but their experiences explain why that movement is necessary,
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LibraryThing member sherrysiegal7886
Great book. About upper class Blacks
LibraryThing member annbury
Margo Jefferson's "Negroland" is a fascinating book that works on several levels -- social history, current politics, and the evolution of one person's identity over time. Often, two or even all three of these levels are in operation at once. That interplay gives the book a haunting resonance, and
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draws the reader in (this reader, anyway) as one would be drawn into a novel. Moreover, I thought the book was beautifully written. The writing is exquisitely precise at times, impressionistic and seemingly diffuse at others. Taken as a whole, however, it adds up to a compelling exploration of an extraordinary woman's experience.

The first thing this book does is to look at how people lived in a narrow subset of American society at a particular time: the black upper middle class in the 1950's and 1960's. Perhaps a particular place should be added - Chicago - but what's most clearly drawn are class and race differences. These people were top layer of an ethnic group that was at the low end of the American social scale, and held on to that positions with an extraordinary amount of discipline. It was far more "comfortable" to grow up as Margo Jefferson than as most other African American children in the period, but it was not necessarily any easier. She shows this in a multitude of ways, some very funny, some heart-breaking.

The next thing that happens, of course, is that time moves on, throwing Ms. Jefferson into the racial and gender turmoil of the 1960's and 1970's. All of a sudden, her careful, successful "Negroland" background was judged by many of her peers to be inauthentic, adopted, "not black enough". It was difficult enough to be a young white woman in the period, when lots of things you'd be brought up to believe turned out not to be so at all. Being a young black woman, Ms. Jefferson makes clear, was a whole lot harder. Even feminism, which was important to her, would be judged by others on the basis of race.

And through the whole social/political progression runs the memoir of an individual. Race is an inescapable part of that, since race necessarily affects so much that she experiences. But race affects different people in different ways. For example, Ta-Nehisi Coates and Ms. Jefferson both suffered from racism, but they are wildly different people, and write about race in wildly different ways. Ms. Jefferson's book is less dramatic, and less incendiary. For me, however, it was just as compelling an experience of seeing the world through someone else's eyes.
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LibraryThing member bookmuse56
We have been told to be aware of the “one story”, and Ms. Jefferson’s unflinchingly frank memoir of the black elite is a well-needed puzzle piece to add to the complexities of the race discussion. Ms. Jefferson, whose work as a cultural critic has garnered her recognition and prizes, turns
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the lens towards herself as she looks over the privileges, the constraints, the changes of her life with affection, openness, and analysis. To set the tone of the book, the author defines “Negroland” to the reader and provides a history of the black elite. The format of the book worked well for me, it is told in the first-person and third-person perspective which allows the reader to be informed of the events that influenced not only the author but anyone who came of age in the 1960s and 1970s, and also to be intimate with the specifics of the author’s life within her world. But identity is a complicated group characteristic often defined by others yet is a wholly individual as each of us defines who am I. The author honestly looks at this as she is coming of age where the Civil Rights Movement and Feminist Movement uprooted the rules of race, class and gender and how our own individual ambitions were at times outside of what others expected of us. I ran a gamut of emotions when reading this thought-provoking book and for me there was much I could I identify with. Beautifully written and in a voice that is precise, courageous and dazzling as it looks at the challenges, tensions, and strategies of a particular time, I recommend this emotive memoir to all interested in understanding from where we come.
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LibraryThing member missizicks
An exceptional account of growing up in an African-American community where education and financial security is more important than skin colour, and the effect that has on the author. Jefferson talks about the in-betweenness of black Americans who grow up in what she calls Negroland, educating
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themselves to be the equals of affluent white Americans but not accepted as such by white society, and considered traitors to their wider community by black Americans who don't share their privilege.
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LibraryThing member ValNewHope
Very disjointed. It felt like I was reading the author's notes on the topic and not a completed book. Some historical characters, some personal narrative, but not a good read. She lapsed into various forms of outlines at different times, and an italicized font at others. Difficult to follow, and
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not clear exactly what points she was trying to make.
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LibraryThing member fulner
The story of how hard it is to be a rich black girl. Yep, not that hard but woa is me I'm black.
LibraryThing member nmele
Ms. Jefferson's memoir is a sharp-eyed look at her life and her class, as well as an examination of racism and sexism in American life. If that sounds intimidating, her book is also intimate, personal and full of grace and humor as well as analysis.
LibraryThing member PDCRead
Jefferson was born into a privileged family in Chicago; her father was head of paediatrics at a famous local hospital and her mother was a well-known socialite. Even though she had a rarefied upbringing and decent education in 1950’s America and could be considered part of the local elite, she
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was never going to be accepted by society in general, because she was black.

“I call it Negroland because I still find “Negro” a word of wonders, glorious and terrible. A word for runaway slave posters and civil rights proclamations; for social constructs and street corner flaunts. A tonal-language word whose meaning shifts as setting and context shift, as history twists, lurches, advances, and stagnates. As capital letters appear to enhance its dignity; as other nomenclatures”

Jefferson’s family were members of what she describes as Negroland, an exclusive club of privileged blacks or what her mother calls, “upper-class Negroes and upper-middle-class Americans”. They were excluded from the very high society of Chicago because of their colour whilst never managing to integrate themselves fully in the black community there. Through her eyes, we see American societies crucial turning points in the late 20th century; civil rights, gender awareness and prejudice.

“Privilege is provisional. Privilege can be denied, withheld, offered grudgingly and summarily withdrawn. Entitlement is impervious to the kinds of verbs that modify privilege. Our people have had to work, scrape for privilege, gobble it down when those who would snatch it away weren’t looking. Keep a close watch.”

The writing is conversational and at times chatty, but most importantly it is full of wry commentary, provocative observations and melancholic musings. She shows perseverance in trying to make her way in a country that has made real progression with regards to race, but still has so far to go. Worth reading for an insight into a culture and a country so very different to mine.
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LibraryThing member Narshkite
This is exceptionally well-crafted, and shares the story of a community not often written about, well-educated affluent Black people in the second half of the 20th century. That said I did not find myself captivated. I know the story of various newer Americans striving to become educated and
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wealthy and to turn that into acceptance by the White Christian overlords have many similarities from one community to another, but the stories of various groups also differ in their particulars. That said, while many groups are shut out of mainstream success, particularly in the heartland, there can be no question that successful educated blacks have faced the greatest hurdles. Not only are they often not accepted by their white peers, those peers have historically assiduously held them back.

I was a little Jewish girl whose mother took her to a (Black) salon for hair straightening with lye and hot combs, who wore white anklets and black patent leather shoes, and was expected to behave in a generally waspy manner so as not to stand out (I generally failed miserably at this.) I expected that I would feel some small sense of kinship with Jefferson and her family, but as I read the story it seemed so familiar that it bored me. Nonetheless, its a really honest and beautifully written book. (ETA: I did the audio for this, and the reader was very good.)
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LibraryThing member JulieStielstra
Fascinating and frustrating. A vivid memoir where it is a memoir, a sharp portrait of a social group not often described. Also fragmented, sometimes repetitive, rambling...still a fine demonstration of how insidious and pervasive race prejudice has always been and still is, through the eyes of a
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privileged child. It becomes something almost more shocking when the daughter of the chief pediatrician at a Chicago hospital, raised with music lessons and art camps and society balls and beautiful clothes and immaculate manners, is quietly told she will not be invited to a social event because the hosting mother is from Georgia and just would not allow it. Her family and friends' families, who are stern in judgement against "lower class Negroes," will simply not be accepted by their white peers, no matter how elegantly they dress or perfectly they behave. Worth the read, just wish it read less like someone's notes for a book she's working on.
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LibraryThing member snash
An excellent examination of the conflicts, confusions, and mine fields wrought by attitudes about race, gender, and class in America, told via memoir. The author was born upper class black in the late 40's.
LibraryThing member tanyaferrell
This book is marketed as a memoir but I'd maybe describe it more as an observed history or the psychological unpacking of one woman's black identity. I loved Jefferson's writing style from the jump. She is so clearly smarter than me, more well read and more cultured than me. I love the flexing. I
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love that when I give this a closer second read, I'll have a long list of writers and musicians and historical figures to check out. Jefferson is writing about a history that she has a personal vested interest in, she has a point to make and her use of language is so intentional and pointed. When she simply described a historical event as "white people instigated riots," I knew I'd rate this highly. On top of the intellectual flexing and the pointed language, Jefferson is also hella funny. Sometimes she does these asides, these dramatic reenactments that I found hilarious. But again, sometimes its just her use of language, her quippy expressions of thought that had me laughing out loud and rewinding the audiobook to play back. Her writing actually reminded me if Cristina Rivera Garza's writing in Grieving. Garza's writing lacked this level of humor though.

As for content...this book honestly felt like it was written for black audiences, which I appreciate, because its talking about complex issues in the black community. A super simplified summary is that Negroland was/is a class of people who believed in exceptionalism as a solution to most of the racial woes they experienced from being black in America. Jefferson describes what it was like growing up in that environment and the sort of residue it left on her psyche as she matured.

As a lower middle class black kid who went to predominantly white schools in the 90s and early 00s, Negroland is still incredibly relatable. As a child growing up in that environment there is just a lot you're learning on your own, that your parents are teaching you, and that your parents are trying to protect you from racially. Every kid who grows up in a similar situation probably has a memoir's worth of stuff to unpack, so it was nice seeing Jefferson unpack it, acknowledging her flaws and the mistakes she made along the way, and then finally releasing it and moving on.

From a historical/social commentary perspective, I think this provides a treasure trove of unsung heroes, stories, and insight. While more of this generation sees the problems with exceptionalism as a solution, the core issues that supported that idea are why there are still so many conversations about the success of white mediocrity. Like the core issue of the oppression of black has never disappeared in America and Jefferson's story represents one segment of a generation's attempt to solve it. I also think as my own generation has moved away from this idea, its been easy for us to forget just how hard our parents and grandparents were grinding to make this a tolerable country to live in for us. Even if this group was wrong in wanting to be "better" than the average black person, the good they did can't be dismissed. They were the politicians, they were on the different boards, they were integrating neighborhoods. They were living up to whatever white standard was in place so they could get their foot in the door. U.S. culture has changed so much in the last eighty years, and we owe at least part of that to them.

So, yeah, absolutely loved this. Its the history of one segment of a black generation that we don't have enough stories about.
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Original language


Original publication date


Physical description

256 p.; 8.5 inches


0307378454 / 9780307378453


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