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"At twenty-two, a naïve Midwesterner, Adrienne Miller got a lucky break when she was hired as an editorial assistant at GQ. The mid-nineties were still the golden age of print journalism, and a publication like GQ then seemed the red-hot center of the literary world, even if their sensibilities were manifestly mid-century-the martinis, the male egos, and the unquestioned authority of kings. Still, Adrienne learned to hold her own in a man's world, and three years later she forged her own path, becoming the first woman to hold the role of literary editor at Esquire. She was at Esquire during a unique moment in history that simultaneously saw the last days of the old guard of literary titans, and the rise of a new movement, as exemplified by David Foster Wallace, who would become her closest friend, confidant-and antagonist. Here is the untold story of an intellectual and artistic exchange that grew into a highly charged relationship, and Miller presents a candid portrait of the mercurial man behind the spotlight. It is also an account of the guarded literary world, which asks the question: How does a young woman fit into this culture and at what cost? With wit and deep intelligence, Miller presents a moving portrayal of a young woman's education in a land of men"--… (more)
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DFW was a deeply troubled man, but also a genius - not because people say so, but because every time I read his work (I have read most of what he wrote, and he was really prolific) even the puff pieces, I see something I have never seen before. He was a true original. He was also sick and cruel and manipulative, but that does not make him less than he was or diminish his impact on literature or on Adrienne Miller. I found the DFW sections fascinating. I also enjoyed the reminiscences of the very last moments of the heyday of print journalism. Some people are interesting in their marrow, DFW, Hunter Thompson, Abraham Lincoln are great examples. Some people are interesting because of what they have done, and what has happened around them, and Adrienne Miller is a great example of that. (I am sure she is a wonderful person, she seems smart and lovely and grounded, but most of us are good and not inherently fascinating.) I know its supposed to be all feministy to reject great male writers who are not feminist. I reject that rejection. If you want me to turn in my feminist card I am happy to do that, but I have been fighting for women's autonomy, physical and intellectual, since before most of the pearl-clutching reviewers were born so I'm good. People treat each other like shit in relationships (whether family, friends or lovers), that is especially true of narcissists who hate themselves (I recently read Marquis deSade 120 Days of Sodom and oh.my.god!) That does not make either party less-than, and it does not make the relationships less interesting. Recommended. I did think the beginning dragged a little given that it covered a point where her rise was meteoric, but once Miller got to Esquire it moved with alacrity. A very high 4, but not quite a 5.