Status
Available
Publication
Picador (2017), 256 pages
Description
"In One Day We'll All Be Dead and None of This Will Matter, Scaachi Koul deploys her razor sharp humor to share all the fears, outrages, and mortifying moments of her life. She learned from an early age what made her miserable, and for Scaachi anything can be cause for despair. Whether it's a shopping trip gone awry; enduring awkward conversations with her bikini waxer; overcoming her fear of flying while vacationing halfway around the world; dealing with internet trolls, or navigating the fears and anxieties of her parents. Alongside these personal stories are pointed observations about life as a woman of color, where every aspect of her appearance is open for critique, derision, or outright scorn. Where strict gender rules bind in both Western and Indian cultures, leaving little room for a woman not solely focused on marriage and children to have a career (and a life) for herself"--… (more)
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User reviews
LibraryThing member ASKelmore
Best for: People who enjoy strong, witty writers who are able to handle fluffy and serious topics with equal finesse.
In a nutshell: Scaachi Koul shares some snipets of her life as the child of Indian immigrant now living in Canada.
Line that sticks with me: “It changes you, when you see someone
Why I chose it: Because Lindy West, Jessica Valenti and Samantha Irby can’t all be wrong.
Review: I’d seen this book in my local bookstore a bunch of times and always walked past it because I thought it was a much more serious book. I didn’t fully process that the title was more of a joke than some clever way of of being hopeful (I’ve got the cover uploaded here so hopefully you see what I mean); that’s on me. Then I finally picked it up and flipped it over, and three of my favorite authors — and just generally awesome women — provided the blurbs. So obviously I purchased it immediately.
This is a collection of loosely connected essays in which Ms. Koul shares her perspective as a woman whose parents immigrated to Canada from India before she was born. She talks about body issues (the chapter on body hair is amazing), about being lighter skinned than other Indians. She talks about online harassment and rape culture.
I enjoyed Ms. Koul’s style of writing and her wit. Not everything is a laugh out loud joke, and some parts and extremely serious, but the book never feels heavy in a bad way. She somehow makes challenging topics feel manageable, if that makes sense. I’m so happy I got this book, and look forward to reading more from her.
In a nutshell: Scaachi Koul shares some snipets of her life as the child of Indian immigrant now living in Canada.
Line that sticks with me: “It changes you, when you see someone
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similar to you, doing the thing you might want to do yourself.” (p 123)Why I chose it: Because Lindy West, Jessica Valenti and Samantha Irby can’t all be wrong.
Review: I’d seen this book in my local bookstore a bunch of times and always walked past it because I thought it was a much more serious book. I didn’t fully process that the title was more of a joke than some clever way of of being hopeful (I’ve got the cover uploaded here so hopefully you see what I mean); that’s on me. Then I finally picked it up and flipped it over, and three of my favorite authors — and just generally awesome women — provided the blurbs. So obviously I purchased it immediately.
This is a collection of loosely connected essays in which Ms. Koul shares her perspective as a woman whose parents immigrated to Canada from India before she was born. She talks about body issues (the chapter on body hair is amazing), about being lighter skinned than other Indians. She talks about online harassment and rape culture.
I enjoyed Ms. Koul’s style of writing and her wit. Not everything is a laugh out loud joke, and some parts and extremely serious, but the book never feels heavy in a bad way. She somehow makes challenging topics feel manageable, if that makes sense. I’m so happy I got this book, and look forward to reading more from her.
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LibraryThing member ecataldi
I was hooked from the get go. Having just read Shrill and other memoirs by Jenny Lawson, Mindy Kaling, etc. this was the perfect fit for me. This memoir by Scaachi Koul, a first generation Indian immigrant living in Canada was heartfelt, hilarious, and impossible to put down. I read it in less than
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a day. I especially loved the stories about her parents and her zany yet loving, upbringing. I grew up close to a loving Indian family so I know a smidge about their culture, food, and festivals and Koul's stories took me back. Koul also talks about hard subjects like: rape, alcoholism, gender bias, growing up ethnic in a white neighborhood, and struggling with body image. Each chapter is filled with wit, wisdom, and lil' nuggets that will get you thinking. Definitely keeping around for a re-read. Show Less
LibraryThing member wildrequiem
Hilarious look at what growing up South Asian is like! I found it relatable even though I am not South Asian.
LibraryThing member AliceaP
I first heard about Scaachi Koul's One Day We'll All Be Dead and None of This Will Matter several months ago on BookTube (I will continue to sing its praises) and added it to my TRL as I felt the need to read more Canadian authors. This book is a collection of essays about Scaachi's life growing up
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as a child of Indian immigrants in Canada. There's a focus on body positivity, feminism, and the endemic racism she and other people of color face in that country. She discusses her family and how she is the direct product of two disparate parenting philosophies. (Each chapter begins with an email conversation between herself and her father. He's quite possibly the funniest man on planet earth.) She's deeply afraid of going outside of her comfort zone and yet she's in a relationship with a man who seems to do nothing but push her to do just that. (I thought I had travel anxiety until I read about her experiences flying.) It's a look into a family as different and yet somehow the same as mine or yours. There's always going to be some neuroses in any family. It's about self-discovery, self-love, and ultimately self-acceptance. It was a lot of fun but judging from the fact that I had to refresh my memory by looking up the blurb it isn't the most memorable book I've had the pleasure of reading this year. So I'm gonna give it a 6/10. Show Less
LibraryThing member Kristymk18
Koul blends humor and hard-hitting truths amazingly well. Her essay "Mute" resonated deeply with me and I hope this is the first of what will be many books she'll publish.
LibraryThing member preetalina
I’d been salivating over this book for a while, ever since I’d seen it on multiple lists last year of forthcoming books. A month ago I thought it was out but realized that was just in Canada and not the U.S. Found it on Netgalley and finally was able to read it after begging the publisher to
Scaachi Koul is a Buzzfeed writer who’s probably best-known for when she put out a request on Twitter for non-white writers and started a completely undeserved shitstorm. The very people who often disparagingly call liberals “special snowflakes” lost their freakin’ minds. Anyway, before I go off on that tangent (and she talks about this whole episode in her life in the book)...
Koul is the child of Indian parents, specifically parents from the Kashmir region of India, so that’s another reason I wanted to read this: I’m really interested in reading writing of people with whom I can identify, even a little bit.
In that, the book didn’t disappoint. The struggles of an immigrant or the child of immigrants are uphill, especially when you’re younger, and Koul really gets into that, throughout multiple essays. One thing that I think a lot of brown people who grew up here can identify with is this particular line: “I tried to force myself out of brownness at her age, but the older I get, the more I tuck myself into it.” When you’re younger, you try to separate yourself from your culture to fit in (despite all the shit you face from your parents for doing so), but as you grow older you realize what a mistake that was.
Fitting is a luxury rarely given to immigrants, or the children of immigrants. We are stuck in emotional purgatory. Home, somehow, is always the last place you left, and never the place you’re in.
Some of the strongest parts of the book were when she talked about her parents: their experiences as immigrants, their relationship with her, their perceptions as people living away from their homeland. I saw a lot of my parents reflected in her parents, and it made me consider them in ways that I probably hadn’t enough thought to before. This line especially resonated:
So much of immigration is about loss. First you lose bodies: people who die, people whose deaths you missed. Then you lose history: no one speaks the language anymore, and successive generations grow more and more westernized. Then you lose memory: throughout this trip, I tried to place people, where I had met them, how I knew them. I can’t remember anything anymore.
Her experience of returning to a place in India as an adult that she’d previously visited only as a kid could have been me doing the same thing in my life. Knowing that others have these same feelings and experiences, and reading about them, is so validating. I’m so glad that voices like Koul’s have a place now in mainstream culture. You don’t think about it actively, but it’s like all the arguments being made for having more than just white people on TV and in movies: Representation matters.
The essay on rape culture, Hunting Season, was another stunning, strong piece. I’d actually read it before on Buzzfeed (which leads me to believe that much of the book may be from pieces she’s already written online), but it can certainly be read over and over and shared with everyone you know. Her insights on how men watch women are so on point.
Surveillance feeds into rape culture more than drinking ever could. It’s the part of male entitlement that makes them believe they’re owed something if they pay enough attention to you, monitor how you’re behaving to see if you seem loose and friendly enough to accommodate a conversation with a man you’ve never met. He’s not a rapist. No, he’s just offering to buy you a beer, and a shot, and a beer, and another beer, he just wants you to have a really good time. He wants you to lose the language of being able to consent. He’s drunk too, but of course, you’re not watching him like he’s watching you.
And of course, the aforementioned chapter on the disgusting harassment she faced on Twitter was another fantastic essay. I highlighted the hell out of that section but I’ll leave just this one quote here:
But all things built by humans descend into the same pitfalls: loathing, vitriol, malicious intent. All the things we build in order to communicate, to connect, to find people like us so we feel less alone, and to find people not like us at all so we learn how to adapt, end up turning against us.
Basically, throughout most of this book, I would sigh softly and highlight something and reflect on what I’d just read. There were definitely things that Koul writes that I disagree with but hers is an interesting, and often hilarious, perspective to read. I’ve been shouting about this book to everyone, even before I finished it, and I already know a couple people I’ll be buying it for. Highly recommended.
Note: I received this book from NetGalley in exchange for an honest review.
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approve me on Twitter. :DScaachi Koul is a Buzzfeed writer who’s probably best-known for when she put out a request on Twitter for non-white writers and started a completely undeserved shitstorm. The very people who often disparagingly call liberals “special snowflakes” lost their freakin’ minds. Anyway, before I go off on that tangent (and she talks about this whole episode in her life in the book)...
Koul is the child of Indian parents, specifically parents from the Kashmir region of India, so that’s another reason I wanted to read this: I’m really interested in reading writing of people with whom I can identify, even a little bit.
In that, the book didn’t disappoint. The struggles of an immigrant or the child of immigrants are uphill, especially when you’re younger, and Koul really gets into that, throughout multiple essays. One thing that I think a lot of brown people who grew up here can identify with is this particular line: “I tried to force myself out of brownness at her age, but the older I get, the more I tuck myself into it.” When you’re younger, you try to separate yourself from your culture to fit in (despite all the shit you face from your parents for doing so), but as you grow older you realize what a mistake that was.
Fitting is a luxury rarely given to immigrants, or the children of immigrants. We are stuck in emotional purgatory. Home, somehow, is always the last place you left, and never the place you’re in.
Some of the strongest parts of the book were when she talked about her parents: their experiences as immigrants, their relationship with her, their perceptions as people living away from their homeland. I saw a lot of my parents reflected in her parents, and it made me consider them in ways that I probably hadn’t enough thought to before. This line especially resonated:
So much of immigration is about loss. First you lose bodies: people who die, people whose deaths you missed. Then you lose history: no one speaks the language anymore, and successive generations grow more and more westernized. Then you lose memory: throughout this trip, I tried to place people, where I had met them, how I knew them. I can’t remember anything anymore.
Her experience of returning to a place in India as an adult that she’d previously visited only as a kid could have been me doing the same thing in my life. Knowing that others have these same feelings and experiences, and reading about them, is so validating. I’m so glad that voices like Koul’s have a place now in mainstream culture. You don’t think about it actively, but it’s like all the arguments being made for having more than just white people on TV and in movies: Representation matters.
The essay on rape culture, Hunting Season, was another stunning, strong piece. I’d actually read it before on Buzzfeed (which leads me to believe that much of the book may be from pieces she’s already written online), but it can certainly be read over and over and shared with everyone you know. Her insights on how men watch women are so on point.
Surveillance feeds into rape culture more than drinking ever could. It’s the part of male entitlement that makes them believe they’re owed something if they pay enough attention to you, monitor how you’re behaving to see if you seem loose and friendly enough to accommodate a conversation with a man you’ve never met. He’s not a rapist. No, he’s just offering to buy you a beer, and a shot, and a beer, and another beer, he just wants you to have a really good time. He wants you to lose the language of being able to consent. He’s drunk too, but of course, you’re not watching him like he’s watching you.
And of course, the aforementioned chapter on the disgusting harassment she faced on Twitter was another fantastic essay. I highlighted the hell out of that section but I’ll leave just this one quote here:
But all things built by humans descend into the same pitfalls: loathing, vitriol, malicious intent. All the things we build in order to communicate, to connect, to find people like us so we feel less alone, and to find people not like us at all so we learn how to adapt, end up turning against us.
Basically, throughout most of this book, I would sigh softly and highlight something and reflect on what I’d just read. There were definitely things that Koul writes that I disagree with but hers is an interesting, and often hilarious, perspective to read. I’ve been shouting about this book to everyone, even before I finished it, and I already know a couple people I’ll be buying it for. Highly recommended.
Note: I received this book from NetGalley in exchange for an honest review.
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LibraryThing member brangwinn
I needed to younger to relate to this series of short stories about being the child of Indian immigrants to Canada. There were plenty of funny stories and it was interesting listening to her interactions with her south Asian culture, but I wasn’t pulled into the story.
LibraryThing member over.the.edge
One Day We'll All Be Dead And None of This Will Matter🍒🍒🍒🍒
By Scaachi Koul
2017
Picador Books
ISBN 978-1-250-12102
I really enjoyed the honesty and hilarity of the essays in this volume. Her humor and phrases are spot on, and so immediately relate - able. Growing up with a strict
By Scaachi Koul
2017
Picador Books
ISBN 978-1-250-12102
I really enjoyed the honesty and hilarity of the essays in this volume. Her humor and phrases are spot on, and so immediately relate - able. Growing up with a strict
Show More
conservative family, being modern was only the first of her problems, wearing large size clothes and preferring white boys only fueled the fire. This is laugh out loud funny. Loved it. Definitely would recommend to anyone who enjoys humorous essays. Show Less
LibraryThing member KimMeyer
This essay collection is dryly funny, while taking on issues of culture, gender, and class. The fact that she refers to her boyfriend as Hamhock throughout the book is my favorite.
LibraryThing member MickyFine
A collection of essays from a Canadian journalist at Buzzfeed in which she reflects on the experience of being the child of immigrants, finding her way between two cultures, the experience of being brown, and her experiences as a woman. Funny and scathing, Koul is an intriguing voice.
LibraryThing member reader1009
audiobook read by author (with quotes added by her father) biographical essays and observations from Canadian-born daughter of Indian immigrants
it seems like a lot of people had trouble relating to this author's experiences, but that's sort of the point. There is no "one experience" for all brown
I strongly recommend the audio version; she's funny and it probably sets the tone better than the print version.
I did find the essay where she talks about "party culture" and getting roofied multiple times on different occasions to be eye-opening and important (horrifying, really), especially in light of current events. I would make every teen girl read it (and probably all genders, followed by an open discussion about consent, alcoholism, and alcohol-induced blackouts) if it would keep everyone safer.
it seems like a lot of people had trouble relating to this author's experiences, but that's sort of the point. There is no "one experience" for all brown
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people, just as there's not one experience for all Canadians or Americans. The point is to get more of these diverse voices out there so that people can be more aware of this fact, and to help us build empathy with folks whose cultures are unfamiliar.I strongly recommend the audio version; she's funny and it probably sets the tone better than the print version.
I did find the essay where she talks about "party culture" and getting roofied multiple times on different occasions to be eye-opening and important (horrifying, really), especially in light of current events. I would make every teen girl read it (and probably all genders, followed by an open discussion about consent, alcoholism, and alcohol-induced blackouts) if it would keep everyone safer.
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Language
Original language
English
Original publication date
2017-03-07
Physical description
256 p.; 8.25 inches
ISBN
1250121027 / 9781250121028