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In this beautiful and moving novel about family, love, and growing up, Ann Patchett once again proves herself one of America's finest writers. "Patchett leads us to a truth that feels like life rather than literature."?The Guardian In the spring of 2020, Lara's three daughters return to the family's orchard in Northern Michigan. While picking cherries, they beg their mother to tell them the story of Peter Duke, a famous actor with whom she shared both a stage and a romance years before at a theater company called Tom Lake. As Lara recalls the past, her daughters examine their own lives and relationship with their mother, and are forced to reconsider the world and everything they thought they knew. Tom Lake is a meditation on youthful love, married love, and the lives parents have led before their children were born. Both hopeful and elegiac, it explores what it means to be happy even when the world is falling apart. As in all of her novels, Ann Patchett combines compelling narrative artistry with piercing insights into family dynamics. The result is a rich and luminous story, told with profound intelligence and emotional subtlety, that demonstrates once again why she is one of the most revered and acclaimed literary talents working today.… (more)
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Sometimes things come together to bring you the perfect book at just the right time. I saw Our Town performed at an outdoor Midwest theatre this summer. I reread the play because it was fresh in my mind. I had no idea it played such a huge role in Tom Lake. We also visited New Hampshire this year, which is where the novel begins, and then I visited Michigan, where the rest of the novel takes place. I can't explain how this novel just felt like it was made for me at this moment. I think this story is wonderful no matter when you read it, but it had an unexpected resonance for me because of all those factors.
“It’s not that I’m unaware of the suffering, and soon-to-be-more suffering in the world, it’s that I know the suffering exists beside wet grass and a bright blue sky recently scrubbed by rain. The beauty and the suffering are equally true.”
“There is no explaining this simple truth about life: you will forget much of it. The painful things you were certain you’d never be able to let go? Now you’re not entirely sure when they happened, while the thrilling parts, the heart-stopping joys, splintered and scattered and became something else. Memories are then replaced by different joys and larger sorrows, and unbelievably, those things get knocked aside as well, until one morning you’re picking cherries with your three grown daughters and your husband goes by on the Gator and you are positive that this is all you’ve ever wanted in the world.”
“The stories that are familiar will always be our favorites.”
“I want to tell her she will never be hurt, that everything will be fair, and that I will always, always be there to protect her.”
"He lacked the hubris to believe that he should have the lead, that's what made him good."
I loved the way Ann Patchett connected the past and present. From the very beginning I wondered how a girl from New Hampshire ended up on a Michigan cherry farm. The gradual reveal brought forth an “oooohhh!”, as did some of the details concerning Peter Duke. Patchett’s portrayal of Lara, and her relationship with each of her adult daughters, also rang true and was often moving. All in all, this was a very satisfying read from an author who has never disappointed me.
lovely drama with lots of little twists and turns such a life sometimes throws, and sort of a generational love story, flitting easily back and forth between the late 1980s Tom Lake theater company and 2020.
I just loved this gentle story of the beauty of connection to people, to place, to sensation. The book celebrates connections both steadfast and fleeting, both enduringly loving and
Patchett sets this bucolic tale in one of my special favorite places. I have written in other reviews about my lifelong attachment to Traverse City, MI, and here she describes it (well, actually the Leelanau Peninsula I think) beautifully. Or maybe "describe" is the wrong word? Patchett is never an author to wax on about the blue of the sky or the red brown of the cabinets. Somehow she evokes this place and brings to the page this place I adore with its particular scent of stone fruit trees and hot sand and the sensation of the air that glides over your skin like the lightest silk without really describing it at all. Now that I think about it, how the hell does she do that? It's magic.
I do not want to rehash the plot, but I will say that these people who have brushed up against fame and wealth but find their true selves in the bucolic poverty of the provinces strongly recall the setting and characters of Chekhov's The Cherry Orchard (even changing young Laura into Lara to enhance the Russia connection and naming the central romantic figure Peter -- though he is referred to most by his last name, Duke -- in honor of the Cherry Orchard's resident romantic dreamer Peter Trofimov.) It is not a spoiler to say that in Tom Lake the cherry orchard survives (unlike in Chekhov's play) but the threat of annihilation due to climate destruction is no less a presence that the shifting economic and governmental forces in turn of the (20th) century Russia that threatened the orchard in the play. The book even more aggressively references Our Town with it's focus on the beauty and the ephemerality of innocence and the message that we do not fully appreciate love and companionship until we lose them (to death or other things.) And how brilliant to base this story in Traverse City, the cherry capital of the world! (Really, the airport is called Cherry Capital Airport.) She references these stories without an ounce of pretension, just a true reverence for the way those stories lay a firm bedrock for other storytelling.
I listened to this read by the incomparable Meryl Streep who brought life to every character, but none so much as the lovely but complicated Lara. At one point there is an off-hand reference to the film The Deer Hunter, and hearing Meryl, as Lara, refer to Meryl's breakout film where she was the ingenue who stole the screen as Lara does in the book was such a complete delight. No one loves a sub-reference more than I do, except maybe Ann Patchett.
So I guess I have made my feelings clear, but in case anyone missed it, I loved this book.
Oh, one more thing, I got involved in a discussion here last week about regrets. I said I don't regret big choices because things good and bad come from every choice I make and to regret the choice is to regret all the outcomes. Some people seem to think this position makes me a sociopath, and that is cool, I really don't want to relitigate that -- their opinions are their opinions -- agree to disagree. But I can't not mention that this book is perhaps the best explication of that philosophy I have ever heard/read. Lara makes choices that in many ways make her life so much worse for spells of time, but in the end, they give her the life she is supposed to have, and she is so happy about that. Go Lara.
This felt slow to me. I got tired of the constant references to the play Our Town, and of the switches back and forth in time.
But, of course, her writing is beautiful. Just a little off in this book.
A mother's 3 children come home to help harvest the cherry orchard, and it is during Covid, so they stay together. When they hear about a movie star, Duke, their mother tells them the story of Tom Lake, summer stock, and her love affair with him.
It is a beautiful story of love, family, and hopes and dreams.
Most of the novel focuses on Lara's time at Tom Lake and her relationships with the other actors, especially the talented but vain and fickle Duke, but she also tells the story of how she met (well, re-met) the girls' father. The book is a study of youth, friendships, and love, particularly her changing relationships with her daughters Emily, who plans to take over the farm, Maisie, a veterinarian in training, and Nell, an aspiring actress. It also opens a door to the hardships of farming and the idyllic lake setting.
I've enjoyed Patchett's novels but have never been knocked out by them. The same is true of 'Tom Lake'. It's a well written novel that kept my interest, but it probably won't stay with me for long.
Interwoven within the pages of this concise yet profound novel is the resonance of Thornton Wilder's timeless play, "Our Town." Lara's intimate connection with the character Emily Gibbs, whom she portrayed numerous times on stage, runs deep. This connection is so deep that she named her daughter Emily. During a summer stock production of "Our Town," Lara's life took an unexpected turn with her passionate involvement with Peter Duke. Throughout that transformative summer, Lara's world became entwined with Peter and acting. As her narrative unfolds, she imparts invaluable life lessons etched into her consciousness through Thornton Wilder's wisdom and her experiences. She has rude awakenings, including recognizing genuine people and meeting her eventual husband, the girls' father.
Ann Patchett's "Tom Lake" is a tapestry of emotions, a tale that delves into the intricacies of love, identity, and the profound impact of the past on shaping the present. Through the artful weaving of personal narratives and poignant life lessons, Patchett creates literature that resonates deeply with the human experience.
The tale includes a story of acting the part of Emily in Thornton Wilder's play Our Town, a work I'm not familiar with but would be quite interested in reading now. I didn't find not having read/seen it an obstacle to enjoying the novel though.
This is a beautifully layered story of the differences between the story as Lara's daughters have imagined it and the reality of her memories, of truths and myths, of shifts of how the characters in the story see each other, of romance, betrayal, disappointment and different kinds of love. The story shifts between being sad and thoughtful to offering the teller and her audiences, perhaps, very different views of the past.