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Fiction. Literature. LGBTQIA+ (Fiction.) HTML: "We think we know the ones we love." So Pearlie Cook begins her indirect and devastating exploration of the mystery at the heart of every relationship: how we can ever truly know another person. It is 1953 and Pearlie, a dutiful young housewife, finds herself living in the Sunset District in San Francisco, caring not only for her husband's fragile health but also for her son, who is afflicted with polio. Then, one Saturday morning, a stranger appears on her doorstep, and everything changes. All the certainties by which Pearlie has lived and tried to protect her family are thrown into doubt. Does she know her husband at all? And what does the stranger want in return for his offer of a hundred thousand dollars? For six months in 1953 young Pearlie Cook struggles to understand the world around her, and most especially her husband, Holland. Pearlie's story is a meditation not only on love but also on the effects of war, with one war recently over and another coming to a close. Set in a climate of fear and repression�??political, sexual, and racial�??The Story of a Marriage from bestselling author Andrew Sean Greer, portrays three people trapped by the confines of their era, and the desperate measures they are prepared to take to escape it. Lyrical and surprising, The Story of a Marriage looks back at a period that we tend to misremember as one of innocence and simplicity… (more)
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The setting is San Francisco, 1953, and the narrator is Pearlie Cook, whose lyrical opening words, a kind of soliloquy for her damaged marriage, set
As with Confessions, Greer has intricately drawn San Francisco in another time. Pearlie and her husband, Holland Cook, grew up together in Kentucky in the years leading up to World War II. Now, they are adults, parents to a young boy, living far from the homes of their childhood, making a life in San Francisco’s unfashionable Sunset District, once known as the Outside Lands. One day while Holland is at work, a stranger comes knocking on their door, identifying himself as Buzz Drummer, an old friend of Holland’s from the war years. Despite Pearlie’s initial wariness about him, they eventually become close friends, and Buzz becomes a part of their family.
One day, Buzz makes a startling revelation about the past, a revelation which forces Pearlie to make a life-altering choice. This happens at the end of Part One, around the same time we learn another fact about Pearlie Cook that complicates the plot even further. It’s difficult to write about The Story of a Marriage without giving anything away, given the delicate pace at which the plot proceeds. So I will say nothing more here by way of summary, other than that the rest of the book centers on this impossible choice, a choice that deeply complicates Pearlie’s relationship with both her husband and with Buzz. In the background, always, is Pearlie’s young son, his presence a reminder, both to Pearlie and the reader, of how much is at stake.
One of the most touching things about this novel is the sense one gets of the author’s total honesty, the feeling that the discoveries Greer has made in the process of writing the book have been shared, generously and unabashedly, with the reader. “This is a war story,” Pearlie says more than three-quarters of the way through the novel. “It was not meant to be. It started as a love story, the story of a marriage, but the war has stuck to it everywhere like shattered glass.” So while it is called The Story of a Marriage, it is also the story of a time in America’s history. The silences that divide one couple, the Cooks, serve here as a microcosm of a greater silence, an atmosphere of secrecy and divisiveness that falls over the whole of society.
There are surprises throughout, and, ultimately, there is hope. One night Pearlie stands outside a bar and observes, “Beyond the inscrutable movements of these men, the world they had built beneath the ordinary one; beyond the seedy lights and grimy hotels…it was a feeling, which I could not name at the time, of something awakening…It was as if part of the body was stirring, moving very slowly to rouse the rest.”
Admirers of Confessions may recall that one of Greer’s greatest gifts is his kindness to his characters; that same gift is on full display here. His characters fail and fumble, and ultimately, they find their way.
Having read and loved Andrew Sean Greer's [The Confessions of Max Tivoli], I came into this book with high expectations. I found myself floundering through the first half of this book, being confused as to what was going on. The action moved between five main characters, but not as smoothly as I would have wanted. I proceeded slowly. Then suddenly, about two-thirds of the way through the book, I was pulled deeply into the story and swept up by its lyrical writing.
Of note is the fact that certain important traits of the characters were not revealed until later in the book. Those revelations (no spoilers here!) fit into the story in an interesting way, particularly in relation the time setting (1953). This jarred me into taking more notice of what the author was trying to say.
The end of the story was both beautiful and emotional. I had to stop along the way, though, to jot down some memorable lines. I even caught myself deciding exactly how I wanted the story to end before reaching its actual conclusion. I did appreciate how the author constructed the ending, reaching into many years later to see the outcome of decisions made a long time ago.
I was a bit apprehensive when Pearlie married Holland, because it really didn’t seem that she knew him at all, which given the rest of the book is probably exactly what I should have been feeling. Holland doesn’t talk much about his time in the war, so Pearlie really is not expecting it when Buzz comes to their front door, claiming to be a friend of Holland’s from when he was in the army. Even less expected than Buzz’s presence, however, is what he will tell Pearlie and the sacrifice he will ask of her.
Initially I wasn’t quite sure how I would feel about this book. There is a sort of dreamy, far-off quality about the story, particularly in the beginning and I was sure I wouldn’t be able to identify with any of the characters because of it. However, Greer’s beautiful, lyrical writing soon drew me into the story. It made sense for the novel to have such a dreamy quality, because much of what happened seemed surreal to Pearlie.
This is a wonderfully done work of literary fiction. If you stick primarily with contemporary fiction and don’t venture much into literary fiction this may not quite work for you, but if you enjoy literary fiction I highly suggest you give this a read.
But there are other surprises for the reader too, including one so profound that it's hard to see how the signs can have been missed. Greer certainly challenges our perceptions and our assumptions.
I grew up in the 1950s, when this novel is set and, although my childhood was spent on the other side of the world from San Francisco, The Story of a Marriage evokes that strange time extremely well. The Cold War was at its height and the fearfulness of citizens in the West constantly reinforced by politicians - the trial and execution of the Rosenbergs act as a chilling counterpoint to the story of Pearlie and Holland's marriage; former servicemen who had fought in World War II and the Korean War had returned home to bury their memories; the spectre of devastating diseases such as polio haunted our growing up, and social divisions based on class and race were rigid.
The Story of a Marriage is recounted with great tenderness and poignancy but this never detracts from the underlying tension of the plot. And, yes, the author, through Pearlie's voice, keeps us guessing - until the final pages - how the story ends.
It is the story
Her tone is a very detached one, which is contagious. I found that my experience of reading it was quite detached too. I didn't really care what happened, though I was curious. This detachment isn't what I read fiction for, so I only gave it a two-and-a-half stars rating.
However, it is well written and gave me plenty to look up about the second word war years in the USA, something I only know a little about. Now, to find a novel which covers WW2 and the post-war experience in San Francisco and which makes me care about the characters...
Greer's tale, which follows the lives of the Cook family (Pearl, Holland,
Greer weaves the darker threads of the 50's -- polio outbreaks, communist witch hunts, the Korean War, and the ever present threat of nuclear annihilation -- into his story with language that is evocative, yet understated. He is at his best when he addresses societal restrictions that suppressed personal freedom and dignity. Pearl and Holland live in a world where elegant grandmothers in their Sunday hats, eager to celebrate a special occasion, must request directions to the "special area" of the tea room reserved for blacks. Gay men are rounded up in private club raids and imprisoned for criminal indecency. Interracial couples must assess when and where they can be seen in public without risking physical injury. Conscientious objectors and draft dodgers are run out of their hometowns and forced to relocate in order to reclaim any semblance of a normal life. Next door neighbors spy on each other and suppress their political opinions. Unhappy wives and husbands consider clandestine murder as a preferable alternative to the public shame of a divorce. A repressed blanket of desperation smothers Pearl and Holland's suburban neighborhood as thoroughly as the fog that rolls in from San Francisco Bay each morning.
As indicated by the book's title, Pearl and Holland's marriage crisis forms the crux of the novel. Pearl, Holland, and some integral third parties are all casting about for some measure of freedom, some unfettered definition of their own personhood, throughout the book. Although the novel is written in Pearl's voice, I think that Greer's depiction of Holland's internal struggle offers the more subtle and deep exploration of human nature. Holland is portrayed as a handsome man -- the stunning kind of "handsome" that necessarily affects every aspect of his existence. It is his gift, and his curse. Greer writes (in Pearl's voice): "By being what everyone wanted him to be -- being the husband, the flirt, the beautiful object, and the lover -- by pleasing us all in giving us his gracious smile, he had tortured each of us when it did not turn our way. Beauty is forgiven everything except its absence from our lives, and the effort to return all loves at once must have broken him."
Other characters in the novel seem to have some idea of who they want to be and how they want to escape the box that the mid-20th century has constructed around them. Holland, on the other hand, has lost all sense of himself after years of existing as no more than a mirror image of other people's desires. Everyone has attempted to employ his beauty and use it to actualize their own "dream narrative." He has been a chameleon for so long that he is hard pressed to know his own heart's desire, and the choice he eventually makes may surprise you.
This is a good book on many levels -- I recommend it.
Tony winner Merkerson’s careful and precisely modulated reading exactly reflects the tone of the book.
Holland and Pearlie Cook are childhood sweethearts with a son and a dog that doesn’t bark. Everything is going along fine until one day Buzz, a man from Holland’s past, shows up at the door and changes everything. Set in the 50’s and San Francisco.
I have to say this is a wonderfully written novel, & I fell completely into it from the beginning. It's an eye opening look into how well we know other people in our lives.
Through the book you get to know Pearlie quite well, though Holland remains a bit of a mystery. I liked the secondary characters of the Old Aunts, they knew far more about Holland, and tried to advise Pearlie, and warn her off marrying Holland, with out actually telling all, eventually though as the book draws to it's conclusion, Pearlie begins to see what they were doing & how much the must have known. The novel didn't finish as I though it would, never the less a good ending. A very enjoyable read.
It does the novel a disservice to reveal any more about the plot, as its secrets are revealed in well timed waves. In fact the book’s only draw back is its brevity as its simple prose endears readers page by page. It’s an unconventional love story written with graceful restraint and vibrant characters.
The Story of a Marriage is as perfect a novel as any I've read.
I didn't give the book a higher rating because the prose doesn't flow well, there are some simply awful metaphors, and in an effort to keep the books secrets unexposed, the reader can feel lost at times.
I work in a library, and when the book "The Great Starvation Experiment" came across my desk, I decided to read it since I felt Greer had certainly used this as one reference for his novel's background. It turned out to be an interesting read and indeed, elaborated one of the novel's more interesting and less known historical themes.
Having expressed my reservations I do feel that the writer caght some of the essence of those times and the struggles for a voice that minorities often felt and still feel. The plot development did make me want to know what happened, and there are twists, but I feel that the novel, for me, doesn't quite achieve what the premise and ideas behind it might have.