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The dazzling Orange Prize shortlisted novel of a family in crisisFrom the Booker longlisted author of Almost English Shortlisted for the Orange Prize 'The Rubin family, everybody agrees, seems doomed to happiness' Claudia Rubin is in her heyday. Wife, mother, rabbi and sometime moral voice of the nation, everyone wants to be with her at her older son's glorious February wedding. Until Leo becomes a bolter and the heyday of the Rubin family begins to unravel . . . 'As intelligent as it is funny. A beautifully observed literary comedy as well as a painfully accurate description of one big old family mess' Observer 'Fast-paced and engaging. Brilliant, touching and true' Naomi Alderman, Financial Times 'Absolutely spellbinding, so funny, so moving, so totally believable' Jacqueline Wilson 'Intelligent and witty. The Rubin family may be a singular one but the delights and the difficulties its members have with sex and spirituality, food and domesticity, expectation and achievement, will have a universal appeal' Sunday Telegraph 'Funny and emotionally true, this is a comedy with the warmest of hearts and the most deliciously subversive of agendas' Book of the Month, Marie Claire When We Were Bad is a warm, poignant and true portrayal of a London family in crisis, in love, in denial and - ultimately - in luck..… (more)
User reviews
Claudia Rubin is at the height of her powers: wife, mother, rabbi and moral authority for all, she is holding forth at the wedding of her oldest son, Leo, when the unthinkable happens. He bolts and runs off with none other than the wife of a fellow rabbi. Oi, the embarrassment! But that’s just the start as her family begins to unravel and Mendelson is there to report every misstep and unpeel the layers, one by one. Never has a mother’s suffocating hold on her family been more deservedly challenged.
She is so consumed by this incident that she fails to notice that her oldest daughter, Frances, is in the throes of post-natal depression. Youngest son Simeon is in a drug fueled haze and daughter Emily brings an unusual young man home (or is it a woman?). Meanwhile, patriarch Norman has been working, secretly, on a bombshell book that will bring him much more notoriety than anything his much more famous wife has published.
Claudia takes everything in stride and Mendelson describes her philosophy with an astonishing eye for detail:
”Claudia, running her fingertips over the plaster, thinks of skiing. A terrible sport: the ice, the pain, the slicing metal. It has, however, one thing in its favour. It demonstrates perfectly how best to lead one’s life. Simply the image of herself speeding over metaphorical moguls while other people, more earnest and dangly earringed, plough through the snowdrifts, emoting, discussing, sharing, has always cheered her.” (Page 216)
This is a wonderful literary comedy that will remind you of the ramshackle lives of people you know and will make you laugh out loud. Very highly recommended.
I found the characters all pretty believable, often they are "larger than life" in the way that real people really are. What I really liked was that the ending of the book didn't wrap everything up neatly (because frankly I wouldn't have believed that - there were characters here who weren't going to see the error of their ways) and that the author didn't make it clear who she thought was right and who was wrong. (My take would be that I loved Frances, liked Norman and could see where Leo was coming from; totally disliked Claudia and the two younger children were hideous.) I thought it was all going to end in either a big morality tale finish or a huge party where they all lived happily ever after. Neither happened I'm glad to say.
I'll certainly watch out for more by Mendelson.
I’m not sure why I have this book, let alone in hardback; that is, it must have been on my Amazon wishlist, but I don’t know why. I presume it was an Amazon recommendation, in which case it should stand as an object lesson; this certainly isn’t something I would choose to read.
One thing I found particularly offensive was the author’s reverse racism, whereby she and her characters believe, or purport to believe, that everyone who isn’t themselves Jewish must automatically be anti-Semitic. I’m pretty sure that most people don’t much care one way or another.
This book is about a seemingly perfect family falling apart in a highly comical way. Mendelson has a knack for writing comedy into small human actions. The family manages to be completely irritating and somewhat charming at the same time. By the end of the book I had developed real affection for Norm, the husband, and Frances, the eldest daughter. I was cheering both of them on to rebellion. Claudia and the younger son, Simeon, were a bit harder to stomach. Still the book is well-worth reading for the rich and entertaining world that Mendelson has drawn around the Rubin family.