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With their most treacherous mission yet behind them, heroes Seregil and Alec resume their double life as dissolute nobles and master spies. But in a world of rivals and charmers, fate has a different plan.... After their victory in Aurënen, Alec and Seregil have returned home to Rhíminee. But with most of their allies dead or exiled, it is difficult for them to settle in. Hoping for diversion, they accept an assignment that will take them back to Seregil's homeland. En route, however, they are ambushed and separated, and both are sold into slavery. Clinging to life, Seregil is sustained only by the hope that Alec is alive. But it is not Alec's life his strange master wants--it is his blood. For his unique lineage is capable of producing a rare treasure, but only through a harrowing process that will test him body and soul and unwittingly entangle him and Seregil in the realm of alchemists and madmen--and an enigmatic creature that may hold their very destiny in its inhuman hands.... But will it prove to be savior or monster?… (more)
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Characters: Characterization is the strong point in this series, and this installment doesn't disappoint as far as the established characters are concerned. The new characters are stereotyped, however, and never become really interesting. The one character from this story who will stay for the next book is a disappointment - it simply isn't someone I can feel any interest in.
Style: Bumpy is the best word to describe it. There are smooth sections, but then you hit a bone-jarring pothole. The prose never quite flows for more than a sentence or two. Dialogue has become more stilted for some reason than in comparison to the earlier books.
Plus: The first hundred pages.
Minus: It's never good when you reach a point where mpreg is looking like a distinct possibility. Three quarters of the book, the central characters are separated - not helpful when their interactions are what keeps the series interesting.
Summary: It fails to live up to the expectations after the first three books. No Seregil/Alec interaction means that the main entertainment is lacking.
In this adventure we find Seregil and Alec having returned to Rhiminee, resurrecting their lives as best than can. However, Seregil has a rather large issue. He's bored and tired of risking his (and more importantly, Alec's) life on increasingly meaningless ventures. When a queen's order sets them once again on the road to Aurenen, they are happy to take the assignment. But, things go quite badly and soon Seregil and Alec are separated, with Alec facing a nightmare at the hands of a man determined to use his blood for his own nefarious purposes.
This story, even more than the first three Nightrunners, was written even smoother and with more action. In this one we don't get a lot of other viewpoints outside of the Alec and Seregil (although we do get into the minds of some of our favorite side characters at least a little bit) but I'm not complaining as the two main heroes are a couple of my absolutley favorite characters of all time. At 522 pages I would hesitate to say this is the shortest novel of the series, however, the font of the text is a bit larger than in the past, which I found to be a huge relief on the eyes, so I do believe this may be the shortest story. Although not a cliffhanger there has been a pretty wide area left of a sequel, which I will look forward to quite happily.
I spent
She gives them the task of recalling her sister Klia from
In general, I found the adversarial elements hard to read because Alec and Seregil are forcibly separated. However, this book clearly sets the stage for more political and personal upheavals: Queen Phoria is suspicious of anyone not licking her boots, and increasingly suspect of underhandedness. Politics in Aurenen and Plenimar are brewing trouble for Skala. Alec's "child of no mother" prophecy plays a significant role here, and will become an ongoing issue. Thero gets some nice page-time and a taste of nightrunning with Micum.
Knowing it is the first third of a greater story, I am satisfied by the book's temporary conclusion and I look forward to the next installment.
Nonetheless, I did enjoy the book and the return of my beloved characters. And it's interesting to see Seregil's reaction to people in his past popping up again.
I'd just like to say, what the heck is with this dragon child?! I feel like we haven't had enough of Seregil and Alec being together
I would have liked to see more of Seregil and Alec together in this book but unfortunitly they spend most of it appart. I thought the argument they had regarding Alec getting a kid on a woman was good because it showed Alec has matured. I missed Beka and surprisingly, Thero. I wish there had been more development of Thero's charater because I think he has great potential.
I can't wait for book 5, The White Road!
Despite all this, I gave the book 3 stars because the world and characters are so compelling. And, the “child of no woman” is an intriguing story with a lot of potential for the next book. Lastly, the ending when they finally escaped was tense and exciting and brought back the magic found in the first three novels. Overall, though I didn’t enjoy reading this, it left me anxious to begin book five. I only hope our heroes don’t have to sink to such depths again. Recommended for fans of the series as the plot threads introduced will be vital for the next book.
But I didn't want to see them like this, in bondage, separated from each other, angsty. I suspect the homunculus-child was supposed to be kind of spooky but I just found it corny and laughable. The language is spare and lacks the polish and depth of her previous work (not her fault -- apparently the publisher demanded a fairly limited word-count).
Unfortunately, the whole thing reads like fair-to-middling fanfiction, and I was ultimately so put off by this book that I won't be reading any more entries in the series. I'd rather remember Alec and Seregil as brave and dashing adventurers, not a couple of helpless prisoners mired in psychosexual melodrama.
But hey, at least the cover art is fantastic, for a change!
I enjoyed the book, just to be back with the main characters was wonderful. The writing was superb, it was smooth
The story was interesting, though I was not happy about a couple of things.
1. The last book (#3) was set in Aurenen, to explain Seregil's secret past. I enjoyed it, but we still needed to find out about Alec's past. When this book talked about going back to Aurenen I felt disappointed because I wanted to move on to Alec's past. Well there was no cause for worry, because although it started in Aurenen, the book was really all about Alec and his past.
2. The book had Alec and Seregil separated for most of the story. It was still good, but I wanted to read about them together.
3. The time lag between book 3 and book 4. I have to admit that I remembered almost nothing of the actual story arc. I didn't know who any of the minor characters were, or details of what happened in the last book. In book 3 there was a massacre and a lot of minor characters who were friends of Seregil and Alec were killed. Have no memory of the details. Don't remember the battle or the death of the previous queen, nor the prophecy about Alec.
Needless to say if I had known the 4th book was coming I would have tried to re-read book 3. But frankly I am not sure I could find it, and after 9 Years I think the author should bear the responsibility to either bring everyone up to date with a quick synopsis, or start fresh.
The story in book 4 continued on from the events in book 3 and in my mind relied too much on them. Seregil was wracked with guilt and remorse about the loss of his friends, and it meant nothing to me. The political situation didn't resonate, and the prophecy meant nothing. The author tried to work in details of the past, but it wasn't enough to connect me.
I notice that the font was huge, which increased the page count to make the book look bigger than it was. A better use would have been to use normal font size, and do an in depth synopsis of developments and characters in the story up to the end of book 3.
4. The portrayal of Alec. In this book he came off as spoiled, bitchy, whiny, in short a drama queen. He has always been younger and more innocent than Seregil, but that meant he led with his heart rather than his head. In this book his heart seemed to be a spoiled, selfish teeny-bopper.
In fact I kept thinking that Flewelling's Alec had been replaced by Kushner's Alec (from Swordspoint ). Kushner's Alec is all those things, but he is supposed to be that way, and has been from day 1. Flewelling's Alec was kinder, more thoughtful and more openly loving in how he reacts with others. Not in this book. He is channeling the other Alec and I don't like it.
5. The use of magic to create do-overs. I won't be more specific, because I don't want to spoil what happens. Lets just say that somethings should not be done and then waved off because they have magic (sort of a Bobby in the shower moment).
6. Story details were just dropped, or never fleshed out. At least one will probably come back to be resolved in the following books, but others were just dropped.
One that wasn't fleshed out was how Seregil and Alec were being held in the same house, and Seregil was having these secret meetings with those who wanted to help him, he knew Alec was there, and he never asked his helpers to let Alec know he was there. Alec spent most of the book thinking Seregil was dead or somewhere else. It took me out of the moment, because I kept wondering why he wouldn't relieve Alec's mind about his fate.
Still I am thrilled that the series is going again, heading to Alec's homeland, with more books to come.
What had happened was:
Yes, since you ask, I was looking forward to this more than I realized. I was enchanted to have Seregil’s old!wicked!treacherous! lover showing up at last, though I would be happier if he seemed in any way lovable (right, right, the younger guy’s flattered by the older dude’s attentions, na na na, but does he have any pleasant qualities at all, ever?), and I was very pleased that people are finally interested in Alec’s creepy ‘faie tribe. Lynn Flewelling’s been such a tease about that up until now. People would bring it up, and I’d be like YES LORD WE ARE GOING TO TALK ABOUT IT, and then they’d veer away from the subject, and it was exactly like Cold Comfort Farm at the end when Aunt Ada’s talking with Flora and then she turns around to answer an question about cows. So I was glad that we’re having some serious focus on that.
I read this book in about an hour and a half. I actually was having serious difficulty putting it down. Every time I had to put it down, I felt like I was peeling my eyeballs off the page. (You’re very welcome; I’m glad I could share that delightful image with you.) And then I finished it and I felt really sad because it’s going to be another several months before more books come out that are nothing but total pleasure and joy. I should have read it more slowly and enjoyed it more thoroughly. Like when I was reading one issue of Sandman a day (until I got too suspensey in the middle of A Game of You and totally abandoned the whole one-a-day scheme).
My one major complaint was that there was not enough chicanery. I like Seregil because of all the mad chicanery he carries on. Chicanery! Also, it’s a nice word. But this book was not big on the chicanery. Everyone escaped in the end, but they weren’t doing a bunch of sneaky clever cunning things.
Oh, and I just want to say, for the record, Thero and Klia? No. That’s a big fat sack of – NO. I vote NO to that relationship. I have it on record and I will not back down, just like that time I said I forever hated Ben on Felicity and the writers would never ever be able to make me like Ben better than Noel with the cute eyebrow tic. (Er, but then they did.)
On a related note, I especially like the title of chapter 28.
I have to agree that it is much darker. It definitely drags in the middle - how many times do we need to
The thing that bugged me the most was the sudden dropping of the secondary characters - one of the delights of Flewelling's previous books has been the cast of secondary characters. In this one they appear, are given some rounding out and then are suddenly killed or run away. Particularly in the case of the run away - why does no one seem to have noticed?
Crossing my fingers then next instalment is better.
(SPOILERS FROM HERE ON OUT)
But instead of the swashbuckling excitement and intrigue they (and the reader) expect, they are quickly kidnapped and sold in the slave markets of Plenimar. (The slavers in this fantasy world are dark-skinned, keep harems, and have curly beards. OH FLEWELLING NO.) There, Alec's unique half-blood heritage is both a blessing and a curse--instead of warming someone's bed or working in a field, he is bought by an alchemist, who first "refines" Alec's blood and then uses it to create otherworldly monsters. The alchemy and the creatures are chilling and interesting; the rest of the book is less so. Alec and Seregil spend hundreds of pages just sitting around their slave quarters, and the B plot (Thero and Micum, their fellow Watchers, try to rescue them) seems tacked on. All this could have been forgiven had the interpersonal relationships been interesting, or the inner monologues been insightful, but alas, that too was not to be. Instead, I had a hard time remembering who many of the characters were. Several horrific scenes were rendered significantly less horrific due to A)Flewelling's unexpectedly euphamistic style and B)not having any emotional connection to the characters involved.
This is a mediocre beginning to another trilogy in the Nightrunners series. I like Seregil and Alec as a couple (refreshingly little angst!) and Flewelling has written good court intrigue and adventure in the past. I hope she returns to her strengths.