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Fiction. Literature. HTML: A hysterical phone call from Henry Archer's ex-wife and a familiar face in a photograph upend his well-ordered life and bring him back into contact with the child he adored, a short-term stepdaughter from a misbegotten marriage long ago. Henry is a lawyer, an old-fashioned man, gay, successful, lonely. Thalia is now twenty-nine, an actress-hopeful, estranged from her newly widowed eccentric mother�??Denise, Henry's ex. Hoping it will lead to better things for her career, Thalia agrees to pose as the girlfriend of a horror-movie luminary who is down on his romantic luck. When Thalia and her complicated social life move into the basement of Henry's Upper West Side townhouse, she finds a champion in her long-lost father, and he finds new life�??and maybe even new love�??in the commot… (more)
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Single gay bachelor Henry Archer (George Clooney – channeling a mix of legal eagle Michael Clayton and the hapless cuckold of “The Descendants”) is embarking on a quiet retirement from
Reconnecting with Denise ultimately leads Henry back to Thalia (unfiltered screwball Jennifer Lawrence), now a 20-something struggling actress whom he invites to move into the basement apartment in his brownstone. To further her career, and against Henry’s advice, Thalia agrees to pose as the girlfriend of a 40 year-old horror film star (Lukas Haas, equal parts weirdo and wounded puppy) whose PR people believe engagement to an attractive young starlet will change his public image and help him achieve mainstream success. While Henry is thrilled to have Thalia back in his life, both she and Denise turn his ordered existence into a constant state of pandemonium. Adding to all this, Denise fixes him up with Todd Weinreb (menschy Mark Feuerstein) who dives headlong, and with unbridled enthusiasm, into both Thalia’s PR drama and Henry’s heart.
I enjoyed this story way more than I expected to. The characterizations were so vivid and everyone, even the obnoxious Denise, was so loveable and fun. The plot moves in a few unexpected directions and is never a downer. The entire thing sparkles like champagne. I honestly wish this could be made into the movie I imagined. Hopefully some producer is reading it right now.
And if J-Law isn’t available for Thalia, they could always cast one of Clooney’s previous co-stars like Anna Kendrick or Shailene Woodley.
Read this.
Lipman's newest novel is set in New York City, a departure from the other books that I've read by her so far. The dialog kept the pace fast and funny, even though the plot focuses primarily on the characters and their relationships. A light read that was fun, and would have gotten a higher rating if I had been in a different mood.
Denise's Xanax-induced "eulogy" of her deceased husband (third one and counting) is almost as entertaining as her verbal overtures to her new soul mate, Albert Einstein, a greyhound rescued from the racing circuit and formerly named "Kill Bill." Todd's "coming out" interchange with his house-coated Brooklynese mother is priceless. The story is saturated with New York references both real (Zabar's, the Number 7 Line, a haute restaurant named "Per Se") and imagined which reinforce the urbane nature of the wordplay. Lipman's novel may fall on the light side of the literary scale, but that doesn't make it any less rewarding on a long summer afternoon.
I enjoyed the book very much. I didn't relate to it as well as I have some of Elinor Lipman's other books but it was a satisfying read.
None of these characters seem real. This is fairytale New York, Eloise for grown-ups, where a
I think he'd be pestered for pro bono work. Early retired in New York but he has to depend on a long lost stepdaughter to give him something to do. It all might have seemed cute if published in the 1970s, but now?
Lipman is a shrewd observer of