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In the winter of 1991, at a concert in Krakow, an older woman with a marvelously pitched violin meets a fellow musician who is instantly captivated by her instrument. When he asks her how she obtained it, she reveals the remarkable story behind its origin.... Imprisoned at Auschwitz, the notorious concentration camp, Daniel feels his humanity slipping away. Treasured memories of the young woman he loved and the prayers that once lingered on his lips become hazier with each passing day. Then a visit from a mysterious stranger changes everything, as Daniel's former identity as a crafter of fine violins is revealed to all. The camp's two most dangerous men use this information to make a cruel wager: If Daniel can build a successful violin within a certain number of days, the Kommandant wins a case of the finest burgundy. If not, the camp doctor, a torturer, gets hold of Daniel. And so, battling exhaustion, Daniel tries to recapture his lost art, knowing all too well the likely cost of failure. Written with lyrical simplicity and haunting beauty--and interspersed with chilling, actual Nazi documentation--The Violin of Auschwitz is more than just a novel: It is a testament to the strength of the human spirit and the power of beauty, art, and hope to triumph over the darkest adversity.… (more)
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At the heart of the story is horror, heartbreak, and ultimately, tremendous inner strength. However, I was disappointed. I thought that both the plot and the characters lacked depth. So much more could have been done with this to make it a brilliant book. As it stands, I didn't feel the emotion or any strong pull into the characters' world.
** I won the early review copy in the Goodreads giveaway. **
Upon compulsory detention in one of the sub camps of the infamous Auschwitz concentration camp, Daniel, the unwilling protagonist dangerously hazards the possibility of immediate extermination by offering an unbidden explanation to a less than bravado violinist’s solo performance before the Commandant and his guests, “It’s not his fault, sir. The violin has a crack on the top plate. I can fix it.”
So cabinetmaker/factory worker Daniel not only repairs the violin’s cracked plate, but also is ordered to craft a new violin, one to add to the Commandant’s collection. Daniel, an authentic “luthier,” now has resolute motivation to rise each bleak morning, and without doubt, still a “sub-human” inmate in a dissolute environment, he quietly believes he has a smidgen of hope.
As we apprehensively follow Daniel’s daily progress, the overwhelming fear of imminent torture or death which can be visited upon each and every camp inmate is painfully described, and remains imbedded in the mind long after the violin is completed, and this little piece of history has been revealed to us.
The process of returning to his beloved art also takes Daniel, for short periods, back to his old life. It gives him a reason to live in a world where death may have seemed a kinder option. Daniel's moments of beauty and joy with his violin are juxtaposed against the horrors of the camp: beatings, torture, starvation, degradation. It is an intense book that I had to set down at times. The effect of the Holocaust on the survivors, both at the time it occurred and fifty years later, was explored with heartbreaking insightfulness.
How would you survive in a place where they had taken your family, freedom, home, your trade? Would you give up and, if you didn't, how would you find the will to get through? These are some of the many questions that came to me as I read this thought-provoking book. This is a story of survival, of the bonds of friendship which last a lifetime, of the triumph of creativity and beauty in a dark and depraved world. This little book takes you to the depths of hell, but also shows you the height of human potential.
I was very moved by this novella about a Jewish concentration camp prisoner, Daniel, who was a luthier (violin maker) by profession. Imprisoned at the Dreiflusselager (Three Rivers Camp, a sub-camp of Auschwitz) he spends his days working in the
Interspersed with Daniel’s thoughts are the actions of horrendous characters, the guards the notorious camp doctor as well as actions of the humanity of his fellow prisoners and some sympathetic guards. Introducing each chapter is authentic documentation from Nazi camp records that validate the horror of the experience.
Told beautifully and humanely by the author I was moved by the emotion portrayed. Slow, languid descriptions of the memories, the actual task of crafting the instrument reminded me that this was more than a genocide account but a glimpse into the human soul. It is more than a story about a man, a violin, the concentration camps. It is a tribute to the human spirit, the power of beauty and art to sustain the human soul and the dignity that can be evidenced in the most horrid circumstances.
My Thoughts: I did not like this book. I feel guilty about it too. It almost feels disrespectful to not like a book about the holocaust. But there it is. This one did
This is really just a short story. My review copy had just 100 pages or so. It was going along okay, and then between chapter 3 and 4, I got the feeling that I had missed a whole part of the story. Now I don’t really like short stories. I like to get into the plot and characters of a story and sometimes that is hard with a short story. But, if a short story is good, I can enjoy it. In a book with such an emotional setting, I think the characters should have been full of depth. They were not. The writing seemed scattered.
Now there could be a few reasons why I didn’t like this book. It is a translation, and perhaps the choppiness of the story comes from that. Also, the information page in the front of the book stated that this should be 128 pages. It may be that my copy was missing something. Either way, I have to say that this could have been a fantastic novel. A violin created in Auschwitz by Daniel, a talented inmate….. wow! His story before was touched on with a few sentences, his life afterwards was addressed the same way. Even the way the violin made it out in one piece was only given a passing mention.
What I did like about this book was Daniel. I liked when he spoke about his passion for making the violin and how it was helping him survive. I wanted to know more about him and his story.
Really a novella instead of a novel, this book is only a little over a hundred pages in length. I don't think
I was really excited to have won this book in the Early Reviewers Giveaway. As both a Jew and a lover of history, I read a lot of books, both fictional and non-fictional, set in this era. So I truly wanted to love this book, but it just didn't click with me.
I would probably recommend this book to those who enjoy reading fictional accounts of the Sho'ah, but there are definitely better novels out there to enjoy.
The Auschwitz Violin (or, possibly, The Violin of Auschwitz: the Amazon and ARC titles differ) will be released on August 31, 2010. Translated from Catalan by Martha Tennent, the original version has had considerable success in Europe, and film rights have been acquired. That doesn't surprise me one bit, as my first thought when I finished reading this short novel (at just over 100 pages, I'd call it a novella) was that it would make a beautiful film in the right hands. It has so many sensual elements: the music, the visual beauty of the violin, the contrast with the brutality of the camp. Give it to an outstanding director, and you've got an Oscar winner right there.
As for the book, I felt that the writing (or perhaps the translation?) could have flowed more smoothly at times, but the story is beautiful and poignant. It's like Night with a less depressing ending, and could become just as successful commercially. The message is one of hope: being able to exercise the profession he loves keeps Daniel alive in circumstances where men die of sheer hopelessness just as much as starvation and disease. Like Night, the story is told in a straightforward, unembellished way; if you've ever heard the survivors of horrors speaking, that's pretty much the way they tell it. The facts are so heartrending that they don't need elaboration.
The moment in the book that has stuck with me is the sheer terror that Daniel experiences in the presence of the camp's doctor, who selects prisoners for experiments, and the way he uses his work to disguise and control his fear. This is a book worth reading, and I'd unhesitatingly recommend it to almost anyone. It would make a good addition to a history or even music class, and middle or high school readers would probably also find it accessible. The extracts from genuine Nazi documents at the beginning of the chapters are very telling.
I'm really looking forward to that movie.
Daniel has disguised himself as a “carpenter”, but his ability as a luthier comes to the attention of the camp commander. Later on, Daniel discovers that he is center of a bet between the commander and doctor. Overcome emotionally and physically, Daniel is able to create a work of art while surviving in the most horrific circumstances.
I liked this book, and the historic notations at the beginning of each chapter add chilling facts about the holocaust.
A slim and beautiful novella, the story of a young man in a sub-camp of Auschwitz, making a violin that could save his life, or end it. Daniel had been pretending to be a cabinetmaker, but after he accidentally revealed his
The making of the violin is described in loving, intimate detail and I think the author must have done a great deal of research into that aspect of the story. And as the violin is constructed, the suspense rises -- will it get done in time? Will it be good enough?
This is a rather unusual Holocaust novel and I don't think it would be of much attraction to the ordinary reader. Rather, I would recommend it to people who are really into Holocaust stories, and also to violinists. Slightly interesting detail: Oskar Schindler, of Schindler's List fame, is a minor character.
The Commandant of the camp tells Daniel he must make a violin much the likes of a
Throughout this trial Daniel remains focused and determined on the goal. He relies on his friends for encouragement and help. To find friends, companionship and loyalty in such a horrific place is incredibly amazing. This story is achingly sad, but somehow uplifting. The characters are wonderfully developed and the plotline flows well. It is not a long book, but will stay with you long after you are done.
In any case, I found this novel to be disappointing, although it's premise is original. The story proceeds through the imprisonment of a violin maker who gets marginally better treatment than other prisoners because he is able to repair the Commander's violin, as well as make a new one for the man. He designs a new violin, but is under constant tension because he knows any flaws will mean his death. Eventually, in a flashforward, we find that his niece now owns the violin and plays artfully in a symphony in Krakow. The violin is her greatest treasure (these aren't really spoilers...)
I've read many books about the Holocaust, and the pain and images is visceral. At times, I had to put Schindler's List down, for days, because of the devastating content. Elie Weisel's Night affected me similarly. It's probably unfair to compare, but Anglada's novel lacks something of the humanity of the other titles. I didn't feel any pull from the main character, there was simply nothing to hook me into the book. His behavior as a prisoner never seemed to change or offer any insight to his mindset, other than overwhelming hunger and tension. The character speaks of some of the horrors of Auschwitz, but they come off almost as if read from an encyclopedia; they lack a human element. It's almost as if the author was trying to downplay the tragedy to the point that it's impact was lost.
The novel is filled with references to composers, cities, and Schindler himself, but somehow it still felt small and too contained. Possibly because there are only three significant characters, and possibly because they were never fully revealed.
The book is very short, almost novella sized, as was Weisel's Night. But Night is exponentially more powerful and moving.
In between the calm and detailed descriptions of the luthier's gradual progress in violin making, are sharp and jerky descriptions of the manner in which the camp guards control the prisoners, the fear the prisoners feel in the uncertainty over how long they have to live and the methods by which they will die, and the unholy glee that the soldiers take at abusing and humiliating the prisoners.
A very short read, but not, I think very well written. I don't know if it's the translation and if it would have been better read in the original Spanish.
Although Daniel is a carpenter at the work camp, he somehow ends up being at the right
When the commander of the work camp discovers that Daniel is a talented violin maker he gives Daniel the task of creating a superior violin. Throughout this novel as there is killing, mutilation, and starvation within the camp, Daniel finds a way to survive by immersing all of his energy and passion into the creation of this violin. Every step of the way Daniel worries that one wrong move will be the end of his existence.
I enjoyed this story but I must admit that I was confused at times, and I wonder if this could possibly have something to do with how it was translated. This story was obviously about how Daniel survived while he was at the work camp, although it began and ended with Bronislaw, the violin player. This book also contained some documents at the beginning of a few chapters that were very eye opening and sad. With just over a hundred pages this book was well worth the read with themes of survival, passion, music, and of course the Holocaust.
Pros: I enjoyed this short novel for its simple, yet compelling story. Daniel's story felt real as he struggled to survive in the concentration camp. I felt that the emotional content of the book was its driving force.
Cons: I don't know if the translation affected the story at all - but scenes in the concentration camp felt a little disconnected.
I thought that the writing was terrible. We are told that Daniel, the musician felt x, y, z. Maria, in her story, told us the prisoners felt humiliated when they were