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Fiction. Historical Fiction. Late one night, exploring her father's library, a young woman finds an ancient book and a cache of yellowing letters. The letters are all addressed to "My dear and unfortunate successor," and they plunge her into a world she never dreamed of�??a labyrinth where the secrets of her father's past and her mother's mysterious fate connect to an inconceivable evil hidden in the depths of history.The letters provide links to one of the darkest powers that humanity has ever known-and to a centuries-long quest to find the source of that darkness and wipe it out. It is a quest for the truth about Vlad the Impaler, the medieval ruler whose barbarous reign formed the basis of the legend of Dracula. Generations of historians have risked their reputations, their sanity, and even their lives to learn the truth about Vlad the Impaler and Dracula. Now one young woman must decide whether to take up this quest herself-to follow her father in a hunt that nearly brought him to ruin years ago, when he was a vibrant young scholar and her mother was still alive. What does the legend of Vlad the Impaler have to do with the modern world? Is it possible that the Dracula of myth truly existed-and that he has lived on, century after century, pursuing his own unknowable ends? The answers to these questions cross time and borders, as first the father and then the daughter search for clues, from dusty Ivy League libraries to Istanbul, Budapest, and the depths of Eastern Europe. In city after city, in monasteries and archives, in letters and in secret conversations, the horrible truth emerges about Vlad the Impaler's dark reign-and about a time-defying pact that may have kept his awful work alive down through the ages.Parsing obscure signs and hidden texts, reading codes worked into the fabric of medieval monastic traditions-and evading the unknown adversaries who will go to any lengths to conceal and protect Vlad's ancient powers-one woman comes ever closer to the secret of her own past and a confrontation with the very definition of evil. Elizabeth Kostova's debut novel is an adventure of monumental proportions, a relentless tale that blends fact and fantasy, history and the present, with an assurance that is almost unbearably suspenseful-and utterly unforgettab… (more)
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I gave my copy to a vacuum store, for
PROs: 1. The book intertwines several stories taking place over the span of at least 500 years. Kostova wrote the book in serious style, avoiding contemporary idiomatic phrases, references, etc. Instead, it is written in (essentially) classical English - even those parts of the book that take place from 1974 on. This gives the book a consistent texture that keeps all of the stories connected. Her prose is marvelous to read, and adds to the general ambiance of the tale.
2. It does require some concentration to keep track of where the narrative is (or when it refers to), but this is used effectively by Kostova to create a constant tension throughout the book. Suspenseful it is. Very tightly interwoven, it is. After the first few chapters, one is able to follow the flow of the story very easily, even though the narrator changes, the time period changes, and the direction of the specific activity changes quite frequently. I found myself becoming more engrossed in the story, and more emotionally in tune with the characters, despite the changes in narrative perspective. Kostova is able to use her particular narrative style to great effect.
3. This isn't your typical blood and gore story, although there is enough blood and gore to go around. It is primarily a book about historical research, and is executed in such a way as to be entertaining, informational, and suspenseful. The characters are well described and credible. It avoids being sensationalistic, and almost achieves a wonderful sense of understatement that makes the reader eager to continue.
CON: the ending is almost contrived, and I must admit to having felt somewhat cheated. Almost 95% of the book is so well written, so well plotted, and so well structured, that the last 5% seems anti-climactic. The beauty of the first 95% deserves a far better ending than it gets here (that almost becomes hokey, to tell the truth). The final epilogue to the book returns to the style and demeanor of the bulk of the book; it's just that where one should find a superb denouement, one finds almost a Hollywood, slap-dash ending. This is why I take away 1/2 of a star.
I would put Kostova on a par with Dan Simmons when it comes to using the English language to its fullest potential to convey the essence of a story. Brilliant writing marred only by a so-so ending.
The Dracula legend is old, tired, jaded. Many modern authors have tried to freshen it up by remaking the genre - portraying vampires as mis-understood creatures. Kostova returns to the image of vampires as evil, damned, terrifyingly seductive, yet she has done so in such a way that we are reminded of the bone-chilling fear these creatures can inspire.
I find it hard to believe that this is Kostova's first novel. With a talent this large, we can expect great things from her in future. My only fault with this book is that, after our slow piecing together of the facts, the ending seems a little fast and squashed together. No doubt this will improve as she gains experience.
All in all, I feel The Historian, like Bram Stoker's Dracula, will live on as a classic of the vampire genre.
The flashbacks to the present time and the daughter’s pursuit of her father were a little jarring sometimes. It’s hard to believe that she found this entire novel written out by her father. I don’t buy it.
But it’s an interesting story. Apparently Vlad has been undead for 5 centuries and amassing a terrific library. He occasionally slips a particular kind of book to a scholar he feels might be worthy of cataloguing his collection. The books is always old and bound and completely blank except for a woodcut print of a dragon with a curling tail. Paul’s professor friend Rossi receives one of these and his obsession with solving the mystery is all-consuming and soon he disappears under suspicious circumstances. Soon, Paul also receives such a book and he goes after Rossi, meeting Helen along the way. She is Rossi’s daughter but has never met him.
Strangely I couldn’t see anything really evil in Vlad's pursuit of these people. The library itself is made up of unbelievably rare and precious books. Some of which detail accounts of wars and torture methodology. That’s the unspeakable evil that must be stopped?? It didn’t make sense and I hoped their quest would fail and Dracula would continue to exist.
I want to make one other point. The length of the book is not a problem. I’ve read many novels that I have loved that are far longer, so I don’t want anyone accusing me of not liking the book because of its length.
The story revolves around a father and daughter who are both historians. The prose jumps back and forth between the daughter’s perspective and the letters that her father wrote. What begins as research into the real history of Vlad the Impaler, also known to the world as Dracula, becomes a life and death struggle to find a lost colleague and while protecting themselves from the evil forces that quietly haunt them. Soon they discover that the historical figure of Dracula is very much alive (or undead if you will) and coming after anyone who dares to look into his legend.
The writing is very good. The story has a slow, prolonged buildup of tension that leaves the reader wondering when it will all explode. In the mean time, the author does an excellent job of explaining the fact and fiction of Vlad’s life and death and the times he lived in. She also paints with beautiful detail the Eastern European world, especially the political situation as it existed during the Cold War.
So now you are asking “if it did all these wonderful things, what is your problem?” One small criticism of mine is that the characters are very obvious. The good guys are very good and the bad guys are obviously bad, and the reader knows which is which from the first scene. That’s not the big problem, however. Put simply, if you are going to build tension in such a long, drown out manner, there had better be a payoff at the end. This is where the tension that the author spent so long bringing to a peak falls flat on its face. Here is a simple rule – if you are going to kill off one of the emblematic characters of all time – Dracula himself – after such a buildup, it had better not end with a complete whimper. The scene of Dracula’s demise literally takes up only a few paragraphs and ends with nothing more than a gunshot, him falling and turning to dust. I read the remaining pages frantically expecting that he was not dead because there was no way he could have been dispatched so simply. Even worse, the characters afterward shrug the whole thing off as no big deal – as if offing someone who has terrorized the people of earth for 800 years happens every day. No reflection, no search for the meaning of Dracula’s life and death. The remaining pages don’t even reference Dracula again and really just go through the lives of the other characters.
It has been a very long time since I have actually finished a book and been angry, but The Historian had me stomping around the house at midnight. Why? Because this story held so much promise, such a buildup, that to have it fizzle so abruptly at the end made me feel like it was all some kind of cruel joke. I could have almost forgiven it if the book had been bad from start to finish. After all, it is her first published novel. But the even crueler twist was the amount of hype that surrounded this book when it came out and the vast number of glowing reviews that it received. Some compared it to the Da Vinci Code. Well, they did both have historians as protagonists…beyond that, they are about as different as two stories can be.
In the end, I actually waited a full week after finishing the novel just to give myself some time to reflect on my feelings about the story and not review it purely on emotion. But as you can tell from what you have just read, my thoughts haven’t changed much. If you are a history buff or Dracula fan, you might find this book interesting because it does weave a great deal of historical information - including debunking a lot of myths - into a protracted story with a great deal of interesting imagery. However, the ending left such a bad taste in my mouth that it felt like an unfortunate waste.
The good, however, far outweighs the bad. This novel is brim-full with culture, emotion, history, and books. Every main character is a historian and adores books, which makes it perfect for me to sympathize with them and understand perfectly their desire to travel, and I was as eager to discover as they were. Every culture is interesting and different, and Kostova's descriptions were enough to make me wish I was traveling there too. In effect, I loved the atmosphere, but found the plot slightly lacking, though the book definitely held my attention throughout all of its 700 pages. I was even surprised several times throughout the narrative, particularly at one instance.
Overall, I would recommend this book, but only to someone like me.
The story is told in flashback (and in some cases, flashback of a flashback of a flashback). As part of these flashbacks are a series of tedious letters that relate stories in levels of detail that are unbelievable in the context of the events that surround them. If you have a vampire on your tail, do you stop to hand write a 30 or 40 page letter that recounts every last glance, sigh, side dish, aside, and decorative detail?
Sadly it's these letters that really drive the plot. At times it can be difficult to follow these flashbacks, because the book is the story told by a woman, remembering events when she was in her teens. Inside her narrative is her father's narrative; inside his are other people's letters and accounts to fill the plot holes. All told in the same voice, blurring the distinctions between characters. Characters that are so similar and bland it's hard to the difference between them anyway. Kostava even explains away one characters flaw of abandoning his lover with their child in the poor back waters of Romania, with Amnesia. The one thing that made him remotely interesting is simply dismissed out of hand.
Aside from the bland characters and confusing narrative is a series of coincidences and chance meetings that will ultimately lead the protagonist to Vlad Temes's tomb. All the clues are laid out in font them, they meet the right people at just the right times, and everything comes to together just so, it really take the thrill out of thriller when you don't leave a whole lot of room for suspense. But really all these chance meetings and “research” serve as a way to take the reader from country to country, city to city, castle to monastery, library to mosque. While her descriptions of the architecture is superb, they do little to affect the overall story. Then there is the ending. I've read books with some truly bad endings, but [The Historian] takes the cake. After 600 long pages, we come to find that Dracula, the living undead Dracula, has caused all this trouble so he can find a worthy librarian to catalog his extensive book collection.Yeah that was a bit of a let down.
Kostova does set the scene beautifully but in the end all your left with are a whole bunch of characters that act more like bored tour guides, thriller with no thrill, a serve lack of vampires, and horrible ending.
The Historian follows 3 intertwining plots -- a girl seeking her father, her
I've never had any particular interest in Eastern Europe, but Kostova's evocative descriptions of Istanbul and Budapest made me fall in love with the locales and long to see them for myself. This is, I think, the strongest aspect of the book. Each setting is painted for you with piquant, well-chosen details of architecture, food, people, and historical background. The background, especially, is fascinating, though some will get impatient with the history lessons and prefer the author to just get on with the story.
The story is, actually, quite slow in the beginning, but as it chugs along it gains speed, and the gradual revelations and lurking dread build up to some delicious, hair-pulling suspense. It hasn't much in the way of action, though there is some -- this being a book about researchers, most of the action takes place in hushed libraries and secluded monasteries, where the outcome rests not on a car chase or gun fight, but on the acquisition of obscure facts in tattered documents. The central premise, of a mysterious book appearing one day out of the blue, appealed to me strongly. I couldn't resist such a mystery, and neither could the protagonists, which is what leads them into danger. I liked watching the puzzle pieces fall into place, and I liked following characters who were not so very different from myself.
Unfortunately, the end of the book, beginning with the unveiling of the principal actor, was rather disappointing. The villain ceased to be menacing once he was revealed, and his characterization did not surprise or intrigue me, as it was something I had seen before. (I seem to be the only one who feels this way about him, though.) The story was wrapped up with some convoluted deus ex machina, and left threads dangling awkwardly, though I think the intent was to be ominous.
For all that the ending disappointed me, I loved the book and recommend it warmly to those of a bookish bent who love history and mystery. It does mention sex and contain disturbing descriptions of ancient atrocities (this is about a guy called Vlad the Impaler, after all), but the book is appropriate for teenagers on up.
The premise, that a mysterious stranger secretly distributes
Dracula has kidnapped a professor who had received one of those empty books, and one of his students sets off to search for the professor by locating the tomb in which Dracula was buried some 500 years ago. How amazing that he should meet the professor's long lost daughter who assists him in his quest, not to mention the fortuitious meeting with a sworn defender of the ancient enemy of Vlad Tepes. So it goes, until we finally learn the truth of Dracula's unusual plan for the professor. Those expecting a major confrontation with the famous vampire may be disappointed, for a novel about Vlad Tepes, there is surprisingly little of the ancient monster.
It’s a slow book and feels more like a running conversation with a meandering story told in between. I don’t mean that the book is boring; it’s more a gradual
What I like most about this book is the almost hushed tones in which it’s told as though the whole secret cannot, and must not, be revealed instantly but unwrapped at an almost imperceptible pace that keeps the suspense building until the end.
Kostova is a wonderful storyteller and when the father sits down to tell his daughter his story, you feel as if you’re the daughter and his hushed voice is for your ears only. It adds creepiness to the book that doesn’t ever leave as though you must vigilantly look over your shoulder each time you leave the house.
While bits of the story might feel rambling, I’m not bothered by it. I patiently wait it out until I’m once again pulled in. The language can also be somewhat flowery and over descriptive at times and can make the story feel heavy but it also fits with the dark backdrop.
If you’re interested in a vampire story that’s not all about bloodsucking hoards but a more a dark mystery, this one could be it.
It feels like I just finished a race. A long one. Where I didn't take many breathers. And I was chased by vampires.
"The Historian", at it's blood red heart, is a crime mystery/thriller. A man discovers a strange book, left mysteriously for him at a library. The
The night that Professor Rossi discusses his research, he disappears. From then on, the story is an intense roller coaster ride, complete with long slow pulls up steep slopes that build anticipation until you reach a peak and speed down an insane drop.
All while being chased by vampires.
Kostova does a wonderful job pulling the reading into the story. Her primary device echos Bram Stoker's use of letters and diaries to tell his story. She does an even better job of teasing the reader by ending almost every chapter through the first half of the book with a mini-cliffhanger. I found myself waking up more tired than usual after having spent another night reading "just one more chapter".
There are a couple of, dare I say, beautiful romances within the story. Each are parallels of each other set in different time periods. And I have to be honest, I thought they were both charming and passionate.
I've never had much interest in Eastern Europe, but Kostova paints wonderful imagery of the locations and their histories. The scene-setting is, however, sometimes rather drawn out.
"The Historian" is quite long and has as many twists, turns and clues as there are books on vampires. I felt the payoff was wonderful and the ride to get there even better.
I highly recommend "The Historian".
Ugh. There were parts that were absolutely delightful to read but most parts dragged on...and on...and on... The story is
On top of that, these people travel a lot. Therefore, you get lots of description of scenery. While the description is beautiful, it gets old after awhile. It also drags the book out too much, in my opinion, making it a bore when less description would have made it a much more interesting read.
And, perhaps as a tribute to Stoker himself, it takes all of two sentences to slay Dracula. What a letdown.
I'm glad I finished this book. It's good if you have a lot of time to kill because it takes so long to get through (it took me two months) but I will most definitely not be reading, or listening, to this again.
The story is captivating. Kostova has done her research and her description of events, places, and historical documents is fascinating. You can see her love of history and places in every page. The majority of the story moved quickly and I didn't want to put it down. There was a section near the end that started to drag a little for me as the search seemed to go on endlessly...but I'm sure that was the point, to show how long and tiring the characters worked in all their efforts.
The characters were beautifully written and I became attached, especially to the character of Helen, Eva's mother. She is a strong female personality that was more than a match for the men she encountered in her travels.
Overall this was a great book. I would have liked to see the action progess slightly faster, which lowered my rating slightly.
3.5/5
No Historian I kept
Building and maintaining tension throuhout the first part of the book. I particularly liked the sense of place. I spent many of my childhood holidays on cheap packages to the communist states in the late sixties and early seventies. The book brought back memories of the seemingly timeless peasant culture that was evident then. I suspect though if I were to examine the details it would collapse rather like the authors vision of Cambridge. A composite of other people's impressions of Oxbridge constructed with verisimilitude rather than accuracy in mind. These events take place a long way from the intended American reader's home. Somewhere far enough away that people and locations can be romanticised without fear of contradiction.
The people were just a bit to stereotypical to become attached to them. The malapropisms used by non-native English speakers were particularly obtrusive causing themto remained cut-outs. I found it hard to separate the narrative voices stylistically. Americanisms seemed particularly jarring. Formal language and Americanisms do not usually coexist in my reading.
As to pacing well it started well but the middle dragged. Towards the end, the pacing picked up again. But did not come in my opinion to a very satisfactory conclusion. Dracula's motivation should have been better realised And the future threat more closely defined. All things that would have benefited from more show and a bit less tell.
Still not a bad book just not an exceptional one.