Status
Collection
Description
John Donne (1572-1631) is best known as the greatest English metaphysical poet. But there was another dimension to Donne's life and writing that, if less well known, is no less profound and beautiful. Born into an aristocratic Catholic family, Donne joined the Church of England at the age of twenty-one out of fear of persecution. At the age of forty-three, he gave up his preoccupations with secular prestige and devoted himself utterly to religion. It was eight years later when, battered with fever, the deaths of his beloved wife, several of his children, and many dear lifelong friends, he composed Devotions upon Emergent Occasions. There is both trauma and great drama in this extended meditation on the meaning of mortality, the possibility of salvation, and the true nature of the passage of eternal life. With a new introduction by poet and biographer Andrew Motion, one of the most revered books of Christian devotion speaks to us again of the higher aspirations of man and the always-present possibility of a relationship with God. This long out of print edition also contains Donne's last sermon, "Death's Duel" as well as the short colorful biography of him written by his contemporary Izaak Walton.… (more)
Publication
Similar in this library
User reviews
"[L]et us learn bravely to stand our ground, and fight him. And to begin to deprive him of the greatest advantage he has over us, let us take a way quite contrary to the common course. Let us disarm him of his novelty and strangeness, let us converse and be familiar with him, and have nothing so frequent in our thoughts as death. "(Montaigne, Essays)
But one more example from my reading can be found in Rainier Maria Rilke's beautiful novel, The Notebooks of Malte Laurids Brigge. Through Rilke's fascination with faces and appearances the importance of constructing an authentic life is emphasized. This becomes a prerequisite for the prospect of a unique personal death. Death itself is a character in the novel, a "terrible rival", which may seem stronger than the living in its tolling.
The tolling of the bell in Rilke's novel signalling death brings us back to Donne who penned these famous lines:
"No man is an island, entire of itself; every man is a piece of the continent, a part of the main. If a clod be washed away by the sea, Europe is the less, as well as if a promontory were, as well as if a manor of thy friend's or of thine own were: any man's death diminishes me, because I am involved in mankind, and therefore never send to know for whom the bell tolls; it tolls for thee." (Devotions upon Emergent Occasions, 17)
"[L]et us learn bravely to stand our ground, and fight him. And to begin to deprive him of the greatest advantage he has over us, let us take a way quite contrary to the common course. Let us disarm him of his novelty and strangeness, let us converse and be familiar with him, and have nothing so frequent in our thoughts as death. "(Montaigne, Essays)
But one more example from my reading can be found in Rainier Maria Rilke's beautiful novel, The Notebooks of Malte Laurids Brigge. Through Rilke's fascination with faces and appearances the importance of constructing an authentic life is emphasized. This becomes a prerequisite for the prospect of a unique personal death. Death itself is a character in the novel, a "terrible rival", which may seem stronger than the living in its tolling.
The tolling of the bell in Rilke's novel signalling death brings us back to Donne who penned these famous lines:
"No man is an island, entire of itself; every man is a piece of the continent, a part of the main. If a clod be washed away by the sea, Europe is the less, as well as if a promontory were, as well as if a manor of thy friend's or of thine own were: any man's death diminishes me, because I am involved in mankind, and therefore never send to know for whom the bell tolls; it tolls for thee." (Devotions upon Emergent Occasions, 17)