Devotions Upon Emergent Occasions and Death's Duel

by John Donne

Paperback, 1999

Status

Available

Collection

Description

John Donne (1572-1631) is best known as the greatest English metaphysical poet. But there was another dimension to Donne's life and writing that, if less well known, is no less profound and beautiful. Born into an aristocratic Catholic family, Donne joined the Church of England at the age of twenty-one out of fear of persecution. At the age of forty-three, he gave up his preoccupations with secular prestige and devoted himself utterly to religion. It was eight years later when, battered with fever, the deaths of his beloved wife, several of his children, and many dear lifelong friends, he composed Devotions upon Emergent Occasions. There is both trauma and great drama in this extended meditation on the meaning of mortality, the possibility of salvation, and the true nature of the passage of eternal life. With a new introduction by poet and biographer Andrew Motion, one of the most revered books of Christian devotion speaks to us again of the higher aspirations of man and the always-present possibility of a relationship with God. This long out of print edition also contains Donne's last sermon, "Death's Duel" as well as the short colorful biography of him written by his contemporary Izaak Walton.… (more)

Publication

Vintage (1999), 234 pages

Rating

(18 ratings; 4.4)

User reviews

LibraryThing member ctpress
These meditations and prayers of John Donne are a difficult read - but worth the effort - most of us try to deny the reality of death by almost any means - here is a man struggling to accept death - struggling to find peace while life is slipping away - drawing out important spiritual lessons in
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the midst of suffering.
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LibraryThing member jwhenderson
My own fascination with John Donne reminds me of the attempts by others to reassure their friends and family regarding death. Socrates did so in the Phaedo by describing his life as one long attempt to prepare for death. His view was echoed and enhanced by Montaigne who, In his essay titled “That
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to Study Philosophy is to Learn to Die,” turns to mortality and points to the understanding of death as a prerequisite for the understanding of life, for the very art of living.
"[L]et us learn bravely to stand our ground, and fight him. And to begin to deprive him of the greatest advantage he has over us, let us take a way quite contrary to the common course. Let us disarm him of his novelty and strangeness, let us converse and be familiar with him, and have nothing so frequent in our thoughts as death. "(Montaigne, Essays)
But one more example from my reading can be found in Rainier Maria Rilke's beautiful novel, The Notebooks of Malte Laurids Brigge. Through Rilke's fascination with faces and appearances the importance of constructing an authentic life is emphasized. This becomes a prerequisite for the prospect of a unique personal death. Death itself is a character in the novel, a "terrible rival", which may seem stronger than the living in its tolling.

The tolling of the bell in Rilke's novel signalling death brings us back to Donne who penned these famous lines:

"No man is an island, entire of itself; every man is a piece of the continent, a part of the main. If a clod be washed away by the sea, Europe is the less, as well as if a promontory were, as well as if a manor of thy friend's or of thine own were: any man's death diminishes me, because I am involved in mankind, and therefore never send to know for whom the bell tolls; it tolls for thee." (Devotions upon Emergent Occasions, 17)
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LibraryThing member jwhenderson
My own fascination with John Donne reminds me of the attempts by others to reassure their friends and family regarding death. Socrates did so in the Phaedo by describing his life as one long attempt to prepare for death. His view was echoed and enhanced by Montaigne who, In his essay titled “That
Show More
to Study Philosophy is to Learn to Die,” turns to mortality and points to the understanding of death as a prerequisite for the understanding of life, for the very art of living.
"[L]et us learn bravely to stand our ground, and fight him. And to begin to deprive him of the greatest advantage he has over us, let us take a way quite contrary to the common course. Let us disarm him of his novelty and strangeness, let us converse and be familiar with him, and have nothing so frequent in our thoughts as death. "(Montaigne, Essays)
But one more example from my reading can be found in Rainier Maria Rilke's beautiful novel, The Notebooks of Malte Laurids Brigge. Through Rilke's fascination with faces and appearances the importance of constructing an authentic life is emphasized. This becomes a prerequisite for the prospect of a unique personal death. Death itself is a character in the novel, a "terrible rival", which may seem stronger than the living in its tolling.

The tolling of the bell in Rilke's novel signalling death brings us back to Donne who penned these famous lines:

"No man is an island, entire of itself; every man is a piece of the continent, a part of the main. If a clod be washed away by the sea, Europe is the less, as well as if a promontory were, as well as if a manor of thy friend's or of thine own were: any man's death diminishes me, because I am involved in mankind, and therefore never send to know for whom the bell tolls; it tolls for thee." (Devotions upon Emergent Occasions, 17)
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