LCC
PS501 S85 v. 20 1992
Description
The clay sculptures of Nora Naranjo-Morse have been critically hailed for both their humor and their blending of traditional and modern styles. Now with Mud Woman she calls on her equal talent as a poet, juxtaposing clay and words to capture not only the essence of the creative process but also the satisfactions and complications of what it means to be a Pueblo Indian woman in the late twentieth century.
Publication
University of Arizona Press, Tucson (1992); (Sun Tracks, Volume 20: An American Indian Literary Series)