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"Satire meets slasher in this short, darkly funny hand grenade of a novel about a Nigerian woman whose younger sister has a very inconvenient habit of killing her boyfriends. "Femi makes three, you know. Three and they label you a serial killer." Korede is bitter. How could she not be? Her sister, Ayoola, is many things: the favorite child, the beautiful one, possibly sociopathic. And now Ayoola's third boyfriend in a row is dead. Korede's practicality is the sisters' saving grace. She knows the best solutions for cleaning blood, the trunk of her car is big enough for a body, and she keeps Ayoola from posting pictures of her dinner to Instagram when she should be mourning her "missing" boyfriend. Not that she gets any credit. A kind, handsome doctor at the hospital where Korede works is the bright spot in her life. She dreams of the day when he will realize they're perfect for each other. But one day Ayoola shows up to the hospital uninvited and he takes notice. When he asks Korede for Ayoola's phone number, she must reckon with what her sister has become and what she will do about it. Sharp as nails and full of deadpan wit, Oyinkan Braithwaite has written a deliciously deadly debut that's as fun as it is frightening"--… (more)
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The Publisher Says: My Sister, the Serial Killer is a blackly comic novel about how blood is thicker - and more difficult to get out of the carpet - than water...
When Korede's dinner is interrupted one night by a distress call from her sister, Ayoola, she knows what's expected
My Review: It takes a lot longer to dispose of a body than to dispose of a soul, especially if you don't want to leave any evidence of foul play.
And just like *that* I'm totally hooked. Second book this month set in Lagos; and second informed by a special Nigerian magical realism. (The other is [David Mogo, Godhunter]. Excellent as well.) This is a light entertainment, a shiny pretty costume jewelry story that sets your readerly mood in its most attractive and colorful light. It's fun. It's got the Double Indemnityesque delight of a love triangle detonated by jealousy, the In Cold Bloodness of a crime spree done for the sheer hell of it, and that utterly madcap Thelma and Louisely sanitized violence and death.
Yes, sanitized. Korede reports, doesn't narrate, the aftermath of Ayoola's kills. She keeps the details sparse enough to inform but not nauseate. Korede stands between us and Ayoola the serial killer. (Thank goodness. I don't think I could've read a whole novel from Ayoola's PoV!) So we're safe, we're not going to the places Korede has seen, we needn't do what Korede does.
Besides, it's what Korede doesn't do...what in the end she chooses to allow to occur...that defines her as a moral actor. I disagree with her choice, and I would've liked a chance to convince her to change her mind. With a two-by-four to the knees if necessary. But Korede, as written, really couldn't have made a different choice, so here we are. Overall, the story's pluses...new-to-me setting, cultural differences that kept me on my Google-fu, and an authorial style I found engaging...got me to a shade over four stars. It wasn't hard to get there.
Ayoola summons me with these words—Korede, I killed him. I had hoped I would never hear those words again.
At just over 200 pages, with very short chapters and a first person dialogue that engages you, My Sister, The Serial Killer was a slice (no pun intended) of life story that will
The story starts with Korede getting a call from her sister saying that she killed her latest boyfriend. Korede's reaction clues the reader into that fact that this isn't the first time, we learn that it is the third. As Korede takes charge in cleaning up the scene and disposing the body, Ayoola says that the man attacked her but as this is the third time, we start to see doubt creeping into Korede's thoughts.
Korede's a nurse and as we follow her around, we learn she is in love with a doctor she works with and that she uses a coma patient as a pseudo-therapist, telling him about her serial killer sister. What pulled me into the story was Korede thinking back and "telling" us readers about her childhood and how their father was abusive and had a knife that he revered, the knife Ayoola uses to kill with. The descriptions of their childhood clearly lay-out why the sisters act the way they do. Korede was the older sister and always worked and was expected to protect Ayoola. Ayoola was the child beloved for her gorgeous looks and constantly leered at by men. There's also the way their father cheats on their mother and treats women as disposable.
You will constantly be angry on Korede's behalf for the way Ayoola treats her, especially when she starts to date the doctor Korede wants a relationship with. For as selfish as Ayoola was, she says a line about showing Korede that the doctor is just like all other men and it puts the thought that in her warped way, she may be trying to protect Korede. I bumped my rating up because of a couple of these little lines that made the personalities of these sisters more complex and interesting to read about. At first glance and on the surface you could easily write them both off but those little lines made them more interesting.
The story was pretty even paced, towards the end there is some excitement with the coma patient and the doctor but for the most part you're just riding along with Korede as she and me as the reader argue if she is trapped in a cage of her own making or life made it this way for her and she's just doing the best she can.
Oyinkan Braithwaite's debut novel is a lot of fun. It's short, with short chapters that make it fly by even faster. There's no question of pacing in this novel, it all speeds by. But this isn't a flat genre novel, meant only as entertaining, there's a lot going on. From the setting of Lagos, Nigeria and the peek inside of that culture, to explorations of how a strictly patriarchal society shapes and harms both men and women, to asking how responsible are we for our families, all of that is so wrapped in a fun package, that it never feels heavy-handed.
However, I must admit, that any book with 'serial killer' in the title might not be the book for me. I just can't seem to be invested in a book about a casual murderer. I remain at a distance. It's like how I could watch a comedy about death but I can't laugh at a comedy about murder. Poor Korede just needed to separate herself from her sister, but like the paragraph above, she was trained to worry more about her sister than herself. I think the book worked because the main character is an older sister as the writer is an older sister. She knows enough about sisters (even if her sisters may be great people). The sister didn't need to be a serial killer. The sisters here were like an exaggerated Elinor and Marianne from Jane Austen's Sense & Sensibility. But then again, Marianne WAS very drama. The book is short, concise, to the point, and hints at many underlying issues under the surface. This certainly shows that Braithwaite has some skills. I will be paying attention and hopefully the next one won't be about killers.
I loved the quick pace & the amusing writing (unlike other readers, I can't quite call this "funny"), I loved the Nigerian setting, and mostly I loved how this was a unique story, unlike anything else I've read
There is so much to like about this novel. It is fresh and incisive at the same time as being dark and slightly askew. Oyinkan Braithwaite handles the first person narrative voice with a lightness of touch and gentle (though dark) humour. She wisely never lets Korede go on too long, even to the point of having exceedingly short chapters. She presents us with a flicker of action or character and moves on. It’s a very effective technique.
I especially liked the way Braithwaite would allow aspects of the local milieu to come to the fore — language, customs, even clothing and food. You can be reading along and suddenly realize that Lagos, Nigeria, is very different from what you know, even though most of the novel could just as easily be taking place in London. It makes for unusual highlights and draws new insights for the reader. I really enjoyed it. Plus, it seemed wiser than its subject might initially suggest.
Certainly recommended.
'I bet you didn't know that bleach masks the smell of blood. Most people use bleach indiscriminately, assuming it is a catch all product, never taking the time to read the list of ingredients on the back, never taking the time to return to the recently wiped surface to take a closer look. Bleach will disinfect, but it's not great for cleaning residue, so I use it only after I have first scrubbed the bathroom of all traces of life, and death.'
But after dispatching her latest boyfriend Femi, Ayoola pays a visit to the hospital where Korede works. And there she catches the eye of Tade, the doctor with whom Korede has been secretly in love for months. For in contrast to the plain Korede, Ayoola is a great beauty, who men find difficult to resist. But as Ayoola half-heartedly goes out with Tade, where should Korede's loyalty lie, with her clearly murderous sister or her prospective victim ...
This was a fun read, and nothing like as gruesome as its title might suggest. It also had some serious points to make: on family loyalty; on the often troubled relationship between sisters; and the objectification of women.
One sister, Korede, is the older, responsible one and the narrator of this short novel. She hasn't been blessed with good looks, but she's great at her job as a nurse and loves cooking and feels compelled to look after her young sister Ayoola, who is a true knockout but has gotten into the habit of killing her boyfriends supposedly in self-defence and then calling on Korede to clean up the mess. At the beginning of the story Ayoola calls on our narrator to get rid of the body of her third and latest victim, which according to Google puts her squarely in the Serial Killer category.
Things are far from being all fun and games for Korede, who is in love with a doctor at her hospital, a man she believes to be imbued with a pure soul but who, predictably enough falls in love with her sister at first sight when Ayoola shows up for an unexpected visit. Korede tries to warn him off, after all dating Ayoola usually ends up very badly for men, and she's really only interested in them as play things and as providers of money and expensive goods.
What makes this novel stand apart from the typical bestseller serial killer fare is the relationship between the sisters. You can help but wonder why Korede feels so compelled to protect Ayoola, who is obviously a sociopath and cares only about herself. She's more interested in sharing her life on Instagram than making sure to keep an appropriate silence after the boyfriend she's murdered has supposedly gone "missing", and Korede is forever checking on her to make sure she's not posting irresponsibly. As the story develops in very short chapters we learn about their past and things come to light which both reveal the complex psychology at work which led both sisters to become the women they are, and details about Nigerian society which a typical Western reader such as myself aren't familiar with, which makes this read a sort of travel book as well.
A really good story among a selection of End of Year reads for me. Rarely does a book live up to hyped up expectations, but this one delivered very nicely! Can't wait to see what Braithwaite comes up with next!
My reactions
What an interesting concept! I was immediately drawn into the sisters’
I was fearful for Korede. She is the quiet, smart, professionally employed, responsible one. Not very pretty, but always kind and sensitive. The patients at the hospital where she is a nurse love her, and the doctors and administration appreciate her. And yet, she is lonely and longs for a love of her own. How can she possibly not be jealous of her beautiful sister, who has men fawning over her right left and sideways? I just knew she would come to harm as the plot moved relentlessly towards its inevitable conclusion.
Flashbacks to their violent father’s actions helped me understand the sisters’ bond. But I cannot help but wonder
The tension is nonstop. Will she? Won’t she? When will she? How will she? In the end I’m left wondering WHO is the psychopath here?
And …. Ayoola has now set her sights on Korede's love-from-afar, Dr Tade Otumu. Dr Otomu falls hard for Ayoola, just as every man does.
Protecting her crush would betray her sister. Protecting her sister means abandoning a good man to certain death.
Where do Korede's loyalties lie?
I found this an entertaining, quick read. The sisters' relationship and bond ring true in an exaggerated, co-dependent way. The tension builds.
Original I suppose, but not my thing. Seemingly regular people killing and disposing of bodies. A family of sociopaths. No thank you.
A super fast read, I only picked this up because it was longlisted for the Booker. I knew it was unlikely to be my
This book really spoke to me. While obviously no one I know is doing anything as bad as Ayoola, I feel a weird pull of responsibility the same way that Korede does. Reveals about the abuse the girls have suffered is doled out sparingly, so that it colors their actions in the present day instead of seeming like a linear narrative. I especially appreciated the way that small cultural differences in Lagos made this a distinctly different story than if it had taken place in the US. For example, law enforcement is less dependable than in the US (not that ours is any way perfect), which helps explain why Korede makes different choices than I would.
I really, really enjoyed reading this short novel. I highly recommend it and I look forward to reading more by this author.
Korede is a nurse at the local hospital in Lagosm, Nigeria and she is quietly in love with one of the doctors, Tade, who considers her a friend. Her only confidant is the patient in room 313, lying in a coma, forgotten by his friends and family. Her younger sister has learned to use her great beauty to sail through life, twisting everyone around her little finger. So when sociopathic Ayoola turns her eyes on Tade and he falls like a ton of bricks, Korede becomes increasingly concerned that he will be next on the list.
The jealousy, protectiveness, love and anger expressed between these two women make the sister’s relationship feel real. Who else is Ayoola going to call in the middle of the night to clean up another one of her messes? The narrative flows easily and despite the abrupt ending and a few other minor flaws, My Sister the Serial Killer is a delightfully witty and wry read.
Look below its surface "serial killer" story and you'll find the bond between sisters, living
For sure I'll be reading whatever Braithwaite writes next.
This book was very suspenseful! I honestly couldn’t figure out what Korede was going to do about the situation with her sister and the doctor. And oh my gosh – the sister was so vapid and selfish! I wanted to yell at Korede to quit protecting her. I guess that’s what big sisters are for.
This book is a short read that’s fast paced and fun. There’s some dark humor in it that makes it not as morbid as it sounds. Take a close look at the cover – creepy! Recommended.
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