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Fiction. Literature. Humor (Fiction.) HTML:The novel about an aimless young man in 1960s America that inspired the classic film: "Moves with the speed and drive of a runaway locomotive." �??Chicago Sunday Review When Benjamin Braddock graduates from a small eastern college and comes home to his parents' house, everyone wants to know what he's going to do with his life. Benjamin has no idea. Feeling empty, embittered, and adrift, he stumbles into an affair with Mrs. Robinson, the wife of his father's business partner. But then he falls in love with a woman closer to his own age: Mrs. Robinson's daughter. A scathingly entertaining tale of idealism and materialism, corruption and conformity, The Graduate is both a darkly comic love-triangle tale and a sharp look at postwar suburbia. "He contrives some ludicrously funny situations and he keeps his story racing." �??The New York Times Book Review "His novel makes you want to laugh and it makes you want to cry." �??The Plain De… (more)
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This book was awful. The dialogue reminded me of, a slightly more intelligent, Twilight. Not in plot, obviously. Strictly in the horrid writing. Now don't get me wrong, I understand what a risque and taboo book this must've been in 1963 when it was published; perhaps that made up for its wretched writing.
Verbatim dialogue example, punctuation and all:
Oh, his father said. 'Did you talk to some of the Indians?
'Yes Dad'
'They speak English, do they?'
'They try.'
'Well what else did you -'.
'Dad, the trip was a waste of time and I'd rather not talk about it.'
'Oh?' his father said. 'What do you say that.'
'It was a bore.'
Oh, but you say, perhaps the writing got better and there were only a few spots that were rough. Let me squash that for you:
Elaine?
'What.'
'Will you marry me?'
She shook her head.
'You won't?'
'I don't know', she said quietly.
'But you might?'
She nodded.
'You might, did you say?'
'I might?'
'Is that so? You might marry me?'
'What time is it.'
The entire book is written in this dry, stilted mess. As if the scene were being delivered by some defect-ridden robots. Pish-posh, this is one classic you can skip the book and watch the movie instead. The worst part is that this book doesn't even have an ending. It ends in the middle of a scene, no - seriously, it does. Not in a fun, cliffhanger, edge-of-your-seat way either. In an 'are you serious, I just read this whole book for nothing' way.
Benjamin Braddock returns home after finishing at college where he had been a brilliant and successful student with seemingly the world at his feet and a brilliant career ahead of him. However, on his return he realises that he no
Benjamin has not returned from college as some sort of revolutionary; he doesn't want to change the society about him, in fact he seems quite happy to just loaf about and sponge off it, (I can only assume that the money that he uses to pay for his trysts with Mrs Robinson comes from an allowance from his parents) . Instead he realises that it bores him and he cannot find a place within it. This realisation baffles Benjamin as much as it does his parents. This confusion can be seen in Benjamin's language, much of what he says is said in the form of questions, questions that are never answered. Benjamin is able to have sex with Mrs Robinson but he is unable to have a conversation with her. This is quite astutely done by the author. In the end however, Benjamin despite his attempts at rebellion pretty well fulfils the expectations put upon him if if by a rather circuitous route.
Unfortunately Mrs Robinson also comes across as the only real character within the book. She is the only one whom seems to transcend the humdrum. On one level she appears a monster. She is a smooth and confident seductress who merely uses Benjamin for sex whilst revealing very little about herself using her experience as a weapon against him. She in no way regards Benjamin as an equal. But in many respects she is more a victim of society than Benjamin is. She is also trapped in a loveless marriage as well as being an alcoholic. She neither hates nor loves her husband, their marriage has just become a habit that she cannot or will not break. This also seems to be the case with Mr Robinson even after he learns of the affair.
This book is supposed to be about some sort of rebellion of the young against the norms of society but rather it seems to suggest that marriage is habit forming, it is something to be endured rather than enjoyed. This is a quick read and there were elements of the story that I enjoyed but I have to say that overall this is one of those rare occurrences where, for me, the adaptation outshines the original.
Young Benajmin has graduated from college, is not sure what he wants to do and and becomes involved with the wife of his father's business partner, Mrs. Robinson.
I suppose I never really figured out what happened to disillusion Benjamin from going forward with his goals. There is an "anti-establishment" tone, but it is never explored.
There are parts of the book that were funny, but not nearly as hilarious as the looks on Dustin Hoffman's face, Anne Bancroft's portryal of Mrs. Robinson, and maybe the best of all, the Simon and Garfunkel soundtrack. This is one of those cases where the movie surpasses the book.
"Self, are you enjoying this book?"
"Why? Are you trying to seduce me?"
"I have no idea what you're talking
"Not really. I mean it's interesting in the way that truly awful things are always interesting. But it must be better than I think because it's so famous. But no, I guess I'm not really enjoying it."
"What are you going to do about that?"
"Nothing."
"What do you mean nothing?"
"I mean nothing. I'm just going to sit here and keep reading."
"How can you do nothing? Why would you read a book you're not enjoying? What's wrong with you?"
"I just can, that's all."
"Well I don't see how you can. You need to do something. You should have a plan. A definite plan. I'm going to worry about you until you have a definite plan."
"If I come up with a definite plan to do something other than nothing, will you marry me?"
"Well I used to think you raped my mother and five minutes ago I never wanted to see you again. So I guess my answer is maybe."
"Great, let's go get our blood tests in the morning."
"Maybe. But I might have decided to marry someone else by then."
I almost gave it two stars because it was interesting in a very awkward way. But then I realized how much the above dialogue summed up the book for me. I had to take away the second star.
I'm not sure I truly understand Mrs. Robinsons' motivation for evil (I don't think she was much interested in Benjamin) and the ending has a goofy optimism which clashes with the rest of the novel, but overall I very much enjoyed the break in tradition, questioning of values and triumph of the young. Definitely representative of an epoch.
Let’s start with the positive. The book is a quick and easy read (yes, that can be a good thing) and is well written. We’re not talking Shakespeare well-written, but certainly engaging.
Considered ground-breaking and seminal, The Graduate was written in 1963 and was called “brilliant, sardonic, ludicrously funny” by the New York Times. This was the first work of author Charles Webb, who went on to write other books of considerably less fame. Actually someone could write a fascinating book about Charles Webb – his life seems strange and quirky to say the least (check it out chez Wikipedia).
So far, so good.
Webb’s character, Benjamin Braddock, has just graduated college and he’s emotionally and spiritually lost. He’s also a spoiled rotten child of what was then the brave new world of suburbia, financially pampered, emotionally and materialistically indulged. He seems to want to project an air of edginess, modernity (at least in terms of modern angst), and wants to reject traditional values.
So how does our hero go about this? He mopes around the house after graduating, lolls around in Mommy and Daddy’s swimming pool, drives about in the sports car given to him by Mommy and Daddy, and has a sordid and meaningless affair with the (much older) wife of a long-time friend of the family.
Our hero is also breathtakingly misogynistic – so much so that I don’t even know where to start. His treatment of the object of his shallow affections, the famous Mrs. Robinson, is reprehensible. Mrs. Robinson, despite being an adulterous wife, is actually the more likeable of the pair. She is witty, relatively urbane, and is perhaps more pitiable for being forever trapped in her suburban prison.
Mr. Robinson, unaware of the relationship between his wife and his best friend’s son, thinks it would be great to have Benjamin go on a date with his daughter, Elaine.
Not having a good reason to reject this, Benjamin will go on ONE date with Elaine.
Mrs. Robinson has only a single request – and a perfectly understandable one. She tells Benjamin that he must not continue dating her daughter (well, duh!). Of course our hero, apparently unused to being told not to do anything that might flit through his mind, decides that he must have a relationship with Elaine and stop seeing Mrs. Robinson.
Regular dating begins and Benjamin is quite taken with Elaine – he has nothing in common with her but she’s young, pretty, smart, compliant … and forbidden. Anyway, Elaine discovers the truth about Benjamin’s affair with her mother, and naturally doesn’t want to have anything more to do with him. Elaine then moves on with her life, goes to college, meets another man and decides to marry someone who hasn't slept with her mother.
Benjamin, still obsessed with Elaine, now begins stalking her and finally barges into the wedding ceremony. The author now has Elaine ditching her fiancée at the altar and running off with Benjamin on a city bus (the bus was a nice touch I think).
Well, I despised Benjamin, disliked Elaine, and had a mild distaste for Benjamin’s parents. Neutral on Mr. Robinson. Rather liked Mrs. Robinson.
So if the goal of a written work is to evoke an emotional response, this book scores high for me. But I really hated every engaging minute of it.
This is actually what the novel is very much about. Benjamin feels he has been pushed through school and college, but that his achievements are somehow disconnected from him, and that any choices in life were not his. After graduation, and on the evening of his twenty-first birthday, he seems to want to change that. A rebelliousness emerges, but strain of habit, listening to his parents, and social conventions seem to form such a straight-jacket that he cannot determine on his own what to do that evening. The climax of the evening is his being nearly seduced by Mrs Robinson, a friends of his parents.
Since everything is his life seems to be prepared and laid out by his parents, Benjamin wants to break free. A road trip lasts but three week, and is little more than a failure. To break conventionality, he starts an extra-marital affair with Mrs Robinson. After the Robinsons' daughter, Elaine returns home after graduation, Benjamin ends up in a tug and pull of feelings for her. Initially he rejects dating her, because it seems a pre-arranged match by their parents, but later he irrationally falls in love with Elaine head over heels.
While the story can be told in a straightforward manner, Benjamin's conduct is ludicrous, but however ridiculous plot elements seem to be, they are also very recognizable, if only perhaps as a hyperbole.
The graduate is almost pure dialogue, with a minimum of narrative. Being very humourous, it is a very easy read. Large parts of the novel are complete slap-stick, but if you are willing to get along, it is a very funny comedy of manners.
Then he falls in love with her
The movie is far more famous than the book; many people, I am sure, are surprised to learn that the novel preceded the dramatisation. Webb's is written almost like a prose screenplay anyway, so the translation is quite obvious. The book itself is entertaining if a little pop-corny, but then what more can be expected? Deep and meaningful insight?
In the past, I had often heard of (but not seen) the popular movie of the same title without realizing it was a book. When I saw this title was also on the list of the 1001 Books to Read Before You Die, I decided I had to read it. It is a quick enough read -- not terribly long and filled mostly with dialogue. However, I really not sure why this story (in either book or film form) is so popular.
Benjamin is easily one of the most annoying characters ever written. His indecision about what to do with his life after graduating college is in fact relatable for many folks. But his inability to truly say that coupled with his lack of basic etiquette, decency, and gratitude are just not acceptable. Some authors can write a story about an unlikable character and make it work, but that's not really the case here.
The latter part of the book where Benjamin basically stalks Elaine after having had one date with her is even less appealing than when he doesn't know what he wants. He claims to be in love with her and want to marry her, but he makes no solid plans beyond that and struggles to face her, let alone have a conversation with her. Elaine is no better with her constant indecision and quite frankly the idea that she would ever consider him after he slept with her mother is laughable. She has other options than this guy with zero personality.
In terms of writing style, the sentences are short and quick with little time given to descriptions of anything beyond the bare bones. As mentioned earlier, its mostly dialogue but there's nothing especially witty or interesting there either. Probably the most common line spoken by all the characters is "What?" followed by a lot of "I don't know."
Again, I really don't know why this book is considered a must-read. It wasn't awful, but it wasn't exactly good either. I would not recommend it to others.
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