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Fiction. Horror. Science Fiction. Humor (Fiction.) HTML: From the creators of the wildly popular Welcome to Night Vale podcast comes an imaginative mystery of appearances and disappearances that is also a poignant look at the ways in which we all struggle to find ourselves...no matter where we live. "Hypnotic and darkly funny. . . . Belongs to a particular strain of American gothic that encompasses The Twilight Zone, Stephen King and Twin Peaks, with a bit of Tremors thrown in."The Guardian Located in a nameless desert somewhere in the great American Southwest, Night Vale is a small town where ghosts, angels, aliens, and government conspiracies are all commonplace parts of everyday life. It is here that the lives of two women, with two mysteries, will converge. Nineteen-year-old Night Vale pawn shop owner Jackie Fierro is given a paper marked "KING CITY" by a mysterious man in a tan jacket holding a deer skin suitcase. Everything about him and his paper unsettles her, especially the fact that she can't seem to get the paper to leave her hand, and that no one who meets this man can remember anything about him. Jackie is determined to uncover the mystery of King City and the man in the tan jacket before she herself unravels. Night Vale PTA treasurer Diane Crayton's son, Josh, is moody and also a shape shifter. And lately Diane's started to see her son's father everywhere she goes, looking the same as the day he left years earlier, when they were both teenagers. Josh, looking different every time Diane sees him, shows a stronger and stronger interest in his estranged father, leading to a disaster Diane can see coming, even as she is helpless to prevent it. Diane's search to reconnect with her son and Jackie's search for her former routine life collide as they find themselves coming back to two words: "KING CITY". It is King City that holds the key to both of their mysteries, and their futures...if they can ever find it..… (more)
User reviews
I haven't listened to the podcast that inspired this (maybe it would all make
I will make up something in the same style so you get the effect: "Martha wanted to cross the street, but was wary, because the last time she crossed the street it got its revenge. Instead, she continued down the block until the street ended at Fayette Park, a happy place (or at least she assumed it was happy, because it never cried torrents of tears like LaSalle Park on the west side of town)." And you can read as long as you like, but you will never find out why parks and streets have emotions--in fact, this made-up example is more consistent that Night Vale because I've established that places behave like people. In the actual book the weirdness is very random.
And it's such a disappointment because I love weird, and I love nonsense. I'm a huge fan of Lewis Caroll and Catherynne Valente's Fairyland series, but in both cases they take an unusual notion and then develop it.
You know those stand-up comics who deliver one punch line after another, rather than setting up jokes with characters and situations? It's like that. For me, a little is fun, but a lot is wearying. So I kept at the book for about 40% of its length (I'm reading on Kindle) until I realised my life and happiness would be ameliorated if I just moved on to book 2 of the Riyiria Revelations, so that's what I did.
And I'll quote Goodreads review N.K. Layne, because they summed it up best: "Reading this book was like when a friend tells you about their wild trippy dream and you have to nod to be polite, but in actuality you just want them to shut up because nothing could be more boring than someone else's weird dreams."
Two stars rather than one because at least it's inventive, even if it's virtually unreadable.
There's a funky cast of characters that populate the world of Night Vale. You have the spunky always-nineteen-years-old Jackie who finds herself stuck with a piece of paper in her hand that she can't get rid of. You have Diane who is seeing her ex all
I can appreciate the book for what it's worth, and understand that the podcast is wildly popular. I've only listened to a handful of the Podcasts, and it's instantly apparent how the spoken version makes such a difference in the reading experience of Welcome to Night Vale. So...should I ever decide to re-read the book, I think I might as well listen to the entire Podcast library from the very beginning. Or perhaps the audiobook.
There's a lot going for Night Vale. One thing I appreciated was the way sexuality was handled. Or rather, it wasn't handled at all. People are people, and people like people, and that's all people are. Their sexuality wasn't pointed out as a major plot point, but just added some complexity to these already weird characters. There were so many other strange things going on, that it's not really something worth getting ruffled about.
If you're into the weird style of Welcome to Night Vale, then by all means read and listen. Me personally, I found it a little hard to get into at first. It felt spastic and and all over the place, at least until I found my footing. The thing is, your footing is always relative to what you believe is normal. And that will have to constantly change as you plunge deeper into the heart of Night Vale.
âShe understood the world and her place in it. She understood nothing. The world and her place in it were nothing and she understood that.â
Weeeell ⌠I wasn't sure how I felt about this book while I was reading it, and I'm still not. The self-consciously quirky style grated in the opening chapters, and I found myself hoping the authors
Some other reviewers here have made comparisons with the Hitchhiker's Guide â as a BIG Douglas Adams fan, let me say I really don't see it. Very very different styles. Maybe a little more like Flann O'Brien for the everyday-absurd? Jeff Noon meets Vonnegut for the trippy surrealism and tricksy language style?
Here's the problem with this book. The authors are used to writing for a twenty minute, highly stereotyped podcast format. When it comes
"Based on what the news told her, the outside world seemed a dangerous place. There was always some world-ending cataclysm threatening Night Vale. Feral dogs. A sentient glowing cloud with the ability to control minds (although the Glow Cloud had become less threatening since its election to the local school board). Old oak doors that led to a strange desert otherworld where the current mayor had been trapped for months. It seemed safer not to have friends or hobbies. To sit at work, head down, doing her job, and then sit at home, glass after glass of orange juice, radio on, safe from anything that might disrupt her routine."
Set in the surreal, bizarre and comically strange little desert town of Night Vale, where the Dog Park is forbidden and Angels are neither real nor legal, Jackie has been a 19 year old for a long time, and has run the pawn shop for as long as she can remember. Decades, perhaps. Diane, the treasurer of the PTA, and her son Josh, who is having the usual teenage identity crisis with the unusual result of constantly changing his physical form, struggle to relate to each other beyond their tradition of going to the movies, as they grow further and further apart. A man in a tan jacket with a briefcase hands Jackie a note which she canât remove from her hand, and a helpful blonde man does every job in town, appearing in more than one place at the same time. Nearby, King City exists, and doesnât. Cecil features his boyfriend, Carlos, the handsome scientist on his radio show. And Old Woman Josie warns us not to touch the flamingos, which scare the Angels. As the mystery of King City, the man in the tan jacket and Dianeâs relationship with her son develop, the story comes together to a startling (and satisfying) conclusion; it stands alone from the podcast and can be enjoyed by someone who is entirely unfamiliar with it. However, if you are familiar with the podcast, you will appreciate a lot of inside jokes, such as the consequences of a town-wide ban on wheat products.
âHereâs your croissant.â She handed Diane a cup full of melted butter, yeast, salt, and cold water as well as a spoon and napkin. After wheat and wheat by-products became illegal in Night Vale, Patty continued to make her pastries using the same ingredients and techniques, minus the flour."
My first impression of the book was one of confused amusement. The stranger the book became, the more I laughed â possibly out of fear â and the more engrossed I was. The authors have a way with words that creates the most fascinating contradictions, and the rhythms of the language lull you into the unnatural logic that prevails. Nothing in the book makes sense, but everything makes sense. It operates by its own rules and breaks all of them, all the time. The humour swings from zingy one-liners to caustic satire, with themes from existentialism, to Lovecraftian horror, to the fear of growing older. It plays with time and memory, and how those create our sense of identity. The Addams Family seem closer to Pleasantville on the spectrum of weird; that is how far Cranor and Fink have pushed the boundaries of the bizarre. It is masterfully done. Itâs hilarious and it gave me nightmares.
"And now a word from our sponsors.
Having trouble sleeping? Are you awake at all hours? Do birds live in you? Are you crawling with insects? Is your skin jagged and hard? Are you covered in leaves and gently shaking in the gentle breeze?
You sound like a tree. You are perfectly healthy. Also, you donât need to sleep. Youâre a tree, a very very smart tree. Are you listening to the radio? Is a human assisting you? What plan do you have for our weak species? Please, tree, I beg of you to spare me. Please, tree. Spare me.
This message has been brought to you by Old Navy. Old Navy: Whatâs Going to Happen to My Family?"
The quiet, soothing tones of Cecil Baldwinâs voice on the podcast carry through to the tone of the novel, in the rhythms of the sentences, the repeated motifs and the pacing of the action. While the ending felt a tiny bit rushed, for the most part Welcome to Night Vale slowly pushed the story along. It is a labyrinth of descriptions of bizarre happenings, in that at times it felt like Fink and Cranor were being weird for the sake of being weird, but in the end it all pulled together and everything, every little detail, was significant. Furthermore, the funny one-liners, the odd âmillennial hipstereseâ phrase (which jarred at times) and thought-provoking philosophical musings jostle for your attention; however, the reading felt constantly rewarding. This is a novel for people who love a good tale, a good phrase, a good word, or an utterly terrifying monster.
"Jackie woke up confused, as is usual. Sleep is confusing. Dreams are baffling. The concept of transitioning from one perceived reality to another is a tolerated madness.
So far, normal."
Beneath the tightly woven lattice of contradiction and Lovecraftian oddities, the strongest feature of the novel, to me, was the portrayal of Diane and Joshâs relationship. The heartache of the growing distance between a single mother and her teenaged son was achingly real, woven into the surrealism of tentacled shadow-monsters and Joshâs ever-changing form. Fink and Cranor exhibit a wonderful talent for using language to describe the indescribable, and for creating a world that is full of contradictions but which holds together solidly. However, their strongest gift, as revealed in this novel, is their eye for human relationships, empathy and how our fears and sorrows motivate us. That solid portrayal of unconditional parental love, as well as the transformation of Jackie and Dianeâs characters through the novel, hold the story together spectacularly.
"She had spent the night with open eyes, trying to will her mind to be just as open. There had to be something she had missed, some connection to be made in the events and individuals moving about in the memory of her day. But if there was, she couldnât see it. Maybe she wasnât smart enough. Or maybe the world wasnât. Maybe the world wasnât smart enough to put together a story that made sense. Maybe it could only stick together random elements randomly, forming, as Shakespeare had famously written, âa show of senseless movement and circumstance that ultimately doesnât amount to much at all.â
Fink and Cranor are smart enough to have put together a story that makes sense. The apparently random elements come together in a tightly woven narrative with grace and a lyrical turn of phrase, hypnotizing the reader and drawing them into the nightmare. They mix social commentary, satire and suspense, seasoning it with blood and shadows, before letting it loose and seeing where it goes. The narrative spirals ever closer to an answer, pulling the reader along. You canât escape. You donât want to escape. Who is the man in the tan jacket? And why can no one remember him? Whether youâre a long-time fan of Night Vale Radio, or a newcomer to the world, this novel is a brilliant, eerie, disturbing and rewarding read.
I received the book as an eARC. To read more of my reviews, head over to Literogo.com
It's weird. It's weird. 401 pages of weirdness. Try mashing the weirdest parts of Lovecraft, Doctor Who, and the Hitchhiker's Guide to the Galaxy and maybe you could come up with something as weird and wacky as this. I mean, it's
The writing style that works so well for the pod casts struggles to work in book form, and I suspect a lot of the success of the the pod cast comes down to the combination of the writing and Cecil Baldwin's acting skills and delivery. And that is lost in the book.
I found the writing weak but the story and mystery were interesting and they were what kept me going through at least the first two thirds of the book and then the writing picked up and just started flowing in the last third, I especially enjoyed the part set in the library.
Overall I don't think I could recommend this book to non-fans of Welcome To Night Vale but I can see a lot of potential for future stories if they focus less on trying to cram in the favorite oddities of the pod cast and focus more on the story.
If you've listened to the Welcome to Night Vale podcast, this book will be an absolute delight. If you've never listened in a) you should but b) you can still read this book. Just be prepared to miss out on why some sections are truly awesome. I giggled regularly while reading the fantastic weirdness that is this book and was thrilled that there were no real spoilers for the podcast series as I'm still a few months behind. All hail the glow cloud!
KING CITY the paper in my hand would probably say if it could speak.
In fact, I
KING CITY the note in my hand just actually said. It had a slight accent which was kind of cute.
See, this book is incredibly character focused. We get to see the inner workings of the PTA, why libraries are truly so terrifying, and we learn about KING CITY and a ton about what makes a good father, and the tale of the man in the tan jacket. Some character will grow in your heart so much that you won't be able to pick a form that contains your love for them.
The only thing that stops this novel from being given 5 Stars is that Welcome to Night Vale missed an opportunity to expand it's unique Night Vale-ness beyond just the story. The physical book itself could have been way weirder. They could have redacted parts that the Sheriff's Secret Police didn't want us to see, they could have used rotating fonts, colors, or explored bending this medium of storytelling in ways similar to [book:House of Leaves|24800]. I kept waiting for something like that the physically connect me with the world of Night Vale - but I was unfortunately let down in that area. I mean, the hard back copy I have is beautiful, but it isn't strange. The creators of Night Vale often pull us into their world by shaking up their podcast formula, that creativity simply wasn't carried over into this book. In that one way, and that one way only, I agree with the lesser people and their lesser opinions.
Still a great journey I say. KING CITY the paper in my hand will say.
The podcast typically airs on the first and fifteenth of every month, and consists of "news, announcements and advertisements" from the desert town, located "somewhere in the Southwestern U.S.â In an interview with NPR, Joseph Fink said that he "came up with this idea of a town in that desert where all conspiracy theories were real, and we would just go from there with that understood.â
The novel is part suspense, part mystery, mostly comedic, and all mind-bending. To give a taste of the novel, I will offer a few short passages, none of which will give away any the plot, but all will reveal details of the story. Thatâs my version of a typical line by the authors. Buckle up, here we go:
âClocks and calendars donât work in Night Vale. Time itself doesnât workâ (4). âThere was always some world-ending cataclysm threatening Night Vale. Feral dogs. A sentient glowing cloud with the ability to control minds (although the Glow Cloud had become less threatening since its election to the local school board)â (5). Most mind-bending of all is this description of Jackie Ferro, a perpetual 19-year old woman who ran a pawn shop. The authors wrote, âShe understood the world and her place in it. She understood nothing. The world and her place in it were nothing and she understood thatâ (5). Jackie meets a mysterious man she does not recognize, and decides âto make a list of everyone who might know aboutâ him. [âŚ] She pulled out âa promotional pen from a festival put on by the city a few years ago. THE NIGHT VALE SHAKESPEARE IN A PIT FESTIVAL. FALL INTO THE BARDâS WORDS, it said. The broken leg had been painful, but she did love the penâ (43).
Jackie visits âOld Woman Josieâ to find out if she knows anything about her missing son, Josh. âShe turned. There was a being that was difficult to describe, although the best and most illegal description was âangel.â Angels are tall, genderless beings who are all named Erikaâ (58). Of course they do not exist. // ââI was just doing some trimming,â the being said. They were holding hedge trimmers and standing by an empty patch of dirt. There were no plants of any kind anywhere near themâ (58).
I could go on like this for way more time than I have, or donât have, or wish I didnât have, or have, but this fun and breezy read will offer many hours of humor, suspense, tears, joy, and mystery. Classified as a YA novel, adults are forbidden to read it. In fact, everyone should read it. Let me be the first to give you a hearty Welcome to Night Vale by Joseph Fink and Jeffrey Cranor. 5 stars.
--Jim, 10/20/15
I'm a huge fan of the podcast and its compelling blend of surrealism, comedy, horror, humanity, heart, and bleak but strangely comforting existentialist philosophy. So I couldn't wait to get my hands on this book. The actual experience of reading it turned out to be a little weird, though -- in different ways than the ways in which Night Vale is weird -- because reading a Night Vale story in novel format at novel length turns out to be very different from listening to a half-hour podcast in which, as often as not, the plot gets resolved offscreen during the weather. (Which is music. No, I don't know why. It's Night Vale.) I think, because of that, I kept expecting things to happen faster than they did.
But never mind that. Overall, it was enjoyable, and very much in the spirit of the podcast, while also doing things that the podcast itself couldn't do as easily. It focuses primarily on two minor characters from the show: Jackie Fierro, the pawnshop owner who has been nineteen for a very long time, and Diane Crayton, the PTA mom with the shapeshifting son. And it's interesting to see Night Vale from their point of view, and to get a look a ordinary life in that extraordinary town without it being filtered through the reporting of a not necessarily entirely reliable narrator. It also answers a long-standing mystery from the series, namely the identity of the weirdly forgettable Man in the Tan Jacket, and provides some brain-breaking insights into the way that time works, or fails to work, in Night Vale. I'm not entirely sure how much these answers and insights actually make sense, but that, perhaps, is as it should be.
I should add that while there are plenty of familiar characters and little continuity references here for fans of the show, the book is deliberately written in such a way that one could pick it up and enjoy it entirely on its own. So if you're curious about Night Vale, but, for whatever reason, don't like the podcast format, this might make for an alternative worth checking out.
(PS: ALL HAIL THE GLOW CLOUD.)
I didn't finish it, so thereâs always the change that it has improved.
My overall recommendation is to try the podcast out and see if the town and the townspeople interest you at all, if so check out the book!