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World famous Zen master Thich Nhat Hanh has inspired millions of readers in the practice of mindful living. Never before, however, have his renowned calligraphy artworks been collected in book form. THIS MOMENT IS FULL OF WONDERS collects more than 60 full-color artworks by the beloved figure in a richly textured hardcover package. As beautiful as they are inspirational, the ink-rendered phrases offer eloquent distillations of Buddhist wisdom, such as 'Peace is every step,' 'Be free where you are,' and 'Smile to the cloud in your tea' - seemingly simple sayings that resonate with meaning. Interspersed throughout the book are iconic passages from his best-known writings, printed on semitransparent overlays that faintly obscure, then illuminate, the artworks beneath. At once a tool for personal growth and a visual treasure, THIS MOMENT IS FULL OF WONDERS will delight spiritual seekers of all backgrounds, now and for years to come.… (more)
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Disclosure: I received a free copy of this book from LibraryThing's Early Reviewer program.
There is a short introduction in which the author explains his technique for producing the drawings, which includes breathing, stopping thoughts, drinking team, and adding some of the tea to his ink. He states that the ink, and the cloud which it once was, and his breathing, will all be visible to the viewer. The balance of the book consists of simple statements, each handwritten and surrounded by a hand-drawn circle and meant to be a "bell of mindfulness", to bring the reader back to the present and away from wherever the mind has been wandering. The cover illustration is a sample of what can be expected from the rest of the book.
I was
After reading a few of Thay’s books I have sort of noticed a hit and miss pattern for myself. His work is extremely accessible compared to Merton’s. It’s far less esoteric and abstract which makes the benefits of Zen Mindfulness far more approachable regardless of a person’s religious tradition or background. Thay’s approach lacks the religious overtones of other Buddhist teachers like D.T. Suzuku.
At the same time much of Thay’s work is terrible repetitive within single works and across multiple works. I can’t recall how many times I’ve read the following in Thay’s books.
Breathing in, I know I am breathing in.
Breathing out, I know I am breathing out.
Breathing in, I notice my breath has become deep.
Breathing out, I notice my breath has become slow.
Breathing in, I calm my body and my mind.
Breathing out, I am at ease.
Breathing in, I smile.
Breathing out, I release.
Breathing in, I got back to the present moment.
Breathing out, I know this is a wonderful moment.
In, Out.
Deep. Slow.
Calm. Ease.
Smile. Release.
Present moment, Wonderful moment.
That’s not to say that there aren’t wonderful, thoughtful insides in between, but whenever anybody brings up Thay in conversation that passage pop’s into my mind. So for me Thay’s work depends on how fresh it feels v.s. over repetition of certain ideas.
I was actually very interested in this particular book because it was something that seemed really new and innovative for Thay’s type of literature. The focus would be on his artwork, Zen Calligraphy, rather than his teachings. I was previously unaware of what Zen calligraphy was or even that Thay was a practitioner. Unfortunately it disappointed me on both fronts.
This Moment is Full of Wonders is divided into five sections, each focusing on a different aspect of mindfulness like conscious breathing, mindful walking, and being present. Each section contains around ten to fifteen examples of Thay’s calligraphy and a paragraph pertaining to that chapter’s topic. Understandably the calligraphic images are short, pithy, Zen mantras like “Peace in myself, Peace in the World” and “The Moment is Now.” That written sections are very, very brief and are taken from transcripts from some of Thay’s Dharma Talks. Unfortunately they were mostly the types of Thay-ism that he repeats ad nauseum in a lot of his works.
What was strange to me is that this book isn’t really about Zen Caligraphy at all. The introduction offers no background information about what Zen Caligraphy is or entails. There are no images or discussion of the tools and processes of Zen Caligraphy or even a picture of Thay practicing the art. (I had to get on YouTube for that.) When I finished this book down I didn’t know or appreciate anything more about the history, process, purpose, benefits, or art of Zen Caligraphy or Zen Buddhism. It’s regrettable because without some of those insights I found the art form to be a bit dull and boring on it’s own.
I can’t recommend this book to anybody unless they are already knowledgeable and interested in Zen Caligraphy or are Thay completists. Honestly if you are a person that desires to read or collect Thay’s work this one is skippable. In my opinion it was clearly thrown together by a publisher without any real thought or goal in mind besides shipping a few units. I think you can gain as much, if not more, than this book offers by spending a few minutes on YouTube or Wikipedia.