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Over the past seven years, Bruce Springsteen has privately devoted himself to writing the story of his life, bringing to these pages the same honesty, humor, and originality found in his songs. He describes growing up Catholic in Freehold, New Jersey, amid the poetry, danger, and darkness that fueled his imagination, leading up to the moment he refers to as "The Big Bang": seeing Elvis Presley's debut on The Ed Sullivan Show. He vividly recounts his relentless drive to become a musician, his early days as a bar band king in Asbury Park, and the rise of the E Street Band. With disarming candor, he also tells for the first time the story of the personal struggles that inspired his best work, and shows us why the song "Born to Run" reveals more than we previously realized.… (more)
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Beg , borrow, or steal this book!
There's a whole bunch of reasons for that.
The
Second is the actual subject matter. I tend to groan when I start a biography, simply because I know I'll have to suffer through the subject's childhood and awkward adolescence, blah blah blah. With this one, I was flat out riveted from the first page, and wanted to hear more and more about ten-year-old Bruce's life. Yeah, it's that good.
Now, that's not to say that it's perfect when it comes to covering everything in Bruce's life. He tends to stick directly to himself, where I would have loved to have heard his thoughts on things like Manfred Mann's two big covers from his first album. He covered Spirits in the Night and, even bigger, the phenomenal Blinded By The Light. Nothing. He also never mentions Patti Scialfa's album. His own wife? Come on!
There are also times where you can actually feel him tiptoeing around some dicey topics involving his E Street Band members, and some other personalities, but I get that he's also not out to burn anyone.
Third, while still somewhat on the topic of subject matter, I'm impressed that he's both honest and open about his and his family's mental illness issues, and that he didn't write a "I fucked this person, then I fucked that person, then I played this concert..." He's much more inward-looking, introspective. I love that.
Fourth, he gives you lots of insight into the writing of certain key songs and albums, which I'm always fascinated in. Though, surprisingly, he also completely skips over some albums, not even mentioning Lucky Town, Human Touch, or Devils & Dust.
In the end, I have to say, I thoroughly enjoyed this long book from the very first, to the very last page. Very likely the best biography I've ever read.
No one sees their own life as outsiders do, but I think Mr. Springsteen
He says he has to compensate for his less-than-stellar voice. I disagree with him there. I love the gravelly quality he has. And this book, an audio book for me, was narrated by him and all the better for that. I find it interesting that my favorite memoirs/autobiographies are all about musicians: Bruce Springsteen, Willie Nelson, and Elton John. I thoroughly enjoyed this look at Mr. Springsteen's life.
Just like the lyrics to his songs, Springsteen's writing is always on-point and manages to capture emotions and feelings. The American songbook is richer for the work of Bruce Springsteen. I feel I am richer for reading this book. To my mind, Born to Run is a must read for Springsteen fans and probably everyone else, too. 5 stars.
Springsteen also takes us through his years of growing fame, and all the hard work, attention to (and obsession over) detail, worry and triumph they entailed. He provides good insight into the evolving thematic content of his songs/albums. But in these later years, it feels sometimes that things are missing, or at least it felt that way to me. For the most part, the members of the E Street Band are cyphers. There is some detail about Springsteen's relationships with Danny Federici and with Clarence Clemons, the two most problematic band members. But for the most part, we are left only to imagine about the band dynamics, personality-wise. Even Springsteen's famed friendship with Clarence, "the Big Man," gets fairly short shrift. This is understandable, to a certain extent, as Springsteen was clearly loath to air anybody's dirty laundry but his own. And who could blame him? Still, it's clear that Springsteen was focused on telling his own story, and everyone else enters into the narrative only as they relate to his own personal narrative.
At any rate, while I consider my reservations to be significant in my overall assessment of the book, overall I consider Born to Run to have been well worth the time to read, and that's putting it mildly. This is a fascinating man telling a fascinating, "by his bootstraps" story of talent, determination, soul and the creative process. I know a lot more about Springsteen, now, including more of the blemishes. My regard for Springsteen as an artistic force and, I'm gonna say it, one of my personal heroes, has not been altered.
Bruce grew up in a working class home in New Jersey with a father who suffered from mental health
I love audiobooks read by their author, and Born to Run, Bruce Springsteen’s autobiography is the proof of that theorem. If it’s possible to be a humble narcissist, then the Boss has achieved that status. His poetry fueled by his music manages to remain connected to what is real all the while serving as a navigational star for millions. I don’t know that there is a single poetic term that could capture the art Bruce and the E Street Band have crafted over the years, to me it’s quite simple. The Boss is epic!
I enjoyed the frank discussion of a really bad contract with the first manager where the manager gets all of the money and decides what to distribute. Coupled with never filing a tax return for those earliest years - it is
Billy Joel. In fact, I have always wondered who is better, Joel or Springsteen. He knows how to describe a concert and it is too bad that schizophrenia runs in
Depression suddenly springs up as its own chapter and it shows how it has had power over several parts of his life. In contrast to being a young man that for years avoided all drugs and alcohol, he now seems very comfortable using subscription drugs to keep his depression at bay. He writes about suddenly feeling off some days, and the solution is just a phone call to his pharmacist away.
The loss of some pretty major figures in his life (his most-of-his-life-estranged father, Clarence "The Big Man" Clemons, and other band mates and long-time friends and support people) makes for some pretty heavy emotional writing.
As a fan of many years, I knew that I wanted to find out what kind of a writer he could be, and it was a good time had by this reader.
Don't get me wrong. This is a good read, I am a Springsteen nut, I have no regrets for buying or reading it. Every now and again the depths of insight that is a part of the public face of Springsteen the rock-poet, rock-singer, liberal political quasi-prophet, the voice of '70s-and-since angst, breaks out. But only every now and again. The rest is, well, just a kind of nice read about a pretty focussed sort of guy who had a few shags along the way, had a marriage that didn't work, has a marriage that has, is devoted to wife and (seemingly quite remarkable) children, had a broad attitude to race relations that was embodied in his friendship with Clarence Clemons, knows a few Big Names (but we don't learn much about them, nor about anyone else in his musical circles), has discovered a lot about himself through therapy and ... yeah.
That's it: a more or less one dimensional glimpse of a life, an occasional insight into the world, and thanks for that, but, yeah.
I'll still buy every bloody song he sings, though, and I'll be in the sea of faces, rocking at his concert ...