Status
Call number
Genres
Publication
Description
Explore the power of myth as it flowered in AsiaIn this second volume of The Masks of God--Joseph Campbell's major work of comparative mythology--the preeminent mythologist looks at Asian mythology as it developed over the course of five thousand years into the distinctive religions of Egypt, Mesopotamia, India, China, and Japan.The Masks of God is a four-volume study of world religion and myth that stands as one of Joseph Campbell's masterworks. On completing it, he wrote: "Its main result for me has been the confirmation of a thought I have long and faithfully entertained: of the unity of the race of man, not only in its biology, but also in its spiritual history, which has everywhere unfolded in the manner of a single symphony, with its themes announced, developed, amplified and turned about, distorted, reasserted, and today, in a grand fortissimo of all sections sounding together, irresistibly advancing to some kind of mighty climax, out of which the next great movement will emerge."… (more)
User reviews
I found the first part of this book comparing and contrasting Oriental (Hindu, Buddhist) and Occidental (Judeo-Christo-Muslim and Classical Greek) mythologies fascinating and illuminating. He sees the two cultures, though joined at the root, "branching off" into divergent and distinctive worldviews. What is key in oriental theology Campbell believes, is the "myth of eternal return" i.e. reincarnation until and unless you can break through the unending cycle to find the divinity within. He further sees a distinction between Hinduism ("let it go") and Far Eastern Buddhism ("let it come."). Western mythologies in contrast have a vision of creation/fall/restoration in a cosmic conflict where sides must be chosen. The role of the individual in the two different worldviews are also very different. Campbell states of the Western view:
Not life as a good soldier, but life as a developed, unique individual, is the ideal. And we shall search the Orient in vain for anything quite comparable. There the ideal, on the contrary, is the quenching, not the development, of ego.
I'm not sure I'd describe the Western tradition as so different in those terms. Certainly the Christian mystical and monastic tradition emphasizes self-sacrifice, renunciation of the world and quenching of the ego as well. Although Campbell also mentions the idea of another strain in Western mythology distinct from the monotheistic "People of the Book." The Greek idea of theology as poetry and play rather than dogmatic scripture, and the Greeks in the conflict between Man and God are on Man's side--as encapsulated in the myth of Prometheus. I have to admit, if I'm aligned with any mythological school as described in the book, it's this rebellious one I find most attractive, and it's an interesting way of looking at the various mythologies. I'm curious how he'll further develop those themes in the next volume, Occidental Mythology.
But most fascinating was Campbell's demonstrations of the connections between and elucidations of Asian religions, mythology and philosophy. I don't think I've yet squeezed all I can out of his survey of Indian, Chinese and Japanese history and culture. I'll need to reread this book someday after further reading on the subject. Parts were so dry I admit I did some judicious skimming, and wished to skim more. Yet it's rare that I read a book that both makes me understand better other ideas and books I've come across and leaves me hungry for more. In the course of reading this book I put together for myself a 14-page timeline of history and was busy each night after reading chapters of Oriental Mythology googling articles on Indian and Chinese history and Hinduism and Buddhism and was browsing the Religion and History section of my neighborhood bookstore recently looking for more to read on the subjects Campbell touched upon. The book made me want to reread Lao-Tzu and Confucius and delve into Sanskrit literature--hopefully after reading Oriental Mythology with more understanding. Right to the last sentence Campbell was offering up piercing insights.
Really not crazy about it.
I remember liking the Masks of God series a lot more when I was a teenager, but on a recent 2nd run-through I found it somewhat less satisfying. It made me feel unclean for liking Campbell in the first place,
Why?
For one thing, Oriental Mythology is replete with massive amounts of information and anecdotes concerning various Eastern religions, but Campbell makes it quite clear where his personal judgments reside. This is where Comparative Mythology becomes something more like "Competitive Mythology". Apparently some religions are simply better than others. Some are more sophisticated. Some are more mature. (According to Campbell, these would be the religions of the West.) And the man gets very patronizing when he describes some of the quaint 'Oriental' myths that fail to measure up, so to speak.
The part I liked: as usual, I did enjoy some of the material taken directly from sacred texts. Good stuff, although where Campbell takes his interpretations is often a different matter.
Note: This is also the volume where I invented the Joseph Campbell Masks of God drinking game.
(You are strongly advised not to try it. I'm fairly sure it leads to fatal alcohol poisoning.)
Anyway, it's fairly simple. Every time Joseph Campbell mentions one of the following, you must take a drink: The Decline of the West by Oswald Spengler, Thomas Mann, or Nietzsche.*
One final thought: Joseph Campbell fervently fondled the words of great men (not women, never any women!) men like Nietzsche, Spengler, and company.. and he was NOT sorry. He was possibly their greatest fan. They are the glorious shining bricks in this pompous monolith of mythological dissection.
This series is the sort of thing that begs to be read aloud at your next DMV visit or on public transport of your choice. Make a fun game out of it. Who will beat you to death with their shoe first?
* For total obliteration, add James Joyce and Freud.
Although Campbell's opus is nearly fifty years old, his ideas seem to have a lot in common with other reading I've been doing in the last couple of months by authors writing much more recently. I've also found that his work is much easier going for me than it was when I read the first volume. I think this reflects the fact that I've been reading a great deal in the areas of mythology and early history for the last eighteen months and so have a better foundation for understanding his writing. Recommended for those with a serious interest in Eastern mythology and religion.
this is not to mention the exclusion of so many other literary mythic cultures of (jfc) "the orient" (korea, vietnam, burma, thailand, mongolia being the major ones)
do i even have to call
god the reductionism and stereotyping is HORRIBLE, and all follows the colonial logics laid out by the likes of mircea eliade, jung, and durkheim; ofc, campbell lacks the analytic insight of any competent structuralist