Status
Available
Local notes
921 MER
Collection
Genres
Publication
Henry Holt and Co. (BYR) (2010), Edition: 1, 32 pages. $17.99.
Description
In the Middle Ages, people believed that insects were evil, born from mud in a process called spontaneous generation. This is the story of one young girl who took the time to observe and learn, and in so doing disproved a theory that went all the way back to ancient Greece.
Awards
Georgia Children's Book Award (Finalist — Picturebook — 2012)
CCBC Choices (2011)
Rise: A Feminist Book Project for Ages 0-18 (Selection — 2011)
Language
Original language
English
Original publication date
2010-04-27
Physical description
32 p.; 8.4 inches
User reviews
LibraryThing member AbigailAdams26
Contrary to the popular belief of those around her, thirteen-year-old Maria Merian - a seventeenth-century German girl with a talent for painting and an inquisitive mind - did not believe that butterflies and other insects were creatures "of the devil," spawned from mud in a process known as
Maria Sibylla Merian, a late seventeenth and early eighteenth-century artist and scientist, one who documented the life-cycle of one hundred and eighty-six insect species, and whose botanical illustrations are still beloved today, is a fascinating figure. Her travels to Suriname, and her documentation of the flora and fauna there, are astonishing enough for their time, but when one considers the restrictions placed on so many women during this period, they are all the more amazing! I am so glad that this picture-book "biography" (it's really more story than biography) is available, as both narrative and artwork are immensely engaging. I simply loved Julie Paschkis' gorgeous illustrations!
That said, a pretty glaring factual error prevents me from giving this the four stars it would otherwise deserve. No, contrary to the dust jacket blurb (and the book description found all over the internet), Merian did not live in the "Middle Ages!" I don't know where the editor was on that one, since the informational afterword gives her dates (1647-1717), and the medieval period is generally agreed to have ended in the fifteenth century! Such a misleading statement, in a book meant to inform young readers, is most unfortunate, and I therefore recommend Summer Birds only to children reading with an informed adult, who can point out this odd inaccuracy.
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spontaneous generation. Having carefully observed these smaller creatures, from their larval through adult stages, and painstakingly documented them in her notes and drawings, Maria knew that they underwent an astonishing process known as metamorphosis, and that they were as harmless as they were beautiful.Maria Sibylla Merian, a late seventeenth and early eighteenth-century artist and scientist, one who documented the life-cycle of one hundred and eighty-six insect species, and whose botanical illustrations are still beloved today, is a fascinating figure. Her travels to Suriname, and her documentation of the flora and fauna there, are astonishing enough for their time, but when one considers the restrictions placed on so many women during this period, they are all the more amazing! I am so glad that this picture-book "biography" (it's really more story than biography) is available, as both narrative and artwork are immensely engaging. I simply loved Julie Paschkis' gorgeous illustrations!
That said, a pretty glaring factual error prevents me from giving this the four stars it would otherwise deserve. No, contrary to the dust jacket blurb (and the book description found all over the internet), Merian did not live in the "Middle Ages!" I don't know where the editor was on that one, since the informational afterword gives her dates (1647-1717), and the medieval period is generally agreed to have ended in the fifteenth century! Such a misleading statement, in a book meant to inform young readers, is most unfortunate, and I therefore recommend Summer Birds only to children reading with an informed adult, who can point out this odd inaccuracy.
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LibraryThing member Whisper1
This is by far one of the most beautifully illustrated books I've read. This book is based on the true story of young thirteen year old Maria Sibylla Merian, who, in the middle ages dispelled the belief that butterflies were of the devil.
The theory that butterflies grew deep in the mud and were
Watching them intensely, Maria captured the caterpillar, beetles and dragonflies and observed their cycles. Keeping them in jars, and feeding them leaves, she documented the stages of growth.
Taking a gigantic risk, Maria could have been deemed a witch for dabbling in something of Satan. As she studied the moths from cocoon to the chrysalis process, she watched as the incredibly beautiful butterflies grew and then drank nectar from flowers.
Carefully painting the images she observed, she documented and disproved the long-held theory.
I enjoy this book so much that I will purchase a copy for my library of illustrated books.
The theory that butterflies grew deep in the mud and were
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scornful, evil objects was a very popular myth. Called the summer birds, the thought was that these beast of the devil grew up from the depths of the dark.Watching them intensely, Maria captured the caterpillar, beetles and dragonflies and observed their cycles. Keeping them in jars, and feeding them leaves, she documented the stages of growth.
Taking a gigantic risk, Maria could have been deemed a witch for dabbling in something of Satan. As she studied the moths from cocoon to the chrysalis process, she watched as the incredibly beautiful butterflies grew and then drank nectar from flowers.
Carefully painting the images she observed, she documented and disproved the long-held theory.
I enjoy this book so much that I will purchase a copy for my library of illustrated books.
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LibraryThing member Cheryl_in_CC_NV
I have just finished Penelope Farmer's The Summer Birds" so I was excited to read this. Sure enough, the introductory note that explains that the term refers to the mysterious butterflies does illuminate the novel, as I assume Farmer is referencing the medieval superstition to help evoke her
More relevantly, Engle's picture-book is marvelous. I love the art by Paschkis, and the story of a young girl who risked being branded a witch for the sake of scientific curiosity is both valuable and enchanting.
I'd like to know where your library shelved it. I know we're reading it for our 'Artist's' theme and I agree it fits - but I also agree with my library that shelved it under science & nature. One could argue that it is also a biography. In addition, there's the decision whether to put it with the books for pre-schoolers, or for school-age children. My library had it shelved for the (approximately) 6-12 year-olds, but I imagine children as young as three would enjoy it on their own level."
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themes. But that's just an aside to those of you who have, or will, read the novel.More relevantly, Engle's picture-book is marvelous. I love the art by Paschkis, and the story of a young girl who risked being branded a witch for the sake of scientific curiosity is both valuable and enchanting.
I'd like to know where your library shelved it. I know we're reading it for our 'Artist's' theme and I agree it fits - but I also agree with my library that shelved it under science & nature. One could argue that it is also a biography. In addition, there's the decision whether to put it with the books for pre-schoolers, or for school-age children. My library had it shelved for the (approximately) 6-12 year-olds, but I imagine children as young as three would enjoy it on their own level."
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LibraryThing member skcramer
This picture-book biography introduces young readers to thirteen-year-old Maria Sibylla Merian, a naturalist and painter from the seventeenth century most famous for her studies of butterflies. Glimpses into seventeenth-century superstitions are mixed with careful explanations of creature
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lifecycles, which unfortunately results in an unfocused read that does not quite work as a history book nor quite as a science book. The illustrations are its highlight. Clearly echoing Merian’s own naturalist style, these illustrations use plentiful whitespace to spotlight detailed watercolors of plants and insects. Rich earth tones of green, brown and gold create a warm, natural palette that fits perfectly with its subject. Libraries with strong art or biography picture-book collections may wish to add this title to their collection, while those looking for scientific titles may wish to look instead at Merian’s own publications. For readers ages five to eight. Show Less
LibraryThing member alyson
Beautiful! The illustrations are stunning and inspirational to either budding naturalists or budding artists. My only issue is the lack of images of actual paintings of Maria Merian - perhaps back with the historical note.
LibraryThing member trinker
Maria Merian is a name you should know.
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Pages
32