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Classic Literature. Juvenile Fiction. Juvenile Literature. HTML: The classic English series begins with a tale of two families of children uniting against a common foe: an uncle who claims he's too busy for his nieces. The Walker children (John, Susan, Titty and Roger) are on school holiday in the Lake District and are sailing a borrowed catboat named Swallow, when they meet the Blackett children (Nancy and Peggy), who sail the boat Amazon. The children camp together on Wild Cat Island where a plot is hatched against the Blacketts' Uncle Jim who is too busy writing his memoirs to be disturbed. Fireworksâ??literallyâ??ensue along with a dangerous contest, a run-in with houseboat burglars, and the theft of Uncle Jim's manuscript. How all this is resolved makes for an exciting and very satisfying story. Uncle Jim ends up apologizing for missing his nieces' adventures all summerâ??thankfully, readers won't miss a thing. Arthur Ransome's Swallows and Amazons series has stood the test of time. More than just great stories, each one celebrates independence and initiative with a colorful, large cast of characters. Like the entire series that follows, this book is for children or grownups, anyone captivated by a world of adventure and imagination, exploring and setting sail. The basis for the 2016 film starring Kelly MacDonald, Andrew Scott, and Rafe Spall. "Clean and lively prose, with an earnest whimsy . . . The 12 books in the series are justly ranked as classics, standing with the children's stories of Kipling, Barrie, and Grahame." â??The Telegraph (UK) "For those who regret the hemming-in of childhood, the Swallows and Amazons are free-range children to gladden the heart." â??The Wall Street J… (more)
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The story is plotted so slightly that the American boy, weaned on "westerns," may turn up his nose at such a low-pitched tale. It will be his loss. Four children go camping on an island in one of the English lakes. Two rival campers - girls, at that - appear, and joyfully agree on war.
But Mr. Ransome has marshalled many aides. First, a reality of scene. As in Defoe, no detail is too insignificant to gloss over, yet the itemizing never grows wearisome, and a store of handy things to know about sailing is secreted in the pages. Second, a reality of characters. They are born alive and do not have to be described.
"Swallows and Amazons" will gain by being read aloud. The child who hears will live gaily, whether on Wild Cat Island or in Octopus Lagoon, while the parent who reads will remember idyllic hours. For this book is both silvery present and golden retrospect. ...
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There were many things I enjoyed about Swallows and Amazons, from the attention Ransome gives to the details of sailing, which I didn't always really understand (having only been sailing once in my life, and that many years ago), but which added to the sense of this being a "real" adventure, to the mutual trust shown by the Swallows and their mother. I liked how the imaginative play - all the adults being "natives," Nancy and Peggy's Uncle Jim being a pirate - was seamlessly worked in with more practical concerns, like how to lay a fire correctly, or set up tents so they wouldn't collapse. The frequent use of the term "native," and the colonial mindset it represents, were a little problematic for me, but I didn't find its use vicious, and Ransom was writing, after all, in a time when Britain was still an empire.
Finally, although there were some traditional gender ideas here - Susan being the "little mother" who must cook and wash up after everyone - I really appreciated the fact that both boys and girls had important roles to play, in the adventuring. I loved Captain Nancy, and suspect that if I had read this as a girl, I would have identified most with her, although Titty's capture of the Amazon might have tempted me in her direction as well! Overall, this was just a charming story, and I came away from it with a desire to read the entire series.
This was a book that I remembered enjoying from my own childhood - I have a vague memory of wanting my mother to make tents in the same way as the mother in the book so I could go camping in the garden. It does stand up to the test of time reasonably well - the girls as well as the boys play an active role - but I think that to enjoy it fully at least a passing interest in boats is needed. Especially in the first couple of chapters it does introduce a lot of nautical jargon. I did have an interest in boats as a child and went sailing occaisonally, but I'm sure I wouldn't have had a clue about sentences like 'Is there a cleat under the thwart where the mast is stepped' - and I still don't.
One thing that the book does really well is to explore the imaginative life of children, taking the everyday world around them and turning it into something much more exciting and exotic. And the appeal for the children of having their very own island really rings true - perhaps another reason why the book appeals to me as I've had a fascination for islands ever since childhood.
The other books in the series offer their own pleasures and bring a certain degree of character development that adds to their value. 'Pigeon Post' is probably my favourite but he certainly loses the appeal with 'Peter Duck' and 'Missee Lee' where improbable fantasy enters the mixture.
Of course, life is very different now from when Arthur Ransome wrote this classic story, and Mrs Walker would find herself castigated, and probably even prosecuted, for neglect if she were to allow her four children, aged presumably between seven and eleven, to going camping and sailing, wholly unaccompanied; the children themselves would probably be taken into care. The only vague concession to health and safety is Mrs Walkerâs ruling that Roger is not allowed to carry or use matches. The book was first published in 1930, and was probably already eulogising a Corinthian past largely of Ransomeâs own imagining.
Ransomeâs own imagining is pretty powerful though. He succeeds in creating six child characters, all of whom have clearly contrasting personalities, and he captures their perspective of the world with great clarity. He also pulls off the harder trick of writing adults who meld into the childrenâs world seamlessly. At the risk of sinking into technicality, he is also a master of metafiction. The children themselves all have marvellous imaginations, recasting the Cumbrian lake into a new world waiting to be explored, reassigning all the local features with names drawn from maritime history. Perhaps he overendows the children in this way â given their ages, it seems amazing that they have heard of half the places or books that they talk about so readily. This, however, could not matter less, and it merely adds to the readerâs sense of complete immersion in the fantasy world that Ransome has created.
Most importantly, though, it is simply a rattling good story that resonates with the joy of unfettered imagination.
Budding anglophile children who love the English details of the Harry Potter books or the Narnia Chronicles should love the depiction of these children. (Although there is no magic in Ransomeâs series of books other than the ordinary magic of childhood.) It would also be an excellent choice for children who love nature or are learning to sail. The illustrations are charming and in some of the books the boats are quite detailed.
At first the action seemed SO SLOW. But a) it picked up and b) I got used to
During the course of their adventure, they meet up with the Blacketts, Captain Nancy (real name Ruth) and sister Mate Peggy, who have their own pirate sailboat, the Amazon, along with the girlsâ uncle James Taylor who lives on a houseboat near the island and becomes âCaptain Flintâ to the children. The Swallows and the Amazons declare war on each other with victory going to the side who can take the othersâ ship, then together they declare war on Captain Flint. Who will win? How will a burglary at Captain Flintâs houseboat affect their relationship? And what will they do when a huge storm comes up over Wild Cat Island? The book had its beginning long before when as a child author Arthur Mitchell Ransome, with his brother and sisters, spent most of their holidays on a farm at the south end of Coniston and played on the nearby lake, but it was further inspired by a summer in which Ransome taught the children of his friends, the Altounyans, to sail. In fact, three of the Altounyan children's names are adopted directly for the Walker family.
Swallows and Amazons, a paean to childrenâs make-believe play and exploring their surrounding world, is a very pleasant story that involves the great outdoors, boats, fishing, and camping, with rich characterization, vivid descriptions, wholesome reading, and old-fashioned ideals. It includes a good deal of everyday Lakeland life in the early twentieth century, from the local farmers to charcoal burners working in the woods. Seldom have I ever come to the end of a book and felt sorry that it was over. If you read it and reach the same conclusion, youâre in luck! Ransome wrote eleven more books in the âSwallows and Amazons Foreverâ series: Swallowdale (1931); Peter Duck (1932); Winter Holiday (1933); Coot Club (1934); Pigeon Post (1936); We Didn't Mean To Go To Sea (1937); Secret Water (1939); The Big Six (1940); Missee Lee (1941); The Picts And The Martyrs: or Not Welcome At All (1943); and Great Northern? (1947). A thirteenth book, Coots in the North, was left incomplete at the time of Ransome's 1967 death and published in an unfinished form in 1988 with some other short works. In subsequent adventures in the series, the children progressively grow older, change their usual roles, and become explorers or miners.
I adore this series and totally identified with the children, learnt semaphore, made maps, went exploring etc etc, hence Cumbria is the landscape of my childhood. Had I actually
Wasn't as impressed by the improbable Missee Lee, or Peter Duck. LOVED Winter Holiday, Swallowdale, Pigeon Post, Picts and Martyrs...etc etc!
Timeless joy!!
I really wanted to be allowed to camp on my own island, and was always daydreaming about having adventures.
The Lake District is a fitting and exciting setting for these stories of children's adventures: genuine sailing, camping and exploring, wonderfully
One of my favourite things about the book was the way that the characters behave like real children, rather than simply acting in the manner most convenient for plot progression.
Oh, and one more thing - now I really, really want to learn how to sail!
Nobody has a painful secret, nobody is really a fairy, nobody develops a terminal illness, nobody discovers a door into elsewhere or elsewhen. This book is solidly grounded in the real and particular world of some nice kids in the Lake District of England before the second world war. In fact its so solidly grounded in the particulars of that world that the author will tell you what kind of sandwiches they had, and precisely how they put up their tents, how they used a compass to try to set a course and how they got it wrong, and how a centerboard works and much much more.
I can like that degree of specific detail when its accurate and in the service of a story that keeps moving along. Here I like it very very much, I feel like I really was there smelling the smoke from the cookfire. Most of the kids I read it to like it too, especially when they are going through that phase where they want to know how everything works. I have enormous affection for this book and all of its sequels and if you come to it without expecting it to be something its not I think you might like it too.
This story is the first of a complex interwoven series including several other children and other places, including even an adventure off the China coast (Missee Lee) --that one, like Peter Duck, seems real within the context of the story and involves the same children, but turns out, in the larger series, to have been written by Titty, and is thus "fictional" to the characters in the other books.