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"Soon after her twenty-fifth birthday, Libby Jones returns home from work to find the letter she's been waiting for her entire life. She rips it open with one driving thought: I am finally going to know who I am. She soon learns not only the identity of her birth parents, but also that she is the sole inheritor of their abandoned mansion on the banks of the Thames in London's fashionable Chelsea neighborhood, worth millions. Everything in Libby's life is about to change. But what she can't possibly know is that others have been waiting for this day as well--and she is on a collision course to meet them. Twenty-five years ago, police were called to 16 Cheyne Walk with reports of a baby crying. When they arrived, they found a healthy ten-month-old happily cooing in her crib in the bedroom. Downstairs in the kitchen lay three dead bodies, all dressed in black, next to a hastily scrawled note. And the four other children reported to live at Cheyne Walk were gone. In The Family Upstairs, the master of "bone-chilling suspense" (People) brings us the can't-look-away story of three entangled families living in a house with the darkest of secrets"--… (more)
User reviews
Fans of multi-perspective stories and jump back and forth across time.
In a nutshell:
A baby was found well taken-care of in a sparse mansion. Nearby are three adults dead by suicide. 24 years later, that same baby inherits the mansion and wants to know what happened to her parents all those
Worth quoting:
N/A Audio book
Why I chose it:
I’d seen this in an airport bookstore a few months back, and then it popped up as a recommendation on audible.
What it left me feeling:
Intrigued.
Review:
The book is a bit dark for sure - CN for sexual assault (in the book, not my review).
I knew nothing about this book going into it other that what was mentioned on the back cover. The book is told from the perspective of three characters (and the audio version employees three different voice actors for the chapters, which was immensely helpful): Henry, Lucy, and Libby. Libby is a baby who was found abandoned in a Chelsea (London) mansion 24 years ago. Henry and Lucy are connected to this somehow.
The voice actors chosen definitely give life to these characters - Henry sounds (to me) like a bit of a sleazy snob, Lucy sounds like someone who has seen some shit, and Libby sounds innocent and confused. I’m not going to say whether that ends up being accurate, but I think author Jewell does a great job of giving each narrator their own personality and way of speaking and acting.
I can’t share much without spoiling the twists, but I have to say that I made some educated guesses along the way and was wrong most of the time, so either the writing and story construction are quite clever, or I’ve not read enough of this genre to pick up on the clues. Either way, I enjoyed how it unfolded, to the point that I started this book on Saturday and finished up the next day.
In looking up some information about this book, I learned a sequel come out last year, so I’ve already downloaded that and imagine I’ll be reviewing it by the end of the week.
Recommend to a Friend / Keep / Donate it / Toss it:
Donate it
The story is told from the viewpoints of several people. The main character is Libby, a young woman
The other two viewpoints are told from the perspective of Lucy and Henry, two siblings who lived in the home before it was abandoned and have not seen each other since they left it almost 25 years ago.
Lucy, a mother of two, has been practically homeless and supports her family by playing the fiddle on the streets or wherever she can get a gig. Henry disclosed little about his current life, but tells readers the past story of what went on in the house. It’s safe to assume he is an unreliable narrator.
There are a few areas I had to overlook in the plot. The lack of identification papers and the fact that some of the characters more or less went off the grid in Europe was a bit unbelievable for a contemporary story. In spite of this, I still enjoyed the story and the ending was spine-tingling!
Many thanks to NetGalley and Atria books for allowing me to read an advance copy and give my honest review.
Henry and Lucy live in a beautiful house with their parents and have many of the advantages the wealthy have. Until the day that Birdie and then David Thomson and his family move into the house. David brings his wife Sally along with his two children Phin and Clemency, perfect for friends with Henry and Lucy.
Charismatic David has everyone under his spell and there are big changes for everyone living at 16 Cheyne Walk. Before long though, the bloom is off the rose. David has high standards, numerous rules and before long he has control over everyone in the house. Then a tragedy befalls the household. The baby is abandoned and the remaining four children disappear.
Where did they go? Who did they become? And where are they now? How was she left at the house? These are all questions Libby has wanted to know her whole life and now that she is 25 she hopes she can find the answers.
Chapters alternate between Libby’s story’s Lucy’s story and another initially unknown narrator. And no one is as they seem. Can she trust any of the new people that have entered her life? Like the peel of an onion, layer after layer, the secrets of the house are revealed.
At times a little confusing the reader sorts things out, this is a mysterious, haunting story that will keep you up nights with its secrets, betrayals and twists. While this isn’t my favourite Lisa Jewell novel, it is a great read that kept me intrigued and hooked until the end.
Thank you to the publisher and net galley that allowed me the privilege of reading this book by giving me a copy in exchange for an honest review.
What she didn’t know was what she had inherited.
Libby finds out she has inherited her family’s million-dollar home that was haunted by horrible events the family endured.
Meanwhile there are
We meet Lucy who says she MUST be there for Libby’s 25th birthday, and we meet Henry who lived in the house with all the strangers during the events and when the tragedy struck.
Henry’s story is the most bizarre and terrifying.
Phin is also a frightening character who lived in the house.
David is a character that I immensely disliked and was the cause of all the evilness.
When Libby arrives and is taking a look after all these years at the empty house with its locked-from-the-outside doors, with a ladder leading to the attic, and a garden of illegal plants you will be pulled in by the description and simple curiosity. All this made me wonder what really went on in that house and how no one noticed.
THE FAMILY UPSTAIRS has many characters, odd characters, and multiple story lines but story lines that all fit together and center around the inherited house that held evil.
Readers who enjoy Lisa Jewell’s books will not be disappointed in her newest.
THE FAMILY UPSTAIRS is creepy, bizarre, and disturbing. 4/5
This book was given to me by the publisher via NETGALLEY in exchange for an honest review.
Twenty five years ago, the police were call to a home with reports of a baby crying. Upon arrival, they find a well cared for ten-month old baby happy in her crib. But downstairs, there are
At the age of twenty-five, Libby Jones has just found out that she has inherited a large home worth millions in an upscale neighbourhood in Chelsea. The home was held in trust by her birth parents—she learns their identity at the meeting with the solicitor that is handling the estate. There are others that have been waiting for this day as well, and they are on a collision course to meet.
In a word, brilliant!
Jewell's writing rich, descriptive, and complex. She packs an emotional and psychological punch. There was just the right amount of suspense, and if creepy houses are your bag, than this book is for you! The setting is pivotal to the story and becomes one of its characters.
The characters are highly highly developed and rich in detail. Told through multiple perspectives, this compelling and twisty narrative is executed masterfully. Jewell has a knack for creating suspense that is both compelling and sublimely atmospheric.
Disturbing at times, gripping, and often quirky, The Family Upstairs is one of my favourite books this year.
On her twenty fifth birthday Libby Jones receives an unexpected letter from a lawyer. She learns her birth name and is stunned to find out she has inherited a Chelsea home worth millions. Desperate for
Well, I had no idea where Jewell's story telling would take me this time. There are so many directions the past could take. But, the house is at the core of the story. Just Henry and his parents lived in the home - until his mother invited two other families to live with them. And one of those 'others' slowly takes control of the house - and the lives of the rest of the inhabitants. Cult-like you could say.
Jewell employs a past and present narrative in The Family Upstairs. We start with Libby's discovery - that twenty five years ago, she was the baby found alive, with three dead bodies in the house and two others missing. We're along as she tries to find answers with a journalist friend. But, the reader is privy to two narratives from the missing. From them the reader learns what life was like inside the house and what lead to those bodies. And what they might want from Libby today.
And that makes for some disturbing listening. I could feel the tension rise as I listened to each new entry in the tale. The Family Upstairs has a pretty dark undertone running through it - traumatized children being the main plot line. The now grown survivors have created new lives and in some cases, new names for themselves. I had to cement who was who in the beginning.
The present begins to make more sense as the listener learns more and more about the past. The final run to the last pages had me listening late into the night. And Jewell throws in a nice little twist in the end that gave me shivers...
I chose to listen to The Family Upstairs and was really happy that there was more than one reader. It became easy to know who was talking with three narrators - Tamaryn Payne, Bea Holland and Dominic Thorburn. All did a great job and I thought each voice suited the character they were portraying. Thorburn does the innocence and outrage of young Henry really well and adds a darker note as adult Henry. I'm not sure what reader did the two female roles, but they were excellent as well. Again, innocence and confusion for Libby. But the Lucy reader was the one I enjoyed the most. (She was also my favourite character) All were easy to understand, their diction was clear and the speaking speed was just right. I've said it before and I'll say it again - I become much more immersed in a book when I listen to it.
As the title suggests, this is a book about a family but the type of family and the secrets they hold, slowly unfold into a story that I could not easily predict, which is a good thing!
The Rest of It:
The Family Upstairs is told from alternating points of view and jumps back and
One thread has Lucy on the street with her two young children. What happened to her? Why are they homeless? Another, involves Libby, a young woman who was adopted as a baby. She’s just been informed that she’s come into quite a large inheritance which makes her extremely curious about her past. In the last thread, we are introduced to the “family upstairs” and the sinister things going on that are revealed in pieces, bit by bit. ALL OF IT is related.
The Family Upstairs was THE book everyone was reading over Thanksgiving break and for once, I joined in. It took a little bit of time for me to get into the flow of it. All the time jumping slowed me down until about half-way through, when I began to turn the pages faster because it was all coming together in a way that piqued my interest.
I’ve read one other Jewell book, The Girls in the Garden and that was also very good. I remember adding all her books to my Kindle after reading that one, and I was not wrong to do so. I really like her style of writing. There’s a pulse to her work, a bit of tension that I enjoy but it’s not predictable or silly. I am loving these types of reads these days.
For more reviews, visit my blog: Book Chatter.
This book kept me guessing from the very start! Just when I thought I had something figured out, Jewell completely turned everything on its head. I startled my dog a few times by gasping out loud. Despite being completely exhausted, I curled up on my couch reading for hours to finish this book, because I had to know where everything was going.
At first, I found the jump in perspectives a little confusing. But this didn't last long, and didn't affect my enjoyment of this book.
Definitely read this book! I might recommend a hard copy edition so you can flip back and forth in the beginning if you get confused a little, but a few chapters in you will not be able to put this book down. And that last sentence...it still gives me chills.
The Family Upstairs
Lisa Jewell
2019
3.5/5
Lisa Jewell is quite the prolific author, these days, writing a new book almost every year for the past 20 years. This novel however was my first dip into Jewell's bibliography.
The Family Upstairs published in 2019 is one of her newest books which I have
Story begins in a rather confusing fashion, characters are introduced and scattered in two countries but the reader doesn't know, at this time, their connection. Well, the somewhat cryptic connection is something about a baby turning 25. What baby Whose baby? And why does it matter?
Well, you'll eventually find out what transpired 25 years ago in this well written, twisty and creepy family saga. It's a fast read and the short chapters entice the reader to continue and discover how these characters meld together. An uninhabited old house, cult-like behavior and questionable characters fuel the story until all threads are tied up.at the conclusion.
Thanks to NetGalley and the publisher for the advanced copy of The Family Upstairs in exchange for my review
First of all, in the first person, someone whose identity we eventually come to surmise, more by a process of elimination.
Then the story of Libby, the baby who has now turned 25, and learns that she has inherited a mansion in
Then Lucy's story. At first we are not sure who Lucy is, but clearly she is important.
And then Miller Roe, a journalist who recently wrote an article about the events that occurred in the mansion in Chelsea.
At first the reader has to deduce the narrator from clues given in the context, but eventually recognition of who has taken over the story becomes automatic.
The threads of the narration weave together, the story bubbles along, and we learn finally the truth of what happened in 16 Cheyne Walk, Chelsea.
There were several moments in the book that made me gasp and think, “No... really?!?! And I would be shocked into reading more. The family upstairs has some very disturbing reveals and you can’t help feeling
Libby Jones was adopted and after she turns 25 years old she finds out she has inherited an old mansion from
I've read enough books by the author by now that I didn't expect there to be many shocking twists and that was the case here. I wouldn't say I figured out everything early on, but I had a general idea where she was headed with the story. However, I'm not saying that is a bad thing, in fact I find her to be a unique author in the mystery thriller genre because she writes compelling stories that don't rely on a whole bunch of surprises. I truly just enjoy being a part of the journey and watching everything unfold.
The story goes back and forth between the perspectives of a few characters, in the present time period as well as everything that led up to the abandoned baby in the house. My only real complaint about the novel is in regards to certain characters living in the house. I didn't like how it felt like two of the characters were briefly mentioned, then basically forgotten, and then later on a part of the story. Their presence just felt disjointed in some ways so I wish there could have been more development with them earlier on in the book.
Overall, even though this was a bit of a dark and disturbing story, it was a page turner for me. Definitely recommend if you have enjoyed other books by the author.
Thank you to the publisher and Netgalley for providing me with an advance digital copy in exchange for an honest review!
I was also expecting this to be a quick read - Richard and Judy Book Club, you know - but I kept falling asleep. The pacing is off, with host of unlikeable characters slowly being drawn together until the final chapters are tied in knots by various unnecessary twists in the tale, and by that point, I didn't actually care who was who. And the backstory was just baffling and never clearly explained - was Henry's mother that desperate for a bit of excitement? Why was David so charismatic, exactly, apart from the fact that Henry keeps telling us he was? I also felt like that part of the story should have been set in the 60s, not the 90s, for some reason - gullible housewives and warped children probably working better in the prewar era rather than the decade of girl power and cool Britannia.
I'm glad I only paid 99p!
Told alternately in both the past and present, the narrative divulges the family’s deepest secrets as Henry, Lucy, and Libby take turns sharing their experiences. Henry is the primary voice for the events of the past; Lucy and Libby speak to their own lives in the present day. Henry’s narrative builds the backstory, explaining what transpired in the house while Lucy and Libby move the present-day story forward as they reveal how the past has affected each of their lives.
The characters are interesting and reasonably well-drawn; the story itself revolves around the house at 16 Cheyne Walk. The unfolding narrative offers readers several surprising reveals as it slowly weaves past and present together to create an inordinately dysfunctional family tapestry. The dark, depressing narrative is suspenseful, the telling of the tale filled with fear and tension. However, it is less of a thriller and more of an angst-ridden, eye-rolling descent into the milieu of trashy soap opera.
Prospective readers should expect to encounter completely unbelievable circumstances as Henry reveals the children’s backstory. Neither the cult-like situation within the house nor the extreme isolation of the entire family holds together in the face of intense scrutiny; rather, they end up with readers shaking their heads in disbelief at the sheer ludicrousness of it all. In addition, the horrific situation within the house is nothing short of cringeworthy and the uber-disturbing abuse of the children is, quite simply, extremely difficult to read.
None of this is to say that the story is horrid; rather, it simply notes the need for a massive suspension of disbelief on the part of the reader. However, both the voyeuristic feel of the narrative and the wide range of depravity are likely to be off-putting for many readers.
The setting is London and the time periods alternated between the late 1980's and the present. Different viewpoints were told by Lucy, Henry, and Libby. Lucy and Henry were children of a wealthy couple who lived in a mansion. They allowed two other families to move into the house thinking they wouldn't be there long. The two families had no intention of leaving and started taking advantage of his generous family. Over time, David, the head of one of the families, took complete control of everything and living there was like living in a cult.
You will have to read the novel to find out about Libby who is at the center of the story. It's complicated to the point of being absurd.
This is a dark, troubling novel, suspenseful with some interesting twists at times, but some of the story lines are distressing to read: drugs, incest, child abuse, animal abuse, and rape.