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Boxers : In China in 1898 bands of foreign missionaries and soldiers roam the countryside, bullying and robbing Chinese peasants. Little Bao has had enough: harnessing the powers of ancient Chinese gods, he recruits an army of Boxers--commoners trained in kung fu who fight to free China from "foreign devils."Saints : "China, 1898. An unwanted and unwelcome fourth daughter, Four-Girl isn't even given a proper name by her family when she's born. She finally finds friendship-- and a name, Vibiana -- in the most unlikely of places: Christianity. But China is a dangerous place for Christians. The Boxer Rebellion is in full swing, and bands of young men roam the countryside, murdering Westerners and Chinese Christians alike. Torn between her nation and her Christian friends, Vibiana will have to decide where her true loyalties lie-- and whether she is willing to die for her faith" -- front flap.… (more)
User reviews
Little Bao loves spring and the festivals that accompany the season, especially the traditional opera, presided over by a small statue of the local earth god Tu Di Gong, that comes to his small rural village with its colorful costumes and music. So he’s shocked when a group of ruffians with
Saints
Four-Girl her mother’s fourth and only surviving daughter does not accepted in her family. Her grandfather calls her a devil after she accidentally sends an ax crashing through the window with such force that it embeds itself right above his head. Distraught, she runs off into the woods where she encounters a raccoon eating the remains of a long dead animal. It’s disgusting, but she realizes that the raccoon isn’t worried about anyone’s opinion of his scavenging or diet. He accepts his place in the world. So Four-Girl decides to accept that she’s a devil. She starts going around with the ugliest face she can manage, so her mother takes her to the acupuncturist for a cure. The acupuncturist turns out to be a Christian convert. What better to learn to be a devil than from someone who can introduce her to the religion of the foreign devils that are dominating China! Four-Girl converts and becomes Vibiana. Then she begins to have visions of Joan of Arc.
This is a powerfully told and very moving story in prose, pencil, and ink. Boxers is part of Yuen’s two volume graphic novel about the Boxer Rebellion; the companion volume is Saints, which tells the story of the Boxer Rebellion from the point of view of a Chinese Christian convert. The two central tragic characters have brief dramatic encounters in the books. Both books are filled with colorful—Pien uses a much more subdued palate throughout most of the books—mystical encounters with the supernatural, in the case of Little Bao these are with the gods of the Opera and the First Emperor with Vibiana they're golden encounters with the maid of Orleans.
Yang is uncompromising in his storytelling, and skillfully conveys the violence, emotion, and desperation of the moment. Visually, his style is clean and effective, though I found I appreciated the art of Boxers more than Saints (its colors are more vivid, its panel better composed). But these are minor quibbles. Boxers & Saints is one of the best of its medium, and a worthy addition to the comics and graphic novel canon.
The first book features Little Bao, a boy who becomes a leader of the rebels, and the second book features Vibiana, a Chinese girl who converts to Christianity. Little Bao draws on the powers of legendary folklore warriors from the country's past, while Vibiana has a special relationship with Joan of Arc, with whom she converses on a regular basis.
In Boxers Yang shows how foreigners humiliated and unfairly dominated the peasants, leading to the rebellion. In Saints he shows Vibiana and others learning the Christian way of living, which for her at the beginning means better food than she otherwise would have. An American Roman Catholic with Taiwanese parents, Yang is even-handed in his portrayal of the clash and its tragic effects. He says he was inspired by the 2000 canonization of several Chinese Catholic saints, an exciting development for Chinese Catholics in his San Francisco church:
"When I looked into the lives of these saints, many of them were martyred during the Boxer Rebellion and their canonization was actually very controversial. The Chinese government issued a letter of protest to the Vatican saying that the Roman Catholic Church was honoring people who had betrayed their Chinese culture. That tension between eastern and western world views and how they existed within the same community, within these Chinese Catholic communities, really interested me."
He sees the Boxers as embodying "some xenophobia and also patriotism." He hope these books cause people to look more deeply into the Boxer Rebellion, which he compares to Native American's development of "Ghost Dancers" in the U.S. Together these books were a National Book Award Finalist in 2013. The imagery is direct and engaging, and the reader is drawn into the stories so that the pages fly by.
This is part of a set of graphic novels. I started with this one. They explore the Boxer Rebellion in China, an incident little known in the modern west. In this 170-page graphic novel, Four-Girl is raised within her uncaring family. She is the fourth girl and the only to live, and thus
I bought the books to help to gauge the mindset and culture of China at the turn of the 20th century. It was enlightening in that way, though I can't fully judge the this book until I have read the companion.
BOXERS:
This completes the set of parallel stories about the Boxer Rebellion. Between the two graphic novels, Yang weaves a complex story about rural China, Christian missionaries, war, and spirituality. I found this book, the longer of the two at 325 pages, to be enthralling and disturbing all at once. It follows young Bao as he encounters he foments rebellion against the foreign devils, all while channeling the old gods of China Bao has loved in opera. Like any war, it's a heart-breaking scenario. There are no clear good guys and bad guys. That's one advantage of reading both books in the set--you see it from both angles (Four isn't a full Christian convert through her story, but she still shows the good that they do).
I'm a school librarian so I am forced to read them but there is a short list of ones that I really enjoyed. Besides this set, I'd include "Maus" and "Persepolis" (also historical) and just a few others.
I'm not sure if "Boxers &
Boxers & Saints includes a lot of religious thinking which is particularly suited to comics. The sudden appearance of Chinese gods and Christian saints might be hard to describe but make sense drawn.
My only criticism of the book is that, sometimes, the expressions on the characters faces didn't seem to match the emotion of the story. Obviously, that is subjective and I don't let it deter you from reading these books.
Without taking sides, Yang masterfully depicts his protagonists as flawed but sympathetic teens who earnestly attempt to grow, learn, and develop their principles amidst a backdrop of political and religious conflict. Both Little Bao and Vibiana experience mystical encounters with spiritual beings who guide them through their ordeals; the magical realism infuses their stories with metaphysical resonance and calls to mind the ancient Greek epic of the Iliad, during which the gods fought alongside mortals. Joan of Arc appears as Vibiana’s spiritual guide, foreshadowing Vibiana’s sad fate.
In addition to the rich history covered in these two volumes, Yang addresses issues of gender through his depiction of the Red Lanterns (the distaff counterparts of the Society) and Vibiana herself, a strong-willed tragic heroine who stumbles upon her faith almost accidentally but ultimately comes to value it over all else.
I highly recommend these narratives for their engaging depictions of complex adolescent protagonists as well as their value as historical texts that tell a story unfamiliar to most Western teens.
I liked the main character so much, and Joan of Arc was just wonderful. The twist at the end was very fitting and strong in its way, but I didn't have an immediate emotional connection to it because
It's hard for me to avoid reading things through a Jewish lens, of course, and most of the time I don't see why I should take it off. It helps me see the Christian-default holes in stories a lot more clearly. However, I think I owe Boxers and Saints a re-read where I try harder not to let that color my opinions of the Christian characters.