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Fiction. Literature. Short Stories. HTML:In this extraordinary collection of stories, New York Times bestselling author Maeve Binchy once again reveals her incomparable understanding of matters of the heart with powerfully compelling stories of love, loss, revelation, and reconciliation. A secretary's silent passion for her boss meets the acid test on a business trip. . . . A man and a woman's mutual disdain at first sight shows how deceptive appearances can be. . . . An insecure wife clings to the illusion of order, only to discover chaos at the hands of a house sitter who opens the wrong doors. . . . A pair of star-crossed travelers take each other's bags, and then learn that when you unlock a stranger's suitcase, you enter a stranger's life. In their company are many more, whose poignant, ironic, often humorous storiesā??unforgettable slices of lifeā??make up The Return Journey, a spellbinding trip into the human… (more)
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3 stars: Read once / Recommend selectively
I had read this book before several years ago and of course had forgotten what it was like. I will definitely still read Maeve Binchy again but, in my opinion, this was a weak book. I give it a C!
Last week I was looking for a short read to fit in between books for promised reviews. My box of books from friends
Short stories and I have been total strangers for many years. I stopped reading them entirely during the period of time when they were more like scenes. They had no beginning, middle or ending, nor did they seem to serve any purpose at all. I was never satisfied with them, and felt they were a waste of my valuable reading time, so I just stopped.
Apparently short stories have changed somewhat in the meantime. Although these Binchy stories are more like character studies, there is an actual plot. I am in awe of Binchy's ability to make interesting characters come alive in a few paragraphs. I'm still not sold on short stories, however, I can say I really enjoyed the people and each of the little stories here.
I really enjoy Binchy's writing but I don't think short stories are her milieu. She's much better in the sprawling multi-generational sagas of her early career, like Circle of Friends or Firefly Summer, or the later interconnected novels set in Dublin, like Tara Road or Quentins. A shorter format just doesn't give Binchy room to work her gentle magic, which thrives when she's giving us multiple points of view across people and time.