Call number
Collection
Genres
Series
Publication
Description
Fiction. Mystery. Thriller. Historical Fiction. HTML:NEW YORK TIMES BESTSELLER â?˘ THE BOOK BEHIND SEASON TWO OF TNTâ??S THE ALIENIST â?˘ Dr. Laszlo Kreizler returns in a â??whopping thrillerâ?ť (The Washington Post) that showcases Caleb Carr â??at his strongestâ?ť (USA Today). June 1897. A year has passed since Dr. Laszlo Kreizler, a pioneer in forensic psychiatry, tracked down the brutal serial killer John Beecham with the help of a team of trusted companions and a revolutionary application of the principles of his discipline. Kreizler and his friendsâ??high-living crime reporter John Schuyler Moore; indomitable, derringer-toting Sara Howard; the brilliant (and bickering) detective brothers Marcus and Lucius Isaacson; powerful and compassionate Cyrus Montrose; and Stevie Taggert, the boy Kreizler saved from a life of street crimeâ??have returned to their former pursuits and tried to forget the horror of the Beecham case. But when the distraught wife of a Spanish diplomat begs Saraâ??s aid, the team reunites to help find her kidnapped infant daughter. It is a case fraught with danger, since Spain and the United States are on the verge of war. Their investigation leads the team to a shocking suspect: a woman who appears to the world to be a heroic nurse and a loving mother, but who may in reality be a ruthless murderer of children. Once again, Caleb Carr proves his brilliant ability to re-create the past, both high life and low. Fast-paced and chilling, The Angel of Darkness is a tour de force, a novel of modern evil in old New York. Praise for The Angel of Darkness â??A ripping yarn told with verve, intensity, and a feel for historical detail . . . Once again we are careening around the gaslighted New York that Carr knows, and depicts, so well.â?ťâ??The New York Times Book Review â??Gripping . . . Carr is at his strongest, exploring the dark underside of the human psyche and ferreting out the terrors and tragedies that drive menâ??and womenâ??to kill. . . . In Libby Hatch, Carr has created a villain whose cunning is nearly equal to his detectivesâ?? crime-solving prowess. . . . The mystery is plotted with military precision.â?ťâ??USA Today â??[A] whopping thriller . . . Carr keeps us racing along with him to the very end.â?ťâ??The Washington Post Book World â??Fascinating . . . In a brilliant bit of historical casting, Clarence Darrow, a rising courtroom wizard from Chicago, turns up to defend the villa… (more)
Subjects
User reviews
This is the sort of book you just want to wallow in: big and detailed and evocative, and ponderous in the best way possible. It’s slow, yes, but it’s never boring. I was always more than eager to dip back into the story.
THE ANGEL OF
Carr builds his world with such care that it’s tough to tell what’s real and what’s invented. Plenty of historical figures make cameos of varying lengths; Franz Boas’s brief appearance tickled me pink, and I’m sure other readers will be pleased to see the likes of Clarence Darrow and Theodore Roosevelt play their roles in the story. Their integration is seamless; these folks work very well indeed alongside Carr’s fictional protagonists. The settings, likewise, are blended into the story so nicely that this non-New Yorker found it impossible to tell what was imaginary and what really exists outside the author’s mind. I had a blast with it.
And the forensics… man, did I ever love the forensics! The book is set in 1897, so sciences like fingerprinting and ballistics are brand new. I found it fascinating to watch the investigators employ these new techniques, and I shared their frustration when they found it impossible to convince others of the truth behind their findings.
I did find the second half slightly less enjoyable than the first, but I think this was mostly a momentum thing. I had something of a forced break from the book. I doubt I'd have had a problem if I'd read the whole thing straight through, sans interruptions.
All in all, this was a fantastic book. I enjoyed the hell out of it, and I’m looking forward to reading more of Carr’s work. I do think it’s a shame, though, that he’s only published one other book featuring these characters. There are hints, here and there, that he originally planned at least one more book. I’d love to read it.
So what went wrong here in the sequel I'd rate it so much lower? Well, first, I think the choice of narrator was a mistake. In the first book, that was John Shuyler Moore, a New York Times reporter who was an integral part of the investigative team headed by his close friend Laszlo Kreizler, an "alienist," ie a psychologist. This story is the first person account of a character much more peripheral to the investigation, Stevie Taggert, a young street smart kid employed by Kreizler. Carr tries to create a voice for Stevie of an urban Huckleberry Finn, which seems to consist mostly of replacing "that" with "what" and it grates, especially in a work of this length. And because Stevie isn't part of the investigation, Carr has him do thinks such as eavesdrop on conversations and other clunky devices to allow him to tell us what happens.
And there's that length. I've often noticed that the problem with successful authors, from Stephen King to Tom Clancy, is that as a result of success they gain a lot more leeway which often leads to bloat--and this is the case with The Angel of Darkness. I found The Alienist at a bit less than 500 pages a fairly taut thriller--I certainly was never bored. That wasn't the case with the sequel, at almost 750 pages, which often dragged and I wasn't half-way before I was skipping to the end to find out what happened, since I was no longer willing to wade through hundreds of pages. Yes, I get it. Woman can be violent, can be evil, and the Victorian tendency to put them on a pedestal doesn't do any one any good. But really, Libby Hatch--and we learn her identity very early in the book killing any suspense--isn't anywhere near as fascinating to me as Carr seems to feel she is.
A 14 month old baby is forcibly taken from the wife of an important member of the Spanish consulate in New York City. In 1897, tension between the United States and Spain, already high, is being ratcheted higher by the war parties of both nations. The abduction has the
The mother, Señora Linares, appeals for help to Sara Howard, who has opened her own detective agency specializing in services for women. Sara, in turn, turns to her old colleagues for help in obtaining Ana Linares' return.
The story is narrated by Stevie Taggart, writing in 1919 as part of a bet he has made with John Schuyler Moore, still an off-again, on-again journalist for The New York Times. At the time of the kidnapping, Stevie, still in his teens, was working for Dr. Lazlo Kreizler, the controversial "alienist" (psychiatrist). The old team assembles; when Kreizler and the others hear Señora Linares' story, they respond sympathetically and agree to search for Ana.
True to Kreizler's principles, the team searches for the kidnapper's origins and motives as the way to track down Ana. What is uncovered along the way is a series of horrifying murders that both unnerve the members of the group and serve to complicate the search further.
This is the foundation of the most terrifying thriller I have ever read, with a truly memorable villain. There is very little "mystery" to the story; the kidnapper's identity is known early on. The book has a deceptively slow start, but the tension builds remorselessly. At one point about 2/3 of the way through the book, I had to put it down; I was at the point where I was afraid to read further for fear of encountering the villain once more--I've never been so engaged before that I have deliberately chosen to break the tension. I give great credit to Carr's writing. In that respect, his style is deceptive because it does not depend on 4-letter words, obscenities, gory descriptions of mutilated bodies or other devices so well used and abused by other writers of the genre--the style is almost Victorian in keeping with the era--but on the subtle and extraordinary power of well-chosen words.
All the old members of the investigative team are back--Moore, Howard, Kreizler himself, Cyrus, Stevie, and the Isaacson brothers. So is Theodore Roosevelt in a crucial role. In addition, in various well-written appearances, Clarence Darrow and Elizabeth Cady Stanton contribute to the twists and turns of the plot.
The pace and tension never let up until the climax, which is a little far removed from the end of the book. However, this is a minor structural flaw.
A word of advice: in order to fully appreciate this book, it really is necessary to read The Alienist. What is remarkable about the two books is their very different structure in terms of focus. The Alienist really concentrates on the characters of Lazlo and the others and they work against time to identify and capture a serial killer. Angel of Darkness concentrates far more on the actual search for the villain's origins--it's much more like a traditional police procedural. I think that part of the power of the book rests with the prior knowledge of the personalities involved and the complex interactions between and among them, which can only be fully appreciated from The Alienist.
I find it remarkable that Carr took the risk of digressing from a best-selling approach to write a somewhat different book. In my opinion, the risk paid off spectacularly.
Highly recommended. Too bad there's no rating higher than 5 stars.
the cast of characters is much the same, but the intensity and charm of the first novel has been diluted and cannot be recaptured. the change of voice to a narrator that has difficulty
a less than stellar follow up effort.
It's 1897 and someone attacks Senora Isabella Linares, wife of a Spanish official. They hit her on the head and steal her baby.
Stevie Tagett is a former street urchin and street smart. He is with a team of characters; Sara Howard, who totes a
They find the details of the kidnapping and have Isabella go to an artest to make up a sketch of the attacker. With the copies of the sketch, the Isaacsons check police files and find a match. Nurse Elspeth Hunter, aka, Libby Hatch, who was investigated for a number of deaths in a New York Hospital. The children were under Libby's care and all died of the same respiratory ailment. Libby was questioned and resigned.
The group comes to her home. She lets them in but they don't find any evidence of the child. Later, Stevie breaks into the home with an acquaintance who has a dog that can smell scents. They find a hidden room but the door is steel and they can't open it. The group gets hair fibers that they identify so they know Libby is involved but that's not enough evidence. Needing more proof, they travel up the Hudson by boat and go to upstate New York to learn more of Libby's background.
The book goes into such extensive detail that it becomes too long. The slow reading causes the story to stall and interest to lag but there was a satisfactory resolution. It was very historical. The characters were interesting but fairly cardboard figures. Not much character build up but much historical information.
The ending was satisfactory but also a relief to get there.
On a total side note, there is a point in this book where the characters leave NYC and go to the wilds of...upstate NY. They take a boat and basically travel through various parts of upstate NY where I grew up. It's interesting to see how certain areas, Ballston Spa for example, have been economically depressed for oh the last century or so.
If you can get through the beginning, which can seem a little slow at times, the rest of the novel is very fast paced with some excellent plot twists. I really liked the idea of allowing this case to be told from one of the other characters perspectives. Stevie Taggert is able to give readers excellent details about the underworld street life in New York City. He is also able to gives us a different perspective on all of the other characters and their relationships with each other. I especially enjoyed his thoughts on Mr. Moore since he was the narrator of the Alienist and I love reading Stevie interpretations about Moore’s character.
This book also involves a lot of details about early forensic science, and psychology. It is filled with wonderful details about how this group of people uses the new sciences to uncover the hidden life of the murderer and kidnapper. Another excellent thing about this book is that it gives us a glimpse into some major historical figures such as Theodore Roosevelt, Clarence Darrow, Elizabeth Cady Stanton and Albert Pinkham Ryder. The Alienist is really a tough act to follow and I did like it better than this book, but I thought it was a worthy sequel and I can’t wait for the next book!
The story is set in Manhattan and the fringe area around New York, and includes many familiar historical and political characters, as well as businesses of the era.
The author does an excellent job of
The story narration, comes from one of the characters, Steve Taggert (alias- "Stevepipe", given for his adept ability with an 11 inch piece of lead pipe). With only a few months to a year left to live, he looks into the past to give us the inside facts of how the tale unfolds.
Several viable characters quickly assemble themselves as a task force to apprehend an elusive and criminally manipulative villain by the name of Elspeth Hunter (alias- Libby Hatch), a ruthless mass murderer of children and black widow to a few hapless husbands.
The team: Psychologist- Dr. Laszlo Kreizler, an investigative journalist- John Schuyler Moore of the NY Times, a private investigator- Sara Howard, a pair of Jewish police investigators- Lucius and Marcus Isaacson, along with Stevie and Cyrus- Dr. Kreizler's assistants.
The story surrounds the detailed investigation, apprehension, and prosecution of their suspect.
The story is rich in content with frequent morbid and gruesome scenes for the macabre enthusiast and fairly fast paced for 626 pages.
The Angel of Darkness will seem to get off to a slow start to those which have already read part one, The Alienist, by Caleb Carr, but to those which are jumping in on this, part two, will be rewarded by a standalone sequel.