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Fantasy. Fiction. Thriller. Historical Fiction. HTML:#1 SAN FRANCISCO CHRONICLE BESTSELLER � NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE CHICAGO TRIBUNE �A picaresque, swashbuckling adventure.��The Washington Post Book World They�re an odd pair, to be sure: pale, rail-thin, black-clad Zelikman, a moody, itinerant physician fond of jaunty headgear, and ex-soldier Amram, a gray-haired giant of a man as quick with a razor-tongued witticism as with a sharpened battle-ax. Brothers under the skin, comrades in arms, they make their rootless way through the Caucasus Mountains, circa a.d. 950, living as they please and surviving however they can�as blades and thieves for hire and as practiced bamboozlers, cheerfully separating the gullible from their money. But when they are dragooned into service as escorts and defenders to a prince of the Khazar Empire, they soon find themselves the half-willing generals in a full-scale revolution�on a road paved with warriors and whores, evil emperors and extraordinary elephants, secrets, swordplay, and such stuff as the grandest adventures are made of. Praise for Gentlemen of the Road �Within a few pages I was happily tangled in [Chabon�s] net of finely filigreed language, seduced by an old-school-style swashbuckling quest . . . laced with surprises and humor.��San Francisco Chronicle �[Chabon] is probably the premiere prose stylist�the Updike�of his generation.��Time �The action is intricate and exuberant. . . . It�s hard to resist its gathering momentum, not to mention the sheer headlong pleasure of Chabon�s language.��The New York Times Book Review �[A] wild, wild adventure . . . abounds with lush language . . . This book roars to be read aloud.��Chicago Sun-Times.… (more)
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Involving Vikings, elephants, warriors and
Michael Chabon wrote this story in a style that reminded me of many of the adventure stories I read when young, by the likes of R.M. Ballantyne or Robert Louis Stevenson. Rather flowery, very descriptive, and requiring a dictionary, but the story moves quickly and I was soon caught up in the plot. For such a short book, less than 200 pages, Chabon packs in a lot of information, he also expects his readers to suspend our disbelief and accept a number of bizarre coincidences.
I never quite sank fully into the story, but still I recommend this book for it’s swashbuckling, captivating, page-turning story.
Simply a great old-style adventure story, originally called "Jews with Swords", in which Chabon matches nearly every cliche there ever was:
Two loveable jewish rogues, one a big jolly African armed with an axe called "Mother Defiler", the other a remote and
All this mixed up in a great adventure tale, wonderfully told by Chabon, supported by Gary Gianni's illustrations and an old adventure book-like design (no jacket, the picture is directly printed on the cover and even the bar code sticker has some ornaments on it).
Judging this book as an adventure novel, it's just that: a great and fun read.
5 of 5 perforated hats
There are a few redemptions, which is why I give it 3.5 stars. The setting is pretty interesting, and few historical novels of the setting feature an all-Jewish cast. The style is engaging with several laugh-out-loud passages. The illustrations are a nice touch. And the book is so short and quickly read that even if you don't like it you've hardly wasted any of your time.
It's primarily an adventure story, and excels as such: like a good
Audiobook note: Andre Braugher did a good job, especially with the dry humor.
Review: One of my frequent complaints about so-called "literary fiction" is that too often it places a high value on fancy, self-indulgent language at the expense of actually telling a good story. Thus, one of the things I like best about Chabon is that he consistently manages to accomplish both.
Chabon's prose is undeniably fancy, and probably also a little self-indulgent. He is a huge fan of the long, twisty sentence, and for substantial sections of this book, I was discovering at least one new-to-me vocab word ever two pages. But the prose is meant to embellish the story rather than replace it, I don't mind him messing about with the language; on the contrary, I found myself reveling in it, and able to silence the little part of myself that was going "you could say that without the three-dollar words" and just let the rhythm of prose roll around in my mind. (On a correlated note, this has the potential to be a wonderful audiobook - there are passages that are just begging to be read aloud.)
But even better (to my mind, anyways) than the fancy prose was the story, which shone through even the most complicated sentence structure. This is a ripping adventure story, full of swords and horses and elephants and treachery and all sorts of fun stuff. (I mean heck, it made me bust out the adjective "ripping".) You can tell that Chabon had fun dreaming this story up, and I had fun reading it - not just for the adventure parts (which are as escapist as any "genre" fiction), but also because it's peppered with a bunch of snarkily funny bits throughout. I also really enjoyed the setting - I don't know that I've ever visited the geographical area nor the time period before in my reading, and I appreciated the fact that this book is largely historically accurate.
In short, I had a really good time reading this book. For the most part, it read surprisingly quickly given the density of some of its prose, although there were a few places where I felt like something important passed by a bit too quickly, especially for readers like me who are unfamiliar with the geopolitical landscape of the time. But overall, a very enjoyable read. 4 out of 5 stars.
Recommendation: I think all fans of historical fiction and/or adventure stories will enjoy this one, but it might be best for readers who secretly want escapist genre fiction while maintaining the air of "literary-ness" afforded by Chabon's name on the cover.
You may wonder why I didnt start with his more "notable" books, such as The Amazing Adventures of Kavalier and Clay or The Yiddish Policemen's Union. I chose to start with Gentlemen of the Road because of its mixed reviews, knowing that Chabon fans determined this to not be his best work, and figuring if I liked Gentlemen enough, I would find his other books totally gripping.
All in all, Gentlemen of the Road is a good, average book. It didn't knock my socks off, but I found Chabon's storytelling and characters to be very engaging. It's the story of Zelikman, a Jewish physician who is moody and fond of black attire, and his traveling companion, Amram, an African warrior whose enormous frame and axe made him both feared and admired. Their adventures, dated from 950 A.D., were spontaneous and beguiling. They attached themselves to an army defending the Khazar Empire - at many time wondering why they are even fighting for this cause - and used their wit and intellect to advance the causes of Faliq, the banished prince of the Khazars. It was a short story - a high adventure that I feel will make a great movie starring Christian Bale as Zelikman and Michael Clarke Duncan as Amram. At least, that's who I pictured as I read the adventures of the Gentlemen of the Road.
Despite my lukewarn response to Gentlemen of the Road, my interest in the storytelling of Michael Chabon is even more piqued, and with Kavalier and Clay and Yiddish Policemen sitting on my shelf, earmarked for challenges already, I am definitely looking forward to reading more from this talented author.
Set in 950 A.D., Gentlemen of the Road follows two Jewish mercenaries, Amram and Zelikman, in the Caucasus as they reluctantly get involved in a quest with a young noble, Filaq, whose family has been destroyed by the usurper to Filaq's father's throne. Chabon's working title for the novel was Jews with Swords, and religion (Jewish, Muslim, and Christian) and swordfighting play a significant part in the tale's events.
As with any good adventure story, to tell you more of the plot would be to ruin the fun of it. And I did have fun. This is not Chabon's best, and certainly not his deepest or most polished, work, but it is still an enjoyable read. He is true to the genre, while still putting his indelible stamp on the work.
Unless you are a true adventure fan, I wouldn't recommend Gentlemen of the Road as your first Chabon read (try The Amazing Adventures of Kavalier and Clay though!). But for adventure fans, or for those who are already fans of Michael Chabon, give Gentlemen of the Road a try. It's a quick, fun read, with great illustrations by Gary Gianni (the current artist for the Prince Valiant comic strip). The genre may be different, but the writing is pure Chabon--intricate sentences, 10c words sprinkled casually throughout, spot on descriptions. The book is fairly cinematic, and I suspect it will be translated to the screen before too long.
The book centers around the scare-crow figure of Zelikman and his physical opposite, the imposing Amram, who as partners and kindred spirits seek to make their fortune traveling the road. They con, they save a youth, they lead an army as Chabon creates a lively atmosphere set in the 10th century crossroads of the Caucus mountains. The characters are well-written and charismatic, and although the book is slim, make a strong impression throughout and remain memorable. I thoroughly enjoyed the setting and while the plot unfolds like a pulp adventure novel, Chabon's mastery of the language is charming. By the end, I felt two things, a sense of wanderlust - wanting to travel, and a desire to read more. "Gentleman of the Road" is in the fine tradition of entertaining adventure novels and a thoroughly enjoyable read.
Zelikman - a white, thin and blond surgeon who carries a thin, sharp ,oversized bloodletting instrument as a sword, using his academic knowledge to his enemies misfortune and who
Amaram - a black, muscular ex-solider who wields an ax named "Defiler of Your Mother", who is still searching for his daughter that disappeared without giving up hope.
The adventures of this odd pair takes place sometime in the 10th Century when the two partners are collecting the money from a con they just pulled (a fake fight between the meek Frank with his needle and the huge ax wielding ex-solider) when they encounter a young man who claims to be the heir to the throne of the Jewish kingdom of Khazria, usurped by his brutal uncle.
This is a wonderful serial novel, in the best tradition of Alexander Dumas and the old time pulp written in a stylized language which I loved and sprinkled with obscure words, archaic references and a solid sense of humor.
How can you not love a book which has the following passage:
"Zelikman executed the difficult maneuver of mounting a horse at full gallop. To outside observes, of this desolate slope, very few, he must have looked as if he were trying to mount Hillel's saddle so much as to perform some foul outrage upon his neck."
All of it which adds to the charm of this wonderful, albeit short novel with lots of twists and cliff hangers aplenty.
This book of swashbuckling adventure is meant to be read and enjoyed - it does not delve into the depths of human psyche and is not weighed down by dramatic themes - it is just a pleasure to sit back and let your imagination loose as you go on an exotic quest of impossible odds with the "Gentlemen".
Gentlemen of
The illustrations were a lovely touch and indeed the whole format of the book is so attractive with the names of the chapters set out and the type face is perfect. I am a collector and I love the art of a pretty book, regardless of value.
The illustrations enhance the enjoyment of the story by providing pictures of the characters so that you can see them in your mind as they fight and run from one tight spot to another. This is particularly enjoyable with an historical adventure story and is a pleasure which we should not give over entirely to children. These illustrations by Gary Gianni are brilliant and art and literature combine to deliver the reading experince.
Many books written by the likes of Charles Dickens, Daniel Deronda, and Wilke Collins had sketches or line drawings in them but it is not very common now with adult literature. Perhaps that should change.
Placed in the historical setting of the ancient Jewish kingdom of Khazaria (present day Ukraine) around the 10th century, it is a fascinating story with plenty of plot twists and more than a few surprises. But the real delight of the tale is Michael Chabon’s inimitable prose; Chabon is here clearly indulging himself in his most flamboyant and fluid mode, creating combinations of words that simply roll of the page. The result is witty, entertaining and often very funny and a pure pleasure to read. Perhaps the one casualty of Chabon’s extravagant writing is that occasionally the overall sense sometime becomes confused in the abundance of words, but that is a small price to pay for the overall enjoyment.
A departure from his more usual contemporary settings, the author himself admits in an interesting Afterword that he is on something of an adventure of his own with this book. He has certainly created yet another original and appealing work, this one beautifully illustrated with line drawings by Gary Gianni – a hint of Michael Chabon’s fascination with comics?
This pairing of characters and setting is unusual, but it works. The audio version was a little difficult to follow because of the unusual vocabulary of the time period and geographic setting. However, actor Andre Braugher's narration was as good as I had hoped it would be, and it was worth the extra effort required for listening to this tale.
There is no difference in Chabon’s trademark unusual syntax, either; I had to re-read the first chapter in order to adjust to it. Once I had his adventurous syntax mapped out I was off on a fast-paced, nuanced, and entertaining tale, which I read in its entirety twice in a single week! Gentlemen of the Road relates just one of the many adventures shared by Amram, an axe-wielding Abyssinian, and Zelikman, a Frankish physician who treats as many wounds as he inflicts. As is wont to happen to gentlemen of the road, a chance encounter leaves in their charge Filaq, the sole survivor of a coup in Khazaria. The brash young heir wants to return home to seek vengeance, but Amram and Zelikman want only to deliver Filaq to an uncle’s keep and be on their way. Filaq’s obstinance, a Khazar death squad, and an invading Rus force intervene, altering their course and setting up multiple daring rescues and an armed confrontation with Buljan, the usurper who deprived Filaq of family, title, and more.
Finely illustrated by Gary Gianni and superbly written (including the most artistic, period-authentic anatomical description of my reading experience), Gentlemen of the Road is a can’t-miss adventure. It may not garner the accolades or the sales figures of Chabon’s previous two books, but it is more than mere artistic self-indulgence and certainly needs no apology.