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Fiction. Literature. HTML: Schoolteacher Barbara Covett has led a bitter, lonely life as a self-made careerist. Sheba Hart is the ethereal, inexperienced new pottery teacher at St. George's school. When Barbara hears of Sheba's problems in the classroom, her sympathy soon leads to friendship and confidence. But Barbara is unprepared for the secret she will learn: that Sheba has begun a passionate affair with an underage male student. Barbara's confusion, disapproval, and jealousy are helpless to prevent the coming disaster. When the story comes to light and Sheba falls prey to the inevitable media circus, Barbara decides to write an account in her friend's defense, an account that reveals not only Sheba's secrets but her own. What results is a complex psychological portrait framed as a wicked satire, a story of passion and repression, mercy and betrayal..… (more)
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What makes this novel a masterpiece is Zoe Heller's mastery of "show don't tell" writing. Barbara offers almost no exposition about herself, but just from her word choice we can guess exactly what kind of person she is. There's more exposition about Sheba, which makes her slightly less fascinating, but her dialog really resonated with me.
Unlike many books heavy on characterization, the plot of Notes on a Scandal never falters. Wondering what will happen to Sheba's ill-conceived relationship makes this book quite a page turner. The last line is chilling, one of the best I've ever read. Heller gives us just enough information to feel satisfied, but the ending is sufficiently open-ended to let readers continue the story in their imaginations.
Bottom line: Great characters, perfect ending, insightful (but not trite) message about love, friendship and self-delusion. Recommended to all.
Despite the scandal of the title relating to Sheba, her illicit relationship is almost a secondary concern, forming the centrepiece for the whole book yet never really feeling like its true heart. It's not glossed over exactly, but it's not as important as I'd expected. Instead, the novel is very much about Barbara. She is one of the most complex, unpleasant yet strangely sympathetic characters I have ever had the privilege to encounter. I think everyone knows someone like her. Her 'notes' on Sheba are almost sinister in their obsessive detail. Every conversation, every circumstance, is painstakingly transcribed, mulled over, analysed and ultimately reflected back onto herself in a sickening display of self-importance. She is the prying curtain-twitcher, the pompous grandmother, the unreasonable old lady that everybody loves to hate. Yet underneath all this, the reader gets a glimpse of a lonely and slightly bitter woman who is, at some level, very much aware of her own faults, even as she tries to deflect them away in blind denial. There is a self-pity and naïvety underlying everything she 'writes' that makes it hard to truly dislike her as a character, even as the reader instinctively shies away from her. She is what makes the novel so compelling yet so strangely painful to read.
I can't believe it's taken me so long to finally read this book. It's not as easy a read as it seems on the surface, with its compulsive attention to detail and thought-provoking themes, and it's definitely not a book that leaves you with a smile on your face and a sense of having really enjoyed it - yet it is absolutely superb in its execution and deserves every ounce of praise that has been flung its way. And on a personal note, reading it at last means I can finally watch the movie adaptation, which has been sitting in its cellophane for months! Highly recommended.
This was a surprisingly multi-layered book. Initially thinking that this is a novel about tabloid titillation concerning
Bathsheba Hart is a middle class 41 year old woman of beauty who starts work as a pottery teacher in a London comprehensive turning male heads as she does so but whilst her male colleagues merely admire from a distance 15 year old Steven Connolly,the son of a taxi driver living on a local council estate, who makes his move thus starting an affair between the two. However, the story of the affair is not revealed by one of the participants but by Barbara Collett,a sixty year old spinster and history teacher who befriends Sheba.Barbara's life is empty shared only with an ageing cat who begins to live her life through Sheba, revelling in the latter's rolls behind the pottery kiln and al fresco sex on Hampstead Heath with Steven marking so much so that when she decides to write down an account of the affair she marks every significant event with a gold star. Sheba is married to a controlling man 20 years her elder and has a frosty relationship with her own mother and 17 year old daughter, who when forced to make decisions for herself generally seems to make poor ones regressing to a love-sick teenager,mooning outside Steven's bedroom window,ringing him late at night and becoming ever more desperate as the affair begins to wane.When news of the affair becomes public and the daily press begin to report its more lurid details Barbara takes on the mantle of self-proclaimed guardian and spokesperson of the poor sinner who is shunned by her own family thus cementing her control over Sheba, a prospect that she seems to relish.
On the whole the novel's language is crisp and sparing and not without an element of pathos that it is not hard to note that Heller's background is in journalism.Generally I felt that all the characters were well written.
In the past I've read both Lolita and Death in Venice where I've felt sorry for the young victim but in this case I certainly fail to feel that Steven was in any way harmed by having an affair with an older,more experienced woman in fact part of me couldn't help thinking, lucky sod! This double standard is actually remarked upon within the book so is not perhaps that surprising really but it still feels odd to have a woman make the point.
Even though there is little redeemably likeable about snide, bitter Barbara or the object of her attention, there’s nothing off-putting about the story itself, which plays out like a train-wreck in slow motion, neatly written in Barbara’s convincing yet distancing voice; the reader might feel pity for her, or dislike her intensely, but we cannot help but agree with her astonishment at Sheba’s actions. After a while, her affront becomes our affront, as we are drawn into the minutiae of concern about every aspect of the affair.
A very readable, if bleakly gossipy book. I had to turn off the movie halfway through, because I could not stand to watch Dame Judi Dench very cannily portray Barbara – I like Judi Dench too much to associate her with the character, and she was doing an unsurprisingly fantastic job of it, it was undoubtedly brilliant casting – but disassociating her from the character made the story easier to read than to watch. It gets under your skin, this one, reminding us that humans are fragile and foolish and inclined to be unkind when we are thwarted.
This is probably entirely my own fault for seeing the film before reading the book. In the past I have always done it the other way round and the majority of the the time been hugely disappointed by the film.
I'm sure the same thing would have happened if I had read this first - it is a good book, don't get me wrong. I raced through it and didn't get bored once. I just don't feel justified in reviewing it as a book in itself. I would recommend it though to anyone for easy, light reading.
Despite her character flaws (or perhaps because of them) I found Barbara to be one of the most unique and compelling narrators I’ve ever read. She was unlike anyone else. Bitter and quick to find fault but wryly amusing in her merciless observations, she puts everyone except
Clearly, she had an enormous crush on Sheba. When Sheba formed another friendship first, Barbara wickedly tells us how unworthy that other friend is. As soon as she can, Barbara worms Sheba away from the inappropriate and unworthy friendship and corrals her for all her own. Of course none of this is done overtly – it is all oblique and Sheba senses none of it. She is too naive to see her own manipulation.
Because Barbara is so disconnected from humanity in general, she cannot understand what would compel Sheba to embark on such a forbidden love and she does not. Barbara guesses at motive but can’t give us any depth of feeling. She is truly clueless. All she can offer us are observations of Sheba’s behavior.
In the end, she betrays Sheba to a colleague who she thought had designs on her. In reality, the man only asked Barbara out on a date so that he could ferret information from her about Sheba. He has a crush on her too. Barbara kicks him to the curb for Sheba and then stabs her in the back. This way Sheba will be abandoned by all and truly need Barbara in her life. Normally Barbara is an afterthought. Someone to pay attention to when there is nothing else. This stops when Barbara betrays her. It was a shock to me and I read the line 3 times before moving on, but I really should have seen it coming.
Now in the end Barbara is mother to Sheba even after Sheba discovers her betrayal. They await her trial together, Sheba forever tied to Barbara.
As the book begins, the affair is already over, Sheba has already been found out, and she is facing a court trial for her crimes. Her husband has left her, and Sheba is currently residing in her brother's house with Barbara while Sheba's brother is out of the country. Barbara decides to record the details of the affair in a diary (the novel itself) in order to shed some light on the incident as well as to explain Sheba in some way. The book is as much a story about Barbara's loneliness and desperation and her friendship with Sheba as it is about the affair. As Sheba provides intimate details to Barbara, Barbara in turn provides intimate details about herself and less-than-introspective Sheba to the reader. Let's just say that neither woman is quite balanced.
Heller's writing is enjoyable and her characters are believable because they are so unsound and irrational; even the more compos mentis are still a little off. I love the premise of the story and the fact that it is told through Barbara in the first person. As person of questionable qualities that throughout the book mystified me, she was perfectly suited to relate the story of the unabashed Sheba. While the ending fell a little flat, it was fitting.
The character Barbara I felt was more interesting than Sheba, you could spend hours and hours wondering why Sheba had done what she did, however the character of Barbara was something else. I do feel the centre of the novel is Barbara and as I've said, she was brilliantly portrayed.
Had I not felt dissatisfied with the ending this may have received a 5, as Zoe Heller has created an intriguing woman in Barbara. The efforts she went to to forge a relationship after weeks of patient waiting were heartwrenching to read. The death of her beloved cat, whilst quite pathetic to some people, brought home how empty her actual life was.
I was left wanting to know more about Sheba's relationship with her husband - what had happened after he found out, what happened with the actual relationship etc. Sadly this wasn't the case. I do feel the centre of the novel is Barbara and as I've said, she was brilliantly portrayed.
A very well written piece of fiction, that in places I felt I was reading a true account!
Didn't hate it. I've just read some really fabulous books so far this year, and "Scandal" left me flat. There was something seriously lacking. A string of events and facts, but nothing to tie them all together or keep the reader glued.
The story is about two teachers at a private London school: