Let the Great World Spin: A Novel

by Colum McCann

Paperback, 2009

Call number

FIC MCC

Collection

Genres

Publication

Random House Trade Paperbacks (2009), 375 pages

Description

New York City in the 1970s. A radical young Irish monk struggles with his own demons as he lives among the prostitutes in the middle of the burning Bronx. A group of mothers gather in a Park Avenue apartment to mourn their sons who died in Vietnam, only to discover just how much divides them even in grief. A young artist finds herself at the scene of a hit-and-run that sends her own life careening sideways. A 38-year-old grandmother turns tricks alongside her teenage daughter, determined not only to take care of her family but to prove her own worth. The city's people are unexpectedly drawn together by hope, beauty, and the "artistic crime of the century"--a mysterious tightrope walker dancing between the Twin Towers.--From publisher description.… (more)

Media reviews

This is an exceptional performance by a writer whose originality and profound humanity is evident throughout this highly original and wondrous novel.
4 more
The lousy feeling that you’ve been duped into buying a bogus product increases as you read Let the Great World Spin, and like all chintzy things manufactured for tourists, the book can’t withstand the slightest amount of tensile pressure. Apply a little scrutiny to the artistic decisions being made, and worse and worse details appear, from the awful prose, which ceaselessly pitches and yaws between staccato bursts of words and breathless run-on sentences, to the gaudy, exhibitionist displays of grief. But tackiest of all is the way that McCann deals with his African-American characters, who come off as nothing more than anthropological specimens.
It is a mark of the novel’s soaring and largely fulfilled ambition that McCann just keeps rolling out new people, deftly linking each to the next, as his story moves toward its surprising and deeply affecting conclusion.
...
Here and elsewhere, “Let the Great World Spin” can feel like a precursor to another novel of colliding cultures: “The Bonfire of the Vanities,” Tom Wolfe’s classic portrait of New York in the 1980s. But McCann’s effort is less disciplined, more earnest, looser, rougher, more flawed but also more soulful — in other words, more like the city itself.
Gritty yet hopeful... in terms of sheer lyricism, McCann pulls out all the stops. My review copy was an absolute mess of Post-its and marked passages by the time I was halfway through.
A book so humane in its understanding of original sin that it winds up bestowing what might be called original absolution... a pre-9/11 novel that delivers the sense that so many of the 9/11 novels have missed.

User reviews

LibraryThing member brenzi
Colum McCann’s 2009 National Book Award winning novel, Let the Great World Spin, interweaves the lives of a dozen different characters, all brought together in New York City on August 7, 1974, the day that Philip Petit walked a tightrope between the Twin Towers. McCann’s breathtaking and wonderful ability to thread these lives together in a seamless fashion had me turning pages furiously into the night.

Woven deftly into the story the themes of love, loneliness, grief, courage and, above all others, hope work together to paint a picture of magnificent complexity . With the tight rope walking as a backdrop, the reader experiences the different faces of NYC life in the 70’s. It is McCann’s uncanny ability to continually develop a character and connect them to the next character, again and again, that makes this novel so wonderful. Add to that the fact that McCann so effectively puts himself into the shoes of a hooker and a grieving mother, an Irish bartender and a struggling artist, changing voices as he goes, making you believe in and care for each character, and you know you’re in the hands of a master.

The relevant issues of the time set the scene again and again in the bankrupt city of New York: the seedy streets of the Bronx, drug addicts, pimps and prostitutes, neglected children, the Viet Nam War and the effects on those left to pick up the pieces and put their lives back together, remnants of hippies, and the struggle to care for all the less fortunate by those in the religious life, and grief. Teeming is the descriptor that comes to mind. The city is so alive that you can almost feel your blood pumping. When Judge Soderberg surveys his courtrooms, the author gives us this:

“There wasn’t a bad thing in the city that didn’t pass through Soderberg’s gutter watch. It was like surveying the evolution of slime. You stand there long enough and the gutter gets slick, no matter how hard you battle against it.”

And then there’s McCann’s ability to showcase contrasts: three grieving mothers, one a black prostitute, one an affluent Park Avenue resident the other a black college graduate with a sorrowful past. The way in which he contrasts and connects these three women is remarkable. Above all this is a book about connections.

In the author comments at the end of the book, the connection to 9/11 is brought up but, I have to say, I never felt that connection while I was reading the book and McCann does say that it was his own emotional connection to 9/11 that made him think in that way and that many people may just see it as a book about New York in 1974. But the more I think about the book (and it does generate a lot of thinking) I think the connection has to do with the hope that McCann puts forth in the narrative. It’s a book that deserves much discussion (would be a great RL book group choice) and an absolute winner as an NBA choice. Very highly recommended.
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LibraryThing member richardderus
Reviews, in my opinion, aren't the right place for book reports, nor for nosegays of fanboy gush. I'm supposed to let the reader know why he or she should, could, or would want to read a title.

You should, could, AND would want to read this National Book Award-winning novel of grief, sadness, and loss because it's so damned easy to love and cherish these characters. The Catholic monk whose vocation is to bring a whisper of compassion, in its ancient and literal meaning of "shared pain", to the least and the last of people, the whores, drunks, druggies that we (most of us, anyway) do our damnedest to ignore; the wealthy mother of a Vietnam war casualty, one of the Army's computer guys, a geek whose interest in computers led him to help develop ARPANET, whose grandchild you and I are using right now; the tightrope-walking oddball whose main claim to an entry in the Akashic Records is walking between the World Trade Center's towers.

I love them all, and more besides...Tillie, the whoring mother and grandmother, whose entire world-view centers on making it all just a little, weentsy bit better than it has to be, Gloria whose losses mount and mount and still mount but whose sense of life is that it's here, so's she, so what's a girl to do but laugh? And Jaslyn. Oh, so much hinges on Jaslyn, Claire's niece of the heart. So much comes to its final, painful, joyous fruition with her arrival...and truly, ladies and gentlemen, at last here the great world spins.

Really, nothing I say can impact your personal decision to read the book or not. I can, and do, recommend it. Millions of the maniacs on a mission who have already read it are doing just that. I can only encourage you to support a writer who can create a character who says of her dead daughter's attempted savior:

"They told me {he} smashed all the bones in his chest when he hit the steering wheel. Well at least in Heaven his...chick'll be able to reach in and grab his heart."
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LibraryThing member lauralkeet
On August 7, 1974, French high wire artist Philippe Petit performed his most famous feat: walking a wire spanning the twin towers of the World Trade Center in New York City. This event, which captivated the entire city, provides a foothold for Let the Great World Spin, running over, under, and around all of the characters in this book but seldom directly touching any of them.

The large cast of characters include Corrigan, a young Irish monk working in the Bronx slums, caring for prostitutes, addicts, and senior citizens. His brother, newly arrived from Ireland, strives both to understand Corrigan's vocation and convince him to return home. Two of the prostitutes, Tillie and Jazzlyn, are mother and daughter. Then there's Claire, a well-off woman living on Park Avenue, who would seem to have little connection to the others. But Claire has recently joined a group of women who have all lost sons in Vietnam, and she befriended Gloria, who is well acquainted with Corrigan's world. And the connections don't stop there.

As Colum McCann tells Corrigan's story, he begins weaving an intricate fabric with strands that are revealed, little by little, through the rest of the book. While the high wire walk serves as an underlying theme, other events touch the characters' lives more directly. From the stuff of everyday living to devastating tragedy, McCann shows the reader these events from multiple perspectives, and ties them all together in a complex and emotional way.

It's difficult to say more about this book without spoilers. I loved the writing, felt sympathetic to most of the characters, and was moved without feeling manipulated.
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LibraryThing member cameling
At first I thought this was a book of short stories set in New York, but then realized that the stories were very cleverly and subtly intertwined.

A man decides to walk a tightrope that he's managed, in the stealth of the night, to put up between the World Trade Center in New York. As he stands on the edge of the building, crowds gather below, wondering if he's a jumper. Who is he? What will happen to him when he gets to the other side? Will he get to the other side or will he fall? Why does he walk the tightrope?

A woman on her way to tea, catching a glimpse of him from below suddenly thinks he is her son who died in the war. What will she share with the other women she's going to meet, all mothers who have lost sons in Vietnam?

How does one serve God and yet serve himself at the same time? Does religion have anything at all to do with one's strong conviction and need to save others from themselves, or at least provide an open door where they may rest, away from pimps and police?

How does one forgive oneself for an act of cowardice conducted at the spur of the moment? What does one do to atone?

Resilience - we all have it in us, but not all of us can call upon it when we need it. Colum McCann is a genius and shows us the depth of human frailty and the beauty of inner human strength.
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LibraryThing member LukeS
Colum McCann has accomplished a rare feat: he's a foreigner, but he's brought out a more sophisticated, forceful, and American novel about that most fascinating and aggravating of American cities, New York, than almost any American author could. "Let the Great World Spin" sheds its knowing and compassionate light on the lives of a handful of New Yorkers - two women distraught over the loss of sons in Vietnam, the judge husband of one of these women, a drug-addled avant garde artist struggling with heavy guilt, a clique of prostitutes in the South Bronx and the naif who strives to minister to them, the Central American woman who falls for this would-be priest.

The daily struggles with grief, poverty, and hopelessness swirl - spin - around the focal point of an amazing, only-in-New York stunt that was perpetrated on a sultry summer day in 1974: a tightrope walk between the tops of the two World Trade Center towers. In fact, this unnamed daredevil's portrait is one of the most captivating and entertaining parts of the book. It is one of the continuing strands Mr. McCann so skilfully weaves together; they spin and swirl in an ever-tightening whirlpool centered around the nexus of the tightrope stunt. The stunt does not function as a deus ex machina device, although it can seem that way. As in "Five Skies" by Ron Coleman, this one high aspiration, this out-of-this-world concept, carries a symbolic weight. People strive to rise above in this story, and the tightrope walker carries not only their hopes and dreams aloft, but those of millions of other New Yorkers, too.

Mr. McCann's prose works wonders with the internal dialogs here; it contains just the right level of language, slang, insult, street patois, and curse to be expected from each of these characters. His concept is ingenious and his somewhat unorthodox way of twirling the yarns together into a cohesive whole achieves its object brilliantly. This book takes and breaks our hearts, heals them partway back up, and then gives us hope for these characters and for their fellow hopefuls here on the ground. This is the best book I have read this year. I honor Mr. McCann's achievement, and encourage in the highest possible terms, other LT'ers to take it up! Oh, you will be pleased and enriched!
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LibraryThing member lyzadanger
There are so few flaws in Colum McCann's National Book Award-winning novel about humanity and grief that it's difficult to find a toehold for comment. McCann's agitated, love-hungry characters weave an emotional fabric so dense that it proves tricky to unravel and examine.

It's tempting to try to find literal ties to events in this book Esquire bills as the 'first great novel about 9/11.' Set in New York city in August of 1974, Let the Great World Spin loosely revolves around George Petit's guerrilla tightrope walk, strung between the barely-completed Twin Towers of the World Trade Center. The novel's characters stare up at Petit's performance awestruck, his bravery (or hubris) impacting their own personal sagas.

It doesn't quite start this way. Instead, gray and sleepy: We follow sort-of protagonist Ciaran and his mysterious, devout brother Corrigan through their hard-knocks but charming childhood in Dublin. It's not until Corrigan makes a self-sacrificial plunge into grimmest urban purgatory—he absconds to The Bronx, performing ministrations and rest stop services for the local hookers—that we as readers also get initiated into the squalor, violence and pathos of 1970s New York City.

McCann's characters are phenomenal. Even Christlike Corrigan is waylaid by physical love. Ciaran, steady and dutiful, is overwhelmed with unwanted racial prejudice at times. The central characters are all broken in just the right amount, just enough that we believe in them, not enough that we question their motivations.

Characters further from the center attenuate and begin to accrete bits of archetypes: arch-selfish untalented artist cokehead Blaine; smacked-out, vacant, neon-swimsuit-strap-snapping whore Jazzlyn; buzzed, brilliant, driven socially-retarded hackers. But that's just fine. What McCann is doing here is building a human backdrop pattern. It's our stars—Corrigan, Ciana, grieving Claire and Gloria, judge Solomon, passionate Adelita—who are embroidered in elegant detail on top.

Petit, the tightrope walker himself, is developed here as more of a concept than any outwardly recognizable person. We join him on his obsessive training sessions, we hear him console and push himself, we see him prepare. But McCann gives us the feeling that he could be anyone, that he represents the focused dreams of humanity towards freedom and love.

The story's characters rattle around and carom off of distraction and chance. Frantic self-doubt and the search for meaning taints and elevates them. It is not hard to find reason for this book to win awards: it's a monumental success of a work.
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LibraryThing member ablachly
This book was fantastic. Beautiful. Set in 1974 New York, McCann weaves together seemingly unconnected characters and their stories—from prostitutes in the Bronx to a mother on Park Avenue.
LibraryThing member catalogthis
The prologue deserves five stars, for delicious little sentences like these: "Revolving doors pushed quarters of conversation out into the street."Unfortunately, the rest of the book didn't knock my socks off. This is one of those patchwork-quilty "isn't it a small world after all?" novels where disparate characters happen to have something in common. Like a book of short stories held together with velcro. It's well done, but reads (in parts) like the product of a creative writing homework assignment.Some of the characters are beautifully drawn, though. My favorites were the grieving Park Avenue mother, and the subway graffiti photographer.… (more)
LibraryThing member TheBookJunky
A superb writer. Have read at least a couple of his others, but this is the best so far. 10 stars. This is the best book I have read in years. Brilliant. I want to go back and immediately re-read it. The pure celebration of us all. Our stories. There are so many individual stories in the world. Meaningless and full of meaning, all at once. Now to go back and re read it, to savour it more slowly, to study the craftsmanship, the carved swirls, the sleek lines, the artistry at the back as well as the front.… (more)
LibraryThing member Dalan
Only just a novel by the skin of its teeth, this collection of loosely related short stories failed to convince... Character roll-call ticking the right boxes as neatly as that Glee thing on telly, and the writing not as good as the Glee single's singing
LibraryThing member BillPilgrim
Remarkable book. One of the best that I have read all year, maybe the best. It should be on many end of year “Best of” lists.
The story centers around the feat accomplished by Philippe Petit in August 1974, of stringing a tightrope between the two towers at the World Trade Center, and performing an act on it for a portion of the morning to the delight of the crowd below. It is an event that lifts the City's spirits and thrills the people who witnessed it with the scale and sheer beauty of the spectacle. Without stating it, the event certainly brings to mind the much different reaction of the crowd staring up at the towers on September 11, 2001. (What a coincidence that I finished reading the book on 9/11/09.
On that same day, several New Yorkers have their worlds suddenly transformed. For some, it is a tragic end. For others, the day starts them on a new beginning. The lives of three groups of the City's residents intersect on that day, and their lives are changed.
One group consists of several prostitutes who stroll a street by the Major Deegan parkway in the Hunts Point section of the Bronx and an Irish immigrant monk, Corrigan, who has sort of adopted them. It is a barren, dangerous neighborhood. He brings them coffee on the street and leaves unlocked his nearby, sparsely furnished apartment in the projects, so they can come in and use the bathroom when needed. For his efforts, he gets pummeled by their pimps. When he is not looking after the girls, he works at a nursing home, taking a few of the wheelchair-bound residents to the park for a few hours in his old van. There, he meets and falls for a nurse, which challenges his vow of celibacy. His brother has just moved to New York, and he is staying with Corrigan. The brother is critical of how his brother is living and tries to change things, at first.
The other major group in the book are five women who have formed a support group. They have all lost sons in Vietnam. They come from diverse backgrounds. One lives in the same projects as Corrigan, and another lives in a penthouse apartment on Park Avenue in the Upper East Side of Manhattan, whose husband is a New York City criminal court judge.
The book also focuses on a young couple, both artists, who have left the City for upstate New York, but who happen to be in Manhattan on the day of Petit's performance. Also, the book spends some time with Petit, as he is preparing for the day.
The stories of these people are beautifully written. It is both heartbreaking and uplifting. I hope that this book gets the acclaim that it deserves.
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LibraryThing member Bridget770
I did not want this book to end. Not only will I read this book again, I will be talking about it and recommending it for a long time.

It's a beautifully written story of various people whose lives are interconnected by a tight-rope walker who walked between the World Trade Center buildings in 1974. The characters include a hooker, judge, a mother who lost her son in Vietnam, the judge's wife, a religious man and others.

While the event is extraordinary, especially to think about now, the lives are exquisitely common. The uniquely flawed and frail characters grasp the reader.
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LibraryThing member enyaj2002
Collum McCann's “Let the Great World Spin” tells the stories of the loosely-interwoven lives of several residents of NYC in the early seventies. Philippe Petit's tightrope walk between the Twin Towers is the central event around which the stories evolve. As you progress in the novel, the tightrope walker's stunt becomes a touchstone, allowing you to anchor what each character was doing at that one point in time, and how it impacted them, if at all. I loved that device because it helped me to keep all the characters and their relationships straight by thinking of them in relation to that event.

The novel is a wonder. It is so profoundly beautiful and sad and uplifting. McCann masterfully creates the scenes with his precise and evocative prose. He deeply explores the main characters, with all their assets and flaws, making them very true-to-life. I found the interweaving of their lives so satisfying and compelling. He kept the rhythm of that weaving going throughout the book, and it was just a pleasure to read. It really got to the randomness of lives, and the chance involved in beginning or ending of relationships and how those in turn lead to other connections or splits. This is one of those books that makes you sad when you finish it because you just want to keep going, keep following the characters and stay with them. I highly recommend it!
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LibraryThing member ffortsa
The grit of New York in 1974 permeates this novel, composed of the stories of interlocking characters in all corners of the city. McCann gets the city almost perfectly right, and his characters are varied, often compelling, intersecting in sometimes unexpected ways. The device of the graceful, perfectly centered wire walker contrasts with the lumpy, often off-center lives of the people struggling to make their way in this time and place - some succeed, some achieve escape velocity of their own, others do not.

I enjoyed the book, but was unsurprised that it raised controversies in my book club. The ending, set in 2006, feels artificial, and makes the book as a whole feel less serious than it might have been. In addition, the book shows a woeful lack of copyediting. My printing, one round later than some of the others the group read, had some errors corrected (it's Entergy, not Con Ed, that supplies power to New Orleans) and some not corrected - Mr. McCann needs a hand-calculator to correctly estimate the age of one of his central characters. In some editions, the bus fare in 1974 was listed as ten cents (I was there, and it wasn't). And please, won't anyone admit the difference between gantlet and gauntlet anymore?
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LibraryThing member SteveRambach
A brilliant well written book. It was well weaved series of stories about people who would have nothing in common with one another intersect sometimes directly and sometimes softly. It was like the movie CRASH. Let the Great World Spin was an allegory to the journey the tightrope walker ventured between the World Trade Center towers. The walk mirrored the people the people who lived two feet on the ground.

" It was so much like having sex with the wind. It complicated things and blew away and softly separated and slid back around him. The wire was about pain too: it would always be there, jutting into his feet, the weight of the bar, the dryness at his throat, the throb of his arms, but the joy was losing the pain that it no longer mattered. So to was his breathing. He wanted his breath to enter the wire so that he was nothing. The sense of losing himself. Every nerve. Every circle. It was the point where there was no time. The wind was blowing and his body could have experienced it years in advance."

I also liked the sentence. "The thing about love is that we come alive in bodies not our own."

I could not put LET THE GREAT WORLD SPIN down.
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LibraryThing member tibobi
The Short of It:

Let the Great World Spin is a spectacle of sorts…a visual romp through 1970′s New York where the lives of many come together in unusual ways.

The Rest of It:

Let the Great World Spin is a collection of stories. Did you know that? I did not. However, the stories are told from several different points of view, and although each character has a very distinct voice, the stories eventually collide with one another leaving the reader standing there, wondering who or what comes next.

Something terrible happens, and as the chain of events unfold, we view the same event from different perspectives. It’s as if the world is spinning in slow motion, and we are forced to look at the bits and pieces that are not normally noticed when time moves at a more normal pace.

"There is something that happens to the mind in moments of terror. Perhaps we figure it’s the last we’ll ever have and we record it for the rest of our long journey. We take perfect snapshots, an album to despair over. We trim the edges and place them in plastic. We tuck the scrapbook away to take out in our ruined times."

Many of these characters are flawed. They are striving for something, and often find themselves on the outside looking in. As they observe the world around them, life as we know it, continues on. As I read this book, I was mesmerized by the author’s ability to take me in and out of a character’s head. One story is told from a prostitute’s point of view, and as I was reading her story, I felt what she was feeling, the frustration, the loss, the helplessness. It was a lonely place to be.

I know I haven’t said much about the plot, but as you can imagine, when something terrible happens, there is a downward spiral that takes place. As things come crashing to a halt, there is no place to go but up. This book is like that. We take the plunge into despair, visit with these characters awhile, and then we’re given a small glimpse of what lies ahead. To me, the the plot didn’t really matter. I was so absorbed the the internal conflict within each character that plot was secondary to me.

I love this book. I appreciate this book. I am in awe of this book.

It has a quiet, understated quality to it that I wasn’t expecting. The characters are complex and conflicted and even though some of them may not be the type of people I’d be friendly with, I could relate to many of them. This is the type of book that you can re-read, and see (and feel) something different each time you pick it up.

I know for some readers, the varying perspective was a source of confusion at times, but once I figured out where the author was going, I had no problem with the different viewpoints.

Let the Great World Spin will be on my list of faves for 2010 and was a National Book Award winner for 2009.
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LibraryThing member tututhefirst
This story theoretically is pinned to Phillipe Petit's famous tightrope walk across a wire stretched between the Twin World Trade Center Towers in April 1974.  But it really highlights the lives of a variety of people living down below. We see the Judge who will eventually have to arraign Petit after he is arrested at the completion of his walk. We watch his wife and her grief group as they meet together to try to cope with the loss of their sons in Vietnam. We see the lives of prostitutes and their pimps, spray painters in the subways, a priest working with the prostitutes, as well as his brother who has just arrived from Ireland, artists high on drugs and low on money, and single parents working to support their children. We see blacks, whites, Christians, wealthy, poor, educated, illiterate, atheists, jews, and hispanics, all inter-related in a city of millions. The brilliant writing eventually ties all of these lives together through thought-provoking acts of redemption and humanity.
This book is lusciously obese with language. The imagery, the emotions, the seemingly disconnected fragments that mesh so seamlessly are brilliantly sewn together with words so simple and exquisite that the reader is often compelled to sit back and take a deep breath.

The Vietnam experience and the emotional impact it created, was another major player in the story. The survivors, the protesters, the draft dodgers, are all present, and the national psyche's open wound is apparent as life spins along in this colossal city. My one regret is that I do not know the city of New York better. I did not have the experience I know others had who are well acquainted with the various geographic locations depicted in the story. In the end, the vast panoply of personalities is the true story. Life goes on down on city streets, and in the subways, even with tight-rope walkers up above. In fact, the wire walker is in the end a rather minor character. I guess that really says it best -- when a man walking a rope stretched between the Twin Towers is only a minor story, you know the rest of it is really special.
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LibraryThing member denton
Mccann is quickly becoming one of my favorite writers.

This is an elaborate but beautifully written novel built around Phillippe Petit's walk between the World Trade Center towers. It's a real New York book and if you ever want to get the feeling for the 'bad old days' of NYC in the 1970s, you could start here (of course there's not a lot of the good part of NYC in the 1970s either, but that's not the point, is it).

Touching portrayals of hookers, pimps, and various other assorted characters as they bump into each other in a 'six degrees' fashion.
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LibraryThing member lriley
To start off--I am not one of those who was lucky enough to get an early reviewer's copy of this book.

One of the great themes in literature is the inter-connectedness of people to other people but how oblivious at the same time their creator's fictional characters tend to be to that concept. 'Let the great world spin' revolves very much around the coincidental. Here the fictional walks side by side as an actualized believable reality. We all live lives central to ourselves but that centrality has a way of leaking out and affecting other people and yet more often than not we are blind to it. At least that seems a notion that McCann (very successfully IMO) attempts to get at.

If there is a central day and event that holds McCann's book together--it is taken from a real event of August 7, 1974 when Frenchman Philippe Petit walks a tightrope early in the morning to hundreds of surprised onlookers between the North and South towers of New York City's World Trade Center. That event glances off into the lives of all the other characters in the book--many of them living or about to live through their own personal tragedies--the do gooder Irish monk Corrigan living in a slum in the Bronx sharing his time with black prostitutes--particularly Tillie and her daughter Jazzlyn and her two daughters. Gloria who lives two floors above and has lost all 3 of her sons to the Viet Nam War meeting up with other mothers of dead sons in the penthouse of Claire (the wife of a district judge) on Park Ave. McCann as in his title spins his stories off his characters and they rebound again off others in fascinating ways.

Let the Great World Spin is also about epiphanic moments in people's lives. Certainly Petit's on his tightrope--realizing his dream--but there are also understated moments of awe and insight by just about every one of the characters. For a writer to get the essence of these moments of insight across he has to get to the essential of what he is trying to convey and McCann seems to do this almost effortlessly and the greatest part of the reason seems to emanate from the basic idea of shared humanity that is the heart and soul of his book.

And as well this is a New York City novel--one in which the Towers play a large role--but that only in the most oblique way references the tragedy of September 11, 2001. The people looking up at Petit are much the same as the people who on that fateful September day will once again look up at the very same towers. They are also the same people who will go back to their lives and struggles afterwards much the same as McCann's characters here.

Concluding if there was one book I'd compare it to--it reminds me quite a lot of Ondaatje's 'In the skin of a lion' for one which is my favorite Ondaatje. It has the same kind of tone and texture--doing in a way for NYC what Ondaatje does for the city of Toronto. Anyway Let the Great World Spin is a great read and is highly recommended.
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LibraryThing member mzungu
Enjoyable read. Human side of NY. Wild coincidinces, but he makes them work.
LibraryThing member kepitcher
Colum McCann's latest novel is a tour de force, a breathtaking sweep of people's lives at one moment in time. On August 7, 1974, a young man walked a tightrope between the new Twin Towers in New York, inspiring and awing those below. McCann's novel takes this event and surrounds it with the men and women of the city and that time, immersing us in their lives, language and heartbreak. Each story is connected, all tied together by that one day in August, but each person's story is uniquely crafted by McCann, whose writing is lyrical, poetic and attuned to the language of the character, time and place. The story of Tillie, a Bronx hooker, and Claire Soderberg, Park Avenue housewife, are told in their own voice and tone, believable, complex and beautiful. All the characters, flawed and imperfect, have a voice, tied together by the last story of a young woman searching for an identity lost that day in 1974. This novel is highly recommended, those already familiar with McCann's work will not be surprised by his new finely crafted novel.… (more)
LibraryThing member PriscillaW
I received an ARC through LT early this summer, but I just got around to picking this up. This isn't a book full of big ideas, but instead a book full of small truths. It tells a set of linked stories about disparate characters and how their lives intersect.
The book opens with a man walking across a tightrope between the World Trade Center towers in August 1974. The stories that follow are loosely linked by this event, and the characters are linked themselves by the events of that day and all their repercussions. The writing is wonderful, and every character offers an original, thoughtful perspective on the events surrounding the day. McCann writes with great emotional truth. Highly recommended.… (more)
LibraryThing member pensivepoet
I spent a lot of time with this book .One quick read through. And then one long pawing and pondering over. Poking it here and there.

Picking up the snapshots that constitute the novel to examine. Then putting them back down spread across the floor to assess relationships and appreciate wholistically.

"Thick" was the only word that came to mind. Thick. Followed by dense.
Followed by adjectives that typically describe clouds and vegetation in the wild.

But, rather than vegetation this novel is a "thick" packet of snapshots taken by an "artsy" photographer. A thick stack of vintage nyc photographs in stunning detail retouched in photoshop with the contrast jacked all the way up. The novel is in modern day colloquialism of twentysomethings "good stuff". Extremely well done excellent rending of grit stopping just beneath hard boiled. Worth it, if beauty in the ugly is your thing.

That said, if you are looking for deep engrossing convoluted plot line I am not so sure you will find it here. Instead, the characters are engrossing even if linked together somewhat simplistically by tying all their lives into the image of the tight rope walker.

I felt like it was a modern day "fiddler on the roof trying to scratch out a tune", only
with nyc substituted for a homely village and prostitutes instead of virtuous daughters. But the strength in the detail of the characters otherwise carries out a symphony worthy of any and every audience member who might listen.

In listening, I was shocked at the how seamlessly I could step into and identify with any character written. Even if their voice was saying something I would find repulsive in another setting or presentation. It's my feeling that such an identification can only happen within reading the work of a literary genius.The variety of writer who makes any world and moment inhabitable. So:

Pros: Dense. Thick. Borderline Gritty Images.
Cons: Predictable in Path
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LibraryThing member TerriBooks
New York City in 1974 and the stories of a handful of people who were somehow connected - however distantly. The unifying theme is the tightrope walk between the towers of the World Trade Center. The pulse of New York city life is the heartbeat. There were parts of this book I found absorbing and other parts that were a chore to wade through. The style of writing dialogues distracted me as I sometimes lost track of who the speakers were. Overall, I enjoyed the book and appreciated the glimpses into the different lives, but would have liked to have spent more time with some of them.… (more)
LibraryThing member Cariola
Let the Great World Spin is one of those "must read" books that everyone raves about but that I somehow resisted reading until now. What finally pushed me to read it was how much I admired McCann's most recent novel, Transatlantic. While I ended up being mildly disappointed, maybe that's good news: if indeed Transatlantic is so much the better of the two, that must mean that McCann's writing is getting better, and I can look forward to his next endeavor.

I'm a great fan of novels told from multiple points of view and in multiple voices, but a number of things in this novel smacked too hard of artifice, in my opinion. For one thing, there were just too many coincidences. I get it: New York may be a big city, but in the end, we're living in a small world. Well . . . really, it's not THAT small. The judge who sentences the prostitute is married to the woman who is in a group for grieving mothers whose sons were killed in Vietnam where she meets an African-American woman who is the neighbor who takes in the granddaughters of the prostitute because the prostitute's daughter was killed in an automobile accident, and the driver, who was also killed, was the monk who devoted his life to watching out for prostitutes, and his brother figures out that the woman who comes to the girl's funeral was in the car that caused the hit-and-run, but they fall in love and get married . . . um, no, sorry, the world is rarely that small and our lives are rarely that contrived. I would have enjoyed the novel more had McCann not felt compelled to devise such links between each character's story. It really wasn't necessary, since he already relied on the frame of Petit's tightrope walk between the World Trade Center Towers, which at least half of the characters have seen or heard about. I hope that McCann structures his next novel on something other than unexpected coincidences--something that he used in Transatlantic as well, but with a much subtler hand.

My feelings about the characters themselves are mixed. Too many of them--especially the minority characters--fall into stereotypes, and to some extent, the book is just too big and too ambitious to allow us to get a real sense of any of them. Some, like the California hackers, seemed totally pointless (not to mention irritating).

By now, you may be wondering if I liked anything about this book and why I gave it 3.5 stars. Well, there are those moments when the writing itself absolutely soars, and these moments make it all worthwhile. McCann has a touch of the poet in him, and when he doesn't let it get away from him and flounder into the melodramatic, his writing can be wonderful. And in retrospect, it's interesting to see how much he has progressed in using similar techniques in Transatlantic.

So . . . 3.5 stars. If you haven't read Transatlantic yet, you really should. Skip Let the Great World Spin and then wait for McCann's next novel.
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Pages

375

ISBN

0812973992 / 9780812973990
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