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College Sunrise is a vaguely disreputable finishing school in Lausanne, Switzerland. Rowland Mahler and his wife, Nina, run the school as a way to support themselves while he works, somewhat falteringly, on his novel. Into his creative writing class comes seventeen-year-old Chris Wiley, a literary prodigy whose historical novel-in-progress on Mary Queen of Scots and the murder of her husband Lord Darnley has already excited the interest of publishers. The inevitable results are keen envy and a game of cat and mouse not free of sexual jealousy and attraction. Nobody writing has a keener instinct than Muriel Spark for hypocrisy, self-delusion, and moral ambiguity, or a more deliciously satirical eye. The Finishing School is certain to be another Spark landmark.… (more)
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Nina and Rowland run a small, unconventional school in Switzerland where rich parents can park their teenagers for a year or so. Rowland is also a writer, trying to complete his first novel, but he's unsettled by a growing obsession with one of his students, the 17-year-old Chris, who is writing an historical novel about Mary Queen of Scots and apparently making much better progress than Rowland. Chris's extreme youth and his red hair are already starting to arouse the interest of publishers, to Rowland's fury.
Spark in her eighties and with more than twenty novels behind her is having fun playing around with ideas about the difficulty of putting pen to paper, but there's also a lot of play with language that goes with the other end of the career - "finishing", "polishing off" and so on. And there are echoes of the writing-and-mental-health theme from The Comforters, and obviously allusions to the form and subject-matter of The prime of Miss Jean Brodie, right down to the final pages where she does a round-up of what has happened to all the students since. Plenty of dark themes lurking in the distance, but the mood is full of upbeat optimism. These young people might be lacking in all kinds of taste and values, but they more than make up for it by being so young and ready to enjoy life.
Sometimes novels written in extreme old age are a bit of an embarrassment, but this is one that makes you wish Spark had had time for a few more.
In fact it is more about jealousy and obsession as opposed to teenage homosexuality. It is the jealousy and obsession which is the heart of the story which you know as you read is going to end up very badly. But how? Read it and find out.
It all takes place in a small finishing school in Switzerland.
One of the 'testimonials' on the inside cover suggests that this is a more humourous, more human version of 'The Prime of Miss Jean Brodie', but it most certainly is not. 'Brodie' was a masterpiece; this is the work of an aging writer keen to see one more volume printed.
Is 'The Finishing School' worth reading? Only if you're a die-hard Muriel Spark fan, or a completist wanting to read her entire canon. I'm both, I suppose. The story, about the jealousy and rivalry between a young amateur writer and a creative writing lecturer struggling to finish his own novel, has been done before, many, many times. The story doesn't work very well, and the characters are never as convincing as they usually are in a Spark novel.
Fortunately I managed to get through this work in a fistful of hours, but I was always thinking about those other Spark novels that I've come to love so much. She's a talented writer, but sadly her prime has passed.
This novella is short and certainly not sweet; it is mostly tartly funny. It's a slight piece of work; the characters other than Rowland and Chris are thinly sketched, but the good writing and the narrator's biting authorial asides make for very good entertainment. I've never read Muriel Spark, and I'll certainly read her again.
I picked this up at the library earlier this
Chris is a red-haired student and, possibly, a genius. Or at least he is a writer who actually writes, unlike Rowland, who has been blocked on his novel for several years. Almost inevitably, Rowland develops an unhealthy envy of Chris’ productivity. And Chris develops an unhealthy need for Rowland’s envy. Nina just wants to find an intelligent, scholarly man she can devote herself to (Rowland having failed her in that regard). And the other students and staff have equally complicated hopes and histories all of which weave a tapestry worthy of a Lausanne wall. Situations ensue.
Well into her 80s, Muriel Spark’s last novel is just as sparkling and outlandish as those of her youth. Her characters are intriguing, her situations almost absurd, and the whole concoction a frothy delight.
Easily and gently recommended.