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"'I'm in trouble, Paris.' Paris Minton has heard these words before. They mean only one thing: that his neck is on the line too. So when they are uttered by his low-life cousin Ulysses S. Grant, Paris keeps the door firmly closed. With family like Ulysses - "Useless" to everyone except his mother - who needs enemies? But trouble always finds an open window, and when Useless's mother, Three Hearts, shows up from Louisiana to look for her son, Paris has no choice but to track down his wayward cousin. Finding a con artist like Useless is easier said than done. But with the aid of his ear-to-the-ground friend Fearless Jones, Paris gets a hint that Useless may have expanded his range of enterprise to include blackmail. Now he has disappeared, and Paris's mission is to discover whether he is hiding from his vengeful victims - or already dead. Traversing the complicated landscape of 1950s Los Angeles, where a wrong look can get a black man killed, Paris and Fearless find desperate women, secret lives, and more than one dead body along the way."--Jacket.… (more)
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Sound familiar? It is the basic recipe for Moseley’s Easy Rawlins series. Unfortunately, while the Rawlins series was snappy and fresh, Fear of the Dark is a stale rehash. It never really takes off, it didn’t keep my attention, and Minton’s digressions about the books he’s reading (all MAJOR literary classics) come off as barely-relevant intellectual showmanship.
That said, this is far from his strongest work overall and a bit of a comedown after his two previous excellent books in the Fearless Jones series. The main problem for me was that the the book -- unlike most of Mosley' detective fiction -- took a while to really get ontrack. But on p. 36, when Paris Minton finds himself in the chilling situation that gives the book its title. One of the creepiest scenes in detective fiction I think.
My other reservation is about the new character the book also introduces -- the African-American private detective Whisper Natly. This is the first African-American character in Mosley's detective oeuvre who is officially a detective. There is clearly a potential for Natley to become a regular in the Fearless Jones series, or perhaps Mosley is contemplating building a new series around him. A fuller characterization will probably make Natly as intriguing as Mosley's other characters, but at this point his presence seems a bit strained and distracting.
On the whole, followers of the Minton/Jones series will not want to miss this book. Newcomers to Mosley or this series should start with some of his earlier books.
This book holds together better than the previous book. I'm glad I read it. Paris shows some growth/change. Still the stereotypes wear you down. I wonder if Mosley had a whole plot in his head, with a vision of what the future will be, of where Paris is now. I don't know if the