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"Two old men in a little room. Together they represent some one hundred and sixty years of memory, of hope and achievement and sorrow - of life. They are residents of Linda Manor, a nursing home. What will become of them now?" "Once again, in the humble materials of daily life, Tracy Kidder - the author of House and Among Schoolchildren - has discovered a story of breathtaking intensity and depth. Old Friends introduces us to Lou Freed and Joe Torchio, strangers thrust together as roommates. They discover, as Kidder writes, that the problem of Linda Manor is "the universal problem of separateness," and we watch as, movingly, they set about solving it, with camaraderie and friendship, and ultimately love." "Tracy Kidder has won the Pulitzer Prize and countless other awards for his best-selling portraits of American life. Now he confronts his greatest theme in this close-in study of old age. With the exactitude and the rich human sympathies for which he has become famous, Kidder opens up this world to us as if it were a wondrous new country - a country that turns out to be very like one's native land." "Old Friends takes place almost entirely in Linda Manor, and its residents become urgently alive - struggling still with their circumstances, their pasts, and the challenge of living a moral life. For all its unflinching reportage, Old Friends is laced with comedy, sometimes with gentle wit, sometimes with farce. In the end, it reminds us of the great continuities, of the possibilities for renewal in the face of mortality, of the survival to the very end of all that is truly essential about life. This is Tracy Kidder's most affecting, and most important, book to date."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved… (more)
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I mean, if you go to a church, you think that old people are serious folk. But if you work in assisted living, you know better. It’s not all their fault, because we look to the body as a culture, so a lot of old people are probably embarrassed by being old and try to act like wrinkly young people. Working in food service probably exaggerates this (the way a church setting would minimize it) but many elderly people are still looking to their belly to satisfy them, just like everybody else. Materially a lot of them do fine. Where I work my late-working-age boss the cook explained to me that the food they serve there is as good as the food he eats on vacation. It’s also usually very healthy, which is why I eat as much of it as I can get. Vegetables at every dinner. Of course, a lot of the residents ask to be given no vegetables. A lot of them complain that it doesn’t taste good. Sometimes they’ll get a choice between veal and fish (that gets thrown away if people don’t eat it that night because of state regs) and ask for grilled cheese that has to made specially for them.
I don’t say that because I think that society has served them especially well. Maybe not as poorly as some of the nursing aides, a department which is basically a casting call for “The Color Purple”. But what’s bad is what they’re taught. “If you feel a deep unease you can’t explain, complain about the food.” That’s what’s attended to: materiality. And about that, they don’t really understand to complain.
To return to the book more specifically, I thought it was a pretty good portrait of that unease of being alive, the suffering of being awake. That and: “A person in a nursing home has a lot of time to contemplate the shortness of what’s left and summon up regrets.” I didn’t have many big a-ha moments, but if you know what he’s talking about already, you know he’s telling it like it is.