A Gentleman in Moscow: A Novel

by Amor Towles

Hardcover, 2016

Call number

FIC TOW

Collection

Genres

Publication

Viking (2016), Edition: 1, 480 pages

Description

"A Gentleman in Moscow immerses us in another elegantly drawn era with the story of Count Alexander Rostov. When, in 1922, he is deemed an unrepentant aristocrat by a Bolshevik tribunal, the count is sentenced to house arrest in the Metropol, a grand hotel across the street from the Kremlin. Rostov, an indomitable man of erudition and wit, has never worked a day in his life, and must now live in an attic room while some of the most tumultuous decades in Russian history are unfolding outside the hotel's doors. Unexpectedly, his reduced circumstances provide him a doorway into a much larger world of emotional discovery..."--

Media reviews

Booklist
Booklist July 1, 2016 In his remarkable first novel, the best-selling Rules of Civility (2011), Towles etched 1930s New York in crystalline relief. Though set a world away in Moscow over the course of three decades, his latest polished literary foray into a bygone era is just as impressive. Sentenced as an incorrigible aristocrat in 1922 by the Bolsheviks to a life of house arrest in a grand Moscow hotel, Count Alexander Ilyich Rostov is spared the firing squad on the basis of a revolutionary poem he penned as an idealistic youth. Condemned, instead, to live his life confined to the indoor parameters of Metropol Hotel, he eschews bitterness in favor of committing himself to practicalities. As he carves out a new existence for himself in his shabby attic room and within the magnificent walls of the hotel-at-large, his conduct, his resolve, and his commitment to his home and to the hotel guests and staff together form a triumph of the human spirit. As Moscow undergoes vast political changes and countless social upheavals, Rostov remains, implacably and unceasingly, a gentleman. Towles presents an imaginative and unforgettable historical portrait.--Flanagan, Margaret Copyright 2016 Booklist

User reviews

LibraryThing member msf59
“Fate would not have the reputation it has, if it simply did what it seemed it would do.”

“If patience wasn’t so easily tested, then it would hardly be a virtue...”

In 1922, at thirty years of age, Count Alexander Rostov, is placed under house arrest, for being a unrepentant aristocrat. He is to spend the next thirty years at the Metropol, a grand hotel, across the street from the Kremlin. This wonderful, beautifully written novel, chronicles the count's life, over these decades, inside this enclosed interior. As history unfolds outside, life remains insulated, although the Count learns to evolve with the times, in quiet, subtle ways.
I am going to be vague on the details of this story, so the reader may experience it, the way I did, with glorious ignorance, but there is so much to admire, between these pages but the biggest joy is seeing this world, through the eyes of the Count, one of the best fictional characters, I have ever encountered and it sure helps, that the Count is an obsessive reader, which we can all relate to.
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LibraryThing member stellarexplorer
I’m not sure when I last read a book as delightful and smart as this one. Count Alexander Rostov, cultured young gentleman of the old Russian aristocracy, has run afoul of the new Soviet regime, and is sentenced to live under permanent house arrest in Moscow’s Hotel Metropol. And so ends the unfettered period in a formerly vigorous and expansive life. A novel that takes place almost entirely within one structure, however grand and intricate, might feel claustrophobic. Anything but! For the Count is a reservoir of deep inner strength, of manners, of commitment to an identity, and every page crackles with the authenticity of his personhood.

The writing here is impeccable. Many times I was tempted to turn to those around me to read a particularly enchanting passage. It was hard to do so, because such lines are the fulfillment of a chain of description and preparation, of which the felicitous ending is but the fitting culmination. The prose is charming, concise, unadorned, and elegant.

This is a book of sublime miniatures: A sister’s silver scissors fashioned in the shape of an egret has a golden screw at the pivot representing an eye. And immense ideas as well. The vastness of inner life confronts the constraint of the external. Enduring values are set against the inevitability of change. Tolstoy’s view of history gurgles always in the background, as the reader grapples with the relationship of individual action with the impenetrable play of events.

I laughed, I cried and I called out in appreciative satisfaction. Loose ends duly tied up, with interest. A banquet served in words, best savored slowly. This is everything a book should be. Run, don’t walk.
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LibraryThing member tangledthread
I had a hard time getting into this book at the beginning, but as it progressed I became more engaged in the story and the many sub-stories within the book.

Resourceful 32 y.o. Count Alexander Ilyich Rostov is sentenced to house arrest in the elegant Moscow Metropol Hotel and his residence is moved from a second floor luxury suite to the 6th floor belfry in 1922. His crime: being born into the Tsarist aristocracy. As Stalin's grip clenches Russia, the Count, after a bout of depression, goes about setting up a life within the confines of the Metropol. Nine year old Nina, who is also temporarily confined to the hotel, provides the key(s) that release him from depression and provides him with all he needs to create a world within the Metropol.

If one is confined, then one must set about establishing means to acquire life's essentials: food, beverage, clothing, meaningful work, and love. Alexander finds all of these things within the Metropol. He establishes relationships with the chef, the bar tender, the seamstress, a returning actress, and adult Nina returns to leave her daughter, Sophia, with the the Count.

There are many small stories within the larger story that enhance the entertainment value of the novel. There is a clandestine assembling of a secret midnight meal in the middle of the siege on Moscow during WWII. There is ongoing relationship with Soviet General Osip in which the Count mentors him in the underpinnings of western culture. That relationship turns to the Count's advantage in the end. There are several other entertaining sub-stories embedded in the book, which I found delightful.

The book is structured almost like Russian nesting dolls: time is condensed in the first and last part of the book, while the time periods between chapters expand outward in the center of the book, which is the time covering the Great Depression and WWII.

The author has done a great job of putting together a thought provoking, multilayered story, that requires a bit of suspension of disbelief.
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LibraryThing member lit_chick
2016, Penguin Audio, Read by Nicholas Guy Smith

Publisher’s Summary: adapted from Audible.com
A Gentleman in Moscow immerses us in an elegantly drawn era with the story of Count Alexander Rostov. When, in 1922, he is deemed an unrepentant aristocrat by a Bolshevik tribunal, the count is sentenced to house arrest in the Metropol, a grand hotel across the street from the Kremlin. Rostov, an indomitable man of erudition and wit, has never worked a day in his life and must now live in an attic room while some of the most tumultuous decades in Russian history are unfolding outside the hotel's doors. Unexpectedly, his reduced circumstances provide him a doorway into a much larger world of emotional discovery.

My Review:
“… if a man does not master his circumstances then he is bound to be mastered by them.” (18)

The Count’s elegant, impeccable manners and his distinguished diplomacy are a delight. And the novel’s numerous and varied characters are the perfect companion to the his endeavour to gain a deeper understanding of what it means to be a man of purpose. In one of my favourite scenes, Rostov is explaining to young Nina how we owe the generations that have come before us a debt of gratitude – not simply the grand dukes and grand duchesses, but elders of all social classes who have come before us:

“The principle here is that a new generation owes a measure of thanks to every member of the previous generation. Our elders planted fields and fought in wars; they advanced the arts and sciences, and generally made sacrifices on our behalf. So by their efforts, however humble, they have earned a measure of our gratitude and respect.” (50)

Beautifully written, and so memorable. I was reminded more than once of Chekov’s short story “The Bet,” in which, ironically, a man’s imprisonment leads to his discovering the true meaning of life. Narrator Nicholas Guy Smith is extraordinary! Highly recommended.
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LibraryThing member TimBazzett
Hey, this book has already gotten over 2,500 reader reviews at Amazon and is still in the top twenty books there, so what the hell more can I say? Count Alexander Rostov, a Russian nobleman,is arrested by the Soviet secret police in the 1920s, designated a "former person," and summarily sentenced to permanent house arrest in the grand Metropol Hotel in Moscow, where he spends the next thirty years. Strangely, it is a richly full life, one which provides him with all kinds of loyal friends and even, most unexpectedly, a family of sorts.

A Gentleman in Moscow is not at all what I had expected, and I'm glad. Because it is that delightful kind of literary surprise that simply enchants its readers. I'm not often "enchanted" by a book, crusty old fart that I consider myself, but this book had that kind of magic to it, all 460-plus pages. That's quite a hat trick. But I loved all of it. Bravo, Mr. Towles. And all those rave reviews? Well deserved. My highest recommendation.

- Tim Bazzett, author of the memoir, BOOKLOVER
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LibraryThing member Carmenere
"....several duly goateed officers of the current regime determined that for the crime of being born an aristocrat, I should be sentenced to spend the rest of my days....in this hotel." And so begins Count Alexander Rostov's peculiar/absurd punishment at the luxurious hotel Metropol in Moscow. A reader might think that a book of almost 500 pages recounting his day to day life in one building would be tedious, repetitive and dull. Not so! Rostov's imprisonment is anything but! In the early to mid 20th century, as the world outside the Metropol changes, the Count retains his aristocratic lifestyle while still befriending those from the working class. Intriguing, beautiful and beguiling guests of the hotel add spice to his life and there's never a reason for Rostov to be alone or listless. Author, Towles, delivers a masterful story. It's smart, it's well paced. The characters are lovable and there are some who are despicable. It is a marvelous read, one which should be savored and enjoyed.… (more)
LibraryThing member noblechicken
A bloated, bureaucratic novel, so much detail and some points a waste of words. The Count's story is an intricate one, and at times fascinating, quite visual and detailed. But sometimes it gets labored in the author's own sense of importance in the story. Sometimes the narrative flourish works charmingly well, other times it's just overblown, pretentious and wordy for its own sake. Clever or conceited? I'm obviously outvoted on this, but that is my take.… (more)
LibraryThing member eyes.2c
Spell binding! Elegant!

The superlatives reviewers have lavished on this novel are well deserved. This is an enthralling, all consuming window into life in Moscow from the pre 1920's through to the 1950's, from Stalin and the Bolsheviks through to Nikita Khrushchev.
We view the microcosm of what's happening in Russian history through the eyes of the man 'in the bubble' Count Alexander Rostov, who in 1922 was confined for life to the Metropol Hotel, across from the Kremlin, by a Bolshevik tribunal.
Mentored by his godfather and guardian, the Grand Duke Demidov, Alexander recalls the Grand Duke's words, 'if a man does not master his circumstances then he is bound to be mastered by them.' These words mark the way Alex moves forward.
How the sophisticated, urbane Count Alex handles his incarceration is wonderfully told. His acquaintances are like a panoply of stars spread out beneath Alex's new sky, the ceiling of the Metropol.
His meeting with, and continued relationship with the fascinating child Nina, the harsh realities of the changes in the politburo, the advancement of small minded individuals like the inept waiter the Bishop, contrasted to the kindliness of some of the more urbane true believers.
Of the many friends Alex makes amongst hotel staff four stand out; Andrey, the maître d’ of the Boyarsky Restaurant, Emile the chief, Vasily the concierge and Marina the hotel seamstress.
His world, in one fell swoop narrowed, is in reality enlarged through the people he becomes acquainted with. There are his friends from the past. The angst of his writer friend Mishka, an expert on Chekov. And not to be disregarded a new friend, the actress Anna Urbanova.
There's Nina the young girl who grows into a fervent young woman, typical of her generation committed to the communist ideals. Her fanatical absorption with change for the common good that at times prove disastrous reflecting the broad sweep of political, social and economic change that forgot to involve the people and it's way replaced one tyranny with another.
A startling set of circumstances give him Sofia, the child he was to mind for a month, the daughter he unexpectedly acquires. She brings light and meaning to his life.
Abram the handyman he encounters on the roof and from whom he learns the secrets of coffee and the miracle of the bees. A wonderful interlude that helps Alex retain his equilibrium.
And the others, Osip Ivanovich Glebnikov, a former colonel of the red army, a Party man who comes to Alex to be educated in understanding the privileged classes of those countries Russia wants to enter into economic and political discussions with. England, France and America...and how they view the world. The American psyche needed to be understood. For over fifteen years they read literature, discussed and watched films together. Their run down on Casablanca is superb.
A life lived within the confines of the hotel that Alex somehow ironically lived to the full, discovering new emotional truths, new revelations.
Layers within layers are revealed within the story like the Russian nesting dolls Alex at one time unwraps, layers of meaning and revelation that are just as painstakingly and beautifully crafted.
This novel is pure poetry, gift wrapped in vivid and taut prose.
An amazing read!

A NetGalley ARC
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LibraryThing member froxgirl
I flat out amor Amor Towles. I loved Rules of Civility and the followup e-story, but this might even be the better novel. The story itself - a White Russian count is sentenced to exile in the Metropol Hotel in Moscow (a real hotel, now in its 105th year!) when he returns from Paris during the Russian Revolution - is such a creative concept. But the execution is almost flawless, with the exception of perhaps a few too many characters. Count Alexander Rostov is everything one would want in a hero, and his family background, while privileged, does not seem to be excessively oppressive to the kulaks and peasants on the estate (although there is minimal information about this, so I judge only by his recollections). He is thoughtful, calm, and considerate of all whom he encounters in his limited hotel world. His flexibility extends to the Bolshevik regime, which is gently taunted by the count and the author.

From 1992, at age 30, until 1954, the count nurtures a talented young student, balances his old friends and the new authority, maintains a quirky romance with a passionate movie star, and eventually becomes the Head Waiter at the renowned Boyarsky Restaurant at the hotel.

The tale is told with such warmth and humor that we must forgive the author for going on a bit too long - it is to savor, like all the fine cuisine, drink, and loyal friendships that permeate this extraordinary novel.
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LibraryThing member BDartnall
ount Alexander Rostov finds himself quickly becoming an anachronism in his own time: the Russian Revolution has resulted in a quickly changing political & societal landscape. Aristocrats and landed gentry families such as his are rapidly sinking in the rising tide of communist fervor and political change. In 1922, Rostov is found guilty by a Bolshevik tribunal (awkwardly, while he was a supporter of the pre-revolutionary efforts, noted by the committee, he continued to live as a gentleman, one of the 'leisure class' in a large suite at the Metropol Hotel). Rather than be sentenced somewhere in Siberia, the tribunal sentences him to indefinite house arrest: if he ever steps foot outside the Metropol Hotel, he will be arrested and shot. The Count is removed from his grand suite and takes up residence in some tiny garrett rooms near the belfry at the top floor of the hotel.
What in the world takes up the next 440 pages? How can one man's years sequestered in a Moscow hotel be that interesting or absorbing? Here is the genius of Amor Towles - to so completely inhabit the cheery, cosmopolitan character of Rostov: his viewpoints, his musings over his past years & the twists and turns of Russian history, his enjoyable and serendiptious friendships with hotel staff, with regular and irregular visitors to the Metropol, with a famous Russian actress, with a curious 13 yr old named Nina, a frequent longterm guest with her parents, with an American ambassador, an American military attache, & even a powerful Politboro apparatchik who requires monthly dinners with Rostov, for years, to educate him in the viewpoints of "the privileged classes", especially of French & English. His extended observations (on points of honor, of the pleasures of good wine/ well prepared food, the delights of both the Russian countryside and its customs as well as those of Moscow, & the ebb and flow of consequences and human nature, for ex) are not tiresome, but so entertaining I willingly went down any rabbit trail from the plot. Stylistic masterful, subtly insightful, with a quietly heroic gentleman of Moscow- the book requires unhurried time, but once you submerge, you'll be glad you did!
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LibraryThing member EBT1002
Count Alexander Ilyich Rostov is put under house arrest at a grand hotel in Moscow in 1922. This is the story of his life therein. The Count's life is peopled with a variety of engaging characters, exquisite wine and food, and all the usual travails of love and attachment. His heart is large, his capacity for joy and heartbreak consistent with his poet's soul. The story is wonderful. The writing is exceptional! I kept stopping to reread a sentence or two, relishing Towles' remarkable gift for putting a set of words together perfectly. This isn't stuffy, flowery prose. It is the finest application of the craft of writing. If I could give A Gentleman in Moscow more than five stars, I would not hesitate to do so.… (more)
LibraryThing member Clara53
A simply marvelous book: marvel of a plot and a distinctively uplifting writing style - mildly philosophical, but not overbearingly so. I have to say that the story simply tugged at my heart, without being melodramatic. The reader steps into the shoes of Count Rostov, a "Former person", an aristocrat, in those turbulent years after the Russian revolution and on, until 1954. What can be more inspiring than to find happiness in any circumstances, even under house arrest, to create a totally new life for oneself and not give your "prison guard" (KGB in this instance) the benefit of gloating over your circumstances that have changed so drastically with the change of government.... The character of Count Rostov reminds me in a way of another favorite protagonist - Erast Fandorin from Boris Akunin's novels (his ruminations, his sense of dignity, integrity and ethics have a similar feel...). A wonderful read.… (more)
LibraryThing member sblock
Where to begin. I am a better person for having read this book.
LibraryThing member larryerick
Back in high school, one of my English teachers had us read a book by Nathaniel Hawthorne, which, as I recall, was The Scarlett Letter. When some of the students failed to go into rhapsody over it, she quickly informed us it was the perfect novel. I don't think any of us believed her, regardless of how much we may have tolerated having read the book. It didn't help that she never tried to explain to us why it was the perfect book, so... Up until now, I had no idea what she was talking about. This book may be the most beautifully crafted novel I have ever read. Is it new or exciting literature? Not really. One might go so far as to call it old fashioned. I thought back to Charles Dickens and George Eliot when I first started reading it. It has absolutely none of the flair of unreality that seems so popular now with the critics of modern fiction: Sanders' Lincoln in the Bardo, Whitehead's The Underground Railroad, Beatty's The Sellout, etc. On the other hand, this book has a consistently crafted and laid out narrative with a keenly distinguished set of characters throughout, all tied to together step by step with just enough new aspects and conflicts that the reader is rarely able to anticipate exactly what will happen next. Woven through out the book is commentary on communism, government in general, including bureaucracy and bureaucrats, and society's adjustments to whatever gets thrown its way. And yet, it never struck me as being the least bit preachy. Here's what people do, it would say, while letting the reader discover the judgments hidden in the string of words. Having said all this, I should acknowledge that this is one of those fairly rare times that I took the child's route to an adult book and listened to the audio book while reading along in the hardcover. An American writes a book about Russians and an Englishman reads it all to you. The audio narration was outstanding and a perfect complement to the words in the book.… (more)
LibraryThing member Bookmarque
This will end up in my top five for the year I’m pretty sure. It’s subtle, charming, enchanting and well-crafted. If you like William Boyd, particularly Any Human Heart or Sweet Caress, I think you will like this, too. Instead of sending his character into the world to bump up against major events and find purpose, Towles confines his character to the Metropol Hotel and brings the world to him. It isn’t a book with a plot that dominates all. Instead it is almost a book of hours. How does Count Rostov fill his days now he’s a prisoner and no longer a Count? What fulfills him? What challenges him? Does he find love? It’s really an amazing piece of fiction and does what I think fiction should - entertains, educates and uplifts. Bravo!… (more)
LibraryThing member ericlee
This is one of those books that I started to read, put aside, and then picked up much later and decided to give it a second chance. And it's a good thing that I did.

This book tells the most improbable of stories. A tsarist aristocrat who is placed under house arrest in an elegant Moscow hotel in 1922 and stays there, for decades, forbidden to leave. While I normally love books set in Russia in the twentieth century, that was not actually the real appeal of this one. And I think I was actually put off by the first few pages, which purport to be the protocol of the court decision to allow Count Alexander Rostov to avoid jail. I thought they sounded wrong, and was unable to suspend disbelief.

But on second reading, that didn't matter. Nothing about the book is meant to be real. The bloody twentieth century in Russia gets barely a mention. There is no violence to speak of. No one is dragged off by secret police in the middle of the night. Instead, the focus is the noble character of the Count and the friendships he forms while confined to the luxurious Metropol. And what wonderful friendships they are.

One cannot read the book and not be moved. I smiled (a lot), I sometimes felt sad, and I worried about what will happen to this character or that. I was engaged with this imaginary Moscow, which has little in common with the one that actually existed. A Gentleman in Moscow is above all a human story, gentle and warm and full of love. I highly recommend it.
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LibraryThing member adam.currey
Prior to starting this book, I had read several reviews praising it as charming and delightful. Thus, I was fully prepared to be disappointed. Almost from the first page however, I learned this was not to be - it was every bit as charming and delightful as it was claimed to be. I exclaimed out loud in amusement, delight and sadness many times. The prose is sparkling, witty, and delicious - by comparison, every other book I've ever read seems like it was scrawled in crayon by a five year old. Do not take this to mean that it's dense or impenetrable; while it's true that you miss much of the humour if you're not paying attention, it's still light and easy to read.

The characters are charming, compelling and delightfully quirky, the Count most of all. While primarily a fictional narrative, it does also give the reader some insight into the Russian psyche and what it was like to be a Russian citizen during that tumultuous time in Russian history.

The downside to this gem of a book is that it has spoiled me - I may never read another book again.
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LibraryThing member nyiper
LOVED this BOOK!!! Totally absorbing and SO much detail---I didn't want to lose Nina but then, we are rewarded with Sofia!
LibraryThing member tloeffler
Count Alexander Rostov is put under house arrest in Moscow's Metropol Hotel in 1922 by the Bolshevik party. If he ever leaves the hotel, he will be shot. Rostov turns his attic room into a fairly comfortable living space, dines in the Boyarsky, eventually begins working there, and creates a life for himself in the confines of the hotel. When his path crosses with a young girl in the hotel, everything changes for him. The book takes Rostov from his incarceration to 1954.

Towle's writing is superb. The characters are vividly drawn, the mundane becomes interesting, and the history is fascinating. Well-researched, well-written, probably the book I have most enjoyed reading this year.
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LibraryThing member GayWard
Particularly meaningful to read as so many of are under 'house arrest'. This is the exploration and testament to a seemingly frivolous non-working member of Russian artistocracy who makes a difference in the lives of everyone he meets and manages to have a purposeful existence with multiple relationships including a daughter while living in a hotel for 30 years. Wonderful references to cultural events - movies, literature, music and history.… (more)
LibraryThing member Smiler69
I just finished A Gentleman in Moscow today. My general impression of his writing and overall approach when I read Rules of Civility, shortly after it was published in 2011, was that his work is highly readable, very enjoyable, filled with bookish references for steadfast booklovers and occasional readers alike. In this book, I felt throughout that I was listening to a beautiful fairytale which happens to be set in Moscow during the heart of the Soviet period, from the early 1920s through the mid-50s. That our hero, a former gentleman of consequence, has been put under house arrest for the rest of his life—at the risk of being instantly shot should he risk himself outside—is unpleasant enough, but our dear Alexander Count Rostov—and why is that name so familiar? Because of Nicolai Rostov in War and Peace naturally, W&P being among many great classics mentioned throughout the story; the Essays of Michel de Montaigne are also folded into the story; a similar approach was taken in Rules of Civility. The fate of such a man, forced to live in a tiny room in the attics of a luxury hotel, officially stripped of his title and social influence could have been rather glum, in a similar manner to one of the guests of Grand Hotel, whose days are uniformly lonely and predictable.

Grand Hotel, which was made into an Oscar-winning film in 1932 starring Greta Garbo, John Barrymore and Joan Crawford (among others!) is a wonderful 1929 classic novel by German author Vicky Baum set of course in the 1920s, and I am certain Towles must have studied this book closely for his latest novel. As it happens, I read Grand Hotel just this last year, and kept a very good memory of it (unusual, that). It roundly deserved to be included on my favourites of 2016 list and would have made the list of whatever other year I might have picked it up in. Visions too of Wes Anderson's Grand Budapest Hotel in its more sober moments perhaps (everything being relative). This no doubt because of the novels intense visual component, and I would be surprised if it wasn't eventually made into a feel-good movie. I'd say Towles' genius is that he takes familiar tropes and with his own very clever way twists them into pleasant tales that make us travel in time and feel hopeful about life. Not a bad thing at all, goes without saying.
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LibraryThing member Dorritt
Unlike many of the novels I seem to end up reviewing, A Gentleman in Moscow doesn’t try to tackle big themes, instead devoting itself to an exploration of more modest virtues: humility, grace under pressure, moral courage, open-mindedness, empathy, the appreciation of beautiful things, modesty, loyalty, and love.

The book disguises itself as sociopolitical commentary – Count Alexander Rostov, a Russian nobleman of the old order, is forced to remain under “house arrest” in a Moscow hotel while zealous agents of revolution set about their communist agenda. Towles use of situational and verbal irony – applied with the deftest of brushes – draws attention to the absurdities and extremes of the socialist revolution without the necessity of crude satire or editorizing.

For the focus of this novel is not geopolitics, but the character of Count Rostov himself. How will the years of confinement shape him? Will he diminish as the world around him – his living conditions, his acqaintances, his access to worldly experiences– diminish? Or will he rise above the confinement to discover that “home” is a state of mind rather than a place, love a choice rather than a “fixed mark,” and grace a form of triumph rather than the embracing of defeat?

And then Towles surrounds the extraordinary character of Rostov with a cast of equally memorable and empathetic dramatis personae, each of them wrestling with their own versions of the same quandary: Anna Urbanova, the star of movies that seem to have no place in the “new order”; poet Mikhail Fyoderonch, whose passion for ideas tragically supersedes his passion for revolution; Nina, Rostov’s fellow confinee, whose proud self-assurance may result in her salvation or her destruction; Sofia, Nina’s daughter, whose gift for music may prove either a trap or a path to freedom; even the loyal and honorable employees comprising the hotel staff, struggling to adapt to a world in which service, quality, good manners and etiquette are gradually overthrown by crass convenience.

By almost any measure, A Gentleman in Moscow is a wonderful tale, made even more remarkable by Towles, exquisite prose, which is as infallibly erudite and self-effacing as Rostov himself. Let us not overlook, however, that it is merely the latest addition to a genre that includes such other remarkable works as Lampadusa’s The Leopard, Ishiguro’s Remains of the Day, and Naipaul’s Mimic Men – all of which tell the story of extraordinary individuals facing the waxing of a new order and the waning of their own. As long as change and evolution remain inexorable, books will continue to be written about doomed causes mowed down by inescapable change – but, sometimes, we also get books like these, in which global uprisings and overturnings are made vividly and emotionally real, framed within the context of a single, extraordinary individual.
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LibraryThing member Narshkite
Smart, magical, thoughtful, exceptionally relevant. funny, loving, heart-breaking, redemptive. I have more adjectives but need to get to work. This story is both intimate and universal, and says so much about the power and beauty of decency, adaptability, education ... really it speaks to the power of good character. That seems like such an old fashioned thing to say, but it is the cornerstone of everything that matters. We all know people who have everything (not just stuff, but healthy families and engaged friends), for whom the world is open and accessible, and who are deeply dissatisfied. We all also know people who struggle every moment, whose lives take place in a small and troubled ecosystem, but who still find the beauty and value of life in every moment. That second person, that is the one with good character, and that is the type of person we meet in Count Rostov. My lord he is delightful. I don't think this book would have worked at all if he was not such a wonderful character. Certainly Towles chose one of the most interesting periods in history so there is that, but this story rests on the shoulders of the Count (so much rests on the shoulders of the Count!) and he carries the story with grace and panache.… (more)
LibraryThing member BALE
Magnificent!
LibraryThing member cindysprocket
Count Alexander Rostov and the Metropol will be missed.

Pages

480

ISBN

0670026190 / 9780670026197
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