"Not since Sherman Alexie's The Lone Ranger and Tonto Fistfight in Heaven and Louise Erdrich's Love Medicine has such a powerful and urgent Native American voice exploded onto the landscape of contemporary fiction. Tommy Orange's There There introduces a brilliant new author at the start of a major career. "We all came to the powwow for different reasons. The messy, dangling threads of our lives got pulled into a braid--tied to the back of everything we'd been doing all along to get us here. There will be death and playing dead, there will be screams and unbearable silences, forever-silences, and a kind of time-travel, at the moment the gunshots start, when we look around and see ourselves as we are, in our regalia, and something in our blood will recoil then boil hot enough to burn through time and place and memory. We'll go back to where we came from, when we were people running from bullets at the end of that old world. The tragedy of it all will be unspeakable, that we've been fighting for decades to be recognized as a present-tense people, modern and relevant, only to die in the grass wearing feathers." Jacquie Red Feather is newly sober and trying to make it back to the family she left behind in shame in Oakland. Dene Oxedrene is pulling his life together after his uncle's death and has come to work the powwow and to honor his uncle's memory. Edwin Frank has come to find his true father. Bobby Big Medicine has come to drum the Grand Entry. Opal Viola Victoria Bear Shield has come to watch her nephew Orvil Red Feather; Orvil has taught himself Indian dance through YouTube videos, and he has come to the Big Oakland Powwow to dance in public for the very first time. Tony Loneman is a young Native American boy whose future seems destined to be as bleak as his past, and he has come to the Powwow with darker intentions--intentions that will destroy the lives of everyone in his path. Fierce, angry, funny, groundbreaking--Tommy Orange's first novel is a wondrous and shattering portrait of an America few of us have ever seen. There There is a multi-generational, relentlessly paced story about violence and recovery, hope and loss, identity and power, dislocation and communion, and the beauty and despair woven into the history of a nation and its people. A glorious, unforgettable debut"--
“We stayed because the city sounds like a war, and you can’t leave a war once you’ve been, you can only keep it at bay”
This multi-generational novel focuses on twelve Native American characters, all living a hard-scrabble life in the environs of Oakland. All these characters are planning on attending the Big Oakland Pow Wow. How each of these people make this journey and cross paths with each other, is the heart of this story.
This is a stunning debut. The writing is fierce, angry and poetic. There is beauty in these characters, but also a dark sadness, as they try desperately to survive and find an identity. We have a strong new voice, in our literary world. Move over Sherman Alexie, there is a new guy in town.
Due back at the library tomorrow and I just can't.
Nice writing, but I am not blown away the way so many are. I'm sure it's me. If, in future, the Kindle edition goes on sale, I'll buy it (IF it's under $3.99) but I have fewer eyeblinks ahead than I'd need to cram this bad boy into my skull.
There There is a magnificent debut novel about the Native American community. Not the Native Americans of colonial American history, but the modern urban Native American. It is set in Oakland, California where, as in other parts of the country, ancestral land has been buried by pavement and real estate development. As Gertrude Stein wrote, “There is no there, there.” Each chapter is narrated by one of about a dozen characters. Orvil is a teenage boy secretly learning Indian dance from YouTube videos. Jacquie is a middle-aged recovering alcoholic whose grandchildren are being raised by her sister, Opal. Dene recently received a grant to film Native Americans’ personal stories. Edwin is an unemployed college graduate who spends hours in his bedroom, addicted to the internet. And so on. Every single person has felt the impact of poverty, addiction, or violence, and sometimes all three. There is a lot of heartbreak, and a tiny bit of hope.
The characters' narratives could get confusing, but tiny details begin to connect their stories in pleasing “aha moments.” Everyone is converging on the Great Oakland Powwow, some to help organize the event, others to discover their heritage. The Powwow leads some characters to connect with each other. But there are also some “missed connections” left for another time, because it soon becomes clear that something significant will happen at the Powwow that will have a lasting impact on the entire Native American community. It is somehow fitting that Tommy Orange leaves some of that impact unsaid, enabling the reader to imagine the possible futures for these people.
This is a good novel, but it is very heavy, so readers beware, be prepared. It is not a feel good book. It will take you places you might not want to go. The Native American Indian experience is explored with intuition and insight in such a way as to make the reader feel their pain, frustration, needs, loss, and hopes. The Indians suffer from the alcoholism, racism, unemployment and other ills that society brought to them.
There, There is about where there means. Where is there for them. For the Indian, the land was everywhere. The land was theirs. There were no boundaries; they lived where they found food and could provide shelter for themselves. The Indians love their heritage and try to preserve it with powwows held regularly. In this book, the powwow goes awry with a terrible and tragic event. The book leaves the reader with many thoughts that are unfulfilled. There are no solutions and no firm conclusions. Everything is up in the air as the reasons that poor choices were made are revealed and the consequences are explored.
Each of the characters had a flaw that changed their lives, each also suffered from deprivation of some kind, mistreatment of some kind, confusion and a knowledge that there were secrets in their lives that if revealed might hurt them even if they also set them free. The Native Americans were influenced by superstition, folk lore and the painful memories of what they had once had and lost when they were driven from their land. The book seemed to be about hopelessness, but then hope would appear on the horizon, only to be followed by despair and inevitable failure. There were some wasted lives, forgotten dreams, and nightmares that became real when circumstances merged to bring about catastrophe. Although they tried to rise above their problems, they were often driven back down by circumstances beyond their control.
The novel is well written, but it is hard to read because of its intensity. It is deep and dark. There are so many characters, it is often hard to follow and remember which one was experiencing the current trauma, but the overall effect of the story certainly makes the reader think about the plight of the Native American Indian and the injustices they were forced to endure. Death and disaster have unfairly followed them.
What does there, there mean in this novel? It is used in several instances with different meanings. I wondered what was really there, in the end, was there hope or hopelessness? Was there the place to which they wished they could return? Was it a nameless vast expanse where they could settle once again to practice their tribal customs and dance without the encroachments of modern society or did they wish to join the technological world we live in today?
Because this is the kind of book that a reader might want to reread or review certain parts, I believe a print book is better than the audio.
I was particularly struck by Orange’s incredible ability to develop these complex characters and because there were so many of them I found myself taking notes of the role of each and as they would reappear I’d check my notes and add to them. At a certain point, the interconnection of the characters began to reveal itself.
At the final event, the Powwow in Oakland, we are actually left to draw our own conclusions. Hardly my favorite way to conclude a narrative, but the power of the ending cannot be denied. Highly recommended.
All stories converge in the final chapters and this is one of the very very few book to bring tears to my eyes. Very well written bringing the characters to life to the point where you care about them and hope things turn out good for them.
Highly highly recommened!
Orange manages to fit together a dozen characters with labyrinthine relationships, overlapping plots, intersecting geography, and decades of time in a taut sub-300 page first novel without missing a beat. The book moves swiftly and lightly through a great depth of complex motives and emotions. It could easily have collapsed under its own weight, but manages not only to move but to race. Hard to imagine where Orange will go from here, but I am excited to find out.
As the date of the celebration nears, unknown connections begin to emerge, weaving together tribal identities, childhood experiences, and generational knowledge. And an immense, inescapable tragedy begins to build like a stormcloud on the horizon.
Orange is a writer of power and lyricism; his “interlude” sections, which are essentially essays on the Native experience, are utterly compelling. But he loses points badly as the climax builds and the reader struggles to keep the characters separate. Few of them speak with distinct voices, and one must depend on touchstones – that’s the one with FAS; that’s the one who was adopted by a white couple; that’s the grandmother trying to raise three boys. The guessing game interferes with what should be total immersion in the final scenes.
It’s still a powerful read, and a promising debut for a unique literary voice.
I won't give away the ending, but I will say that it was unexpected and I am still grappling with it.
The writing is excellent, although there are so many different characters that I often got confused about who was who, and every time the point of view changed I had to flip back and remind myself who each character was. Maybe that's a part of the quest for identity that each character undergoes.
This is one of those books that is going to stick with me for a long time.
This is very much a current novel with many allusions to current culture.
I thought the writing in this was very good and I liked the connections between people. The ending, however, which involved an attempted robbery of a safe at a pow wow which turns into a mass shooting with guns made by 3D printers seems someone too confusing to me. I'll have to give that some thought.
The story's structure recalled for me Canterbury Tales. We learn the stories of the many people making their own brand of pilgrimage to the Oakland Powwow, how and why they got there, and why it matters. I was pretty sure about 2/3 into the book how this was going to end, and for the most part I was right, but that did not diminish my pleasure or absorption in the story one bit. There is a moment where the story is playing out, right at the end, where someone thinks about whether an event is really occurring or whether it is essentially a performance art piece illustrating the fate of Native Americans. And the weird part is that the thing is really happening, and though sadly not performance art, it is a pretty solid and ghastly metaphor that would have made a perfect performance art piece if it hadn't happened.
There There is so many things. Its a well-crafted and complete story, but also a historical chronicle (and rebuke) of all things NDN since the Europeans showed up (the first section is intense!), a series of sharp character sketches, an urban anthropological study, and a primal scream. This is a great first novel. It would have been a great 37th novel too, but as it happens it is a first. I cannot wait to hear more from Orange but even if his next book was a literary Ishtar his claim to greatness on the basis of this book alone is pretty freaking unassailable.
To be sure, these are not uplifting, feel-good storylines. They are replete with the sort of misery, poverty, and hopelessness that engenders alcoholism, drug abuse, domestic violence, and senseless crime. Many of the characters are connected to one another—several generations of the same family tree are represented—even if not everyone knows how they are related. Also, as in most tales, there are both heroes and villains, although, to the author’s credit, the lines of distinction are not always obvious. The climactic event that brings all these threads together is a big Powwow being held in the city’s baseball stadium; it is not betraying much to say that this event does not end at all well for most involved.
Given his background, this was clearly a very personal story for the author to tell, which allowed him to write in such a closely observed and unflinching manner. The book delivers a powerful message about the courage and despair of the Native experience in today’s world, even if the ending felt too abrupt and left more loose ends than it should have. By the way, the book’s title also makes sense: it’s not “there there” as in the way you would soothe a small child, but draws on a quote from Gertrude Stein who, upon returning to the place where she grew up, found that the there of her youth was long gone. There was no there there anymore. That is a great analogy for all that the characters in this moving novel have lost, if indeed they ever really had it to begin with.
It made my heart ache, knowing there are real people, many of them, that are in the same situations presented in the story. This is not a happy book, but it's a story worth reading and mulling over long after finishing.
There's a lot packed into this relatively slender novel. Orange has things to say and he will say them. Often when an author is angry or has a purpose behind his writing, it diminishes the writing, but this forcefulness works well with this novel of urban Indians navigating a world that has disadvantaged them without care or understanding. There are a lot of separate voices, but they sort themselves out as the book progresses. This is a remarkable achievement and I look forward to being broadsided by Tommy Orange again with whatever he writes next.