Call number
809.1 CAR
Collection
Series
Publication
Yale University Press (2020), 320 pages
Description
A vital, engaging, and hugely enjoyable guide to poetry, from ancient times to the present, by one of our greatest champions of literature What is poetry? If music is sound organized in a particular way, poetry is a way of organizing language. It is language made special so that it will be remembered and valued. It does not always work—over the centuries countless thousands of poems have been forgotten. This little history is about some that have not. John Carey tells the stories behind the world’s greatest poems, from the oldest surviving one written nearly four thousand years ago to those being written today. Carey looks at poets whose works shape our views of the world, such as Dante, Chaucer, Shakespeare, Whitman, and Yeats. He also looks at more recent poets, like Derek Walcott, Marianne Moore, and Maya Angelou, who have started to question what makes a poem "great" in the first place. This little history shines a light on the richness and variation of the world’s poems—and the elusive quality that makes them all the more enticing.… (more)
User reviews
LibraryThing member nancyadair
It all started with A Child's Garden of Verses by Robert Louis Stevenson. Then, when I was eleven, discovering the poetry of Edgar Allan Poe. By fourteen I was borrowing every poetry book on the school library shelves, spending my scanty allowance to buy the poets I really liked.
I was drawn to some
My education included survey Lit courses, a Modern Poetry class, and an honors class on Milton. I was so ignorant that when my Modern Poetry professor asked me about Ezra Pound's antisemitism and alliance with Fascism it was the first I had heard of it. (My school history classes never seemed to make it past the Civil War.)
My high school World Lit class covered the entire Western Canon. We received mimeographed handouts (yes, I am THAT OLD). We learned about philosophers and economic and scientific thinkers and writers and poets. I went to the library to read from the original works. The brief excerpts piqued my curiosity and I needed to know more.
I tell this story for a reason. John Carey's A Little HIstory of Poetry reminded me of that World Lit Survey class. Carey ploughs through the entire history of poetry in the Western world, starting with Gilgamesh and ending with Mary Oliver and Les Murray.
I was quite familiar with my favorites, but I had given little attention a great many others. It was interesting to fill that gap in my knowledge.
Some poets are mentioned by name or with a few lines, but those Carey deems more important (or perhaps, with more interesting or scandalous lives) get pages.
This treatment has its limitations but also its uses as an introduction. Like my survey course did, readers may be inspired to read further.
I received a free ebook from the publisher through NetGalley. My review is fair and unbiased.
I was drawn to some
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poets and ignored others. I knew little about the lives of the poets I was reading or the social and historical context of the poems.My education included survey Lit courses, a Modern Poetry class, and an honors class on Milton. I was so ignorant that when my Modern Poetry professor asked me about Ezra Pound's antisemitism and alliance with Fascism it was the first I had heard of it. (My school history classes never seemed to make it past the Civil War.)
My high school World Lit class covered the entire Western Canon. We received mimeographed handouts (yes, I am THAT OLD). We learned about philosophers and economic and scientific thinkers and writers and poets. I went to the library to read from the original works. The brief excerpts piqued my curiosity and I needed to know more.
I tell this story for a reason. John Carey's A Little HIstory of Poetry reminded me of that World Lit Survey class. Carey ploughs through the entire history of poetry in the Western world, starting with Gilgamesh and ending with Mary Oliver and Les Murray.
I was quite familiar with my favorites, but I had given little attention a great many others. It was interesting to fill that gap in my knowledge.
Some poets are mentioned by name or with a few lines, but those Carey deems more important (or perhaps, with more interesting or scandalous lives) get pages.
This treatment has its limitations but also its uses as an introduction. Like my survey course did, readers may be inspired to read further.
I received a free ebook from the publisher through NetGalley. My review is fair and unbiased.
Show Less
LibraryThing member pomo58
A Little History of Poetry by John Carey is an overview of sorts of western poetry but fails if the reader is hoping to get much breadth at all or anything more than the most basic asinine opinions passed as facts. It has a few positives but I would not likely recommend this to anyone new to poetry
I don't actually think it is a complete waste, I just think that only the most active and engaged reader (who is new to or wanting to cultivate an appreciation of poetry) will be able to gain the sense of history without also being influenced toward the plainly dismissive views of Carey. I had such high hopes for this, but to offer this as a way to encourage new readers of poetry then omit or dismiss so many good poets makes this absolutely unworthy of recommendation.
Reviewed from a copy made available by the publisher via NetGalley.
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because I wouldn't want to poison their minds. Maybe as a joke I would recommend it to friends who write or read poetry and won't be influenced by close-minded ideas and lack of diversity in either content or worldview.I don't actually think it is a complete waste, I just think that only the most active and engaged reader (who is new to or wanting to cultivate an appreciation of poetry) will be able to gain the sense of history without also being influenced toward the plainly dismissive views of Carey. I had such high hopes for this, but to offer this as a way to encourage new readers of poetry then omit or dismiss so many good poets makes this absolutely unworthy of recommendation.
Reviewed from a copy made available by the publisher via NetGalley.
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LibraryThing member markm2315
The title is correct, and this is a quite cursory and anglocentric survey of poetry from Gilgamesh to Mary Oliver. Almost no poems are printed in their entirety, there is very little discussion of any depth about what poetry is, the author's opinions are given freely, and sometimes without any
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clear support. Nevertheless, if you have had no exposure to poetry, perhaps you are a high school student, and you read English, this is an entertaining and brief introduction that might lead you somewhere good. Show Less
LibraryThing member lschiff
A nice, concise review that filled in some blank spots for me about poets I already knew and others I didn't. As with any book like this, and especially one that is intentionally small, there are absences (e.g. June Jordan, Edna St. Vincent Millay) that feel surprising, dismaying even, but that is
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the challenge with this sort of work. Show Less
LibraryThing member therebelprince
Mixed feelings, in a positive vein. Carey takes us through a series of brief chapters, starting with the antique poets such as Homer and the Beowulf poet and then gearing up through the 18th, 19th and 20th centuries especially.
First of all, I think Carey makes it clear quite early on that this is a
The core challenge with a book like this, though, is that it's inevitably a taste-tester. These chapters are so very brief that they cannot do justice to any of the poets contained herein. For the earlier chapters and those focusing on longer works, Carey gives us very little (even sometimes nothing) in the way of excerpts, meaning we're just being given his brief overview and an exhortation to read the works. Which is clearly his aim, so it's not a failure, but I think the volume would have benefited from attaching a single full poem to as many of the chapters as possible. The brevity of the chapters means that it isn't for complete novices to the written arts, but equally there's not much in the way of revelatory commentary for those of us who enjoy many of these works. And perhaps that's fine. Perhaps this book will reach its core audience - those who have dabbled in, or are genuinely open to, the reading of poetry - and provide them with dozens of points on which they can jump and begin new journeys. (The later chapters I found most pleasing, as the splintering of the poetic voice in the years around WWII makes for more challenging reading that rewards us hearing as many viewpoints on them as possible.)
A lovely volume in its way, but not one of the better broader overviews of poetry out there.
First of all, I think Carey makes it clear quite early on that this is a
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personal history, and a focus on a particular throughline of poetry, namely the Anglo-American sphere as inspired by the older Europeans. This is quite clear and indeed obvious; if you're going to broaden out to world poetry, you're going to have a very different book that becomes partly ethnographic since it can't possibly chart the growth of every movement. I say this because quite a few reviews here seem to be complaining about that fact and, frankly, I think they're being performative. As an Australian, I could equally bemoan that our rich poetic history isn't given its due here, but that's not the point of the book, and there are plenty of others on this subject. So perhaps a bit less with the deliberate complaining in lieu of actual commentary.The core challenge with a book like this, though, is that it's inevitably a taste-tester. These chapters are so very brief that they cannot do justice to any of the poets contained herein. For the earlier chapters and those focusing on longer works, Carey gives us very little (even sometimes nothing) in the way of excerpts, meaning we're just being given his brief overview and an exhortation to read the works. Which is clearly his aim, so it's not a failure, but I think the volume would have benefited from attaching a single full poem to as many of the chapters as possible. The brevity of the chapters means that it isn't for complete novices to the written arts, but equally there's not much in the way of revelatory commentary for those of us who enjoy many of these works. And perhaps that's fine. Perhaps this book will reach its core audience - those who have dabbled in, or are genuinely open to, the reading of poetry - and provide them with dozens of points on which they can jump and begin new journeys. (The later chapters I found most pleasing, as the splintering of the poetic voice in the years around WWII makes for more challenging reading that rewards us hearing as many viewpoints on them as possible.)
A lovely volume in its way, but not one of the better broader overviews of poetry out there.
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ISBN
0300232225 / 9780300232226