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Fiction. Mystery. Thriller. HTML: In New York Times bestselling author Anthony Horowitz's ingenious fourth literary whodunit following The Word is Murder, The Sentence is Death, and A Line to Kill, Horowitz becomes the prime suspect in a murder investigationâ??and only one man can prove his innocence: his newly estranged partner in solving crime, Detective Hawthorne. "I'm sorry but the answer's no." Reluctant author, Anthony Horowitz, has had enough. He tells ex-detective Daniel Hawthorne that after three books he's splitting and their deal is over. The truth is that Anthony has other things on his mind. His new play, a thriller called Mindgame, is about to open at the Vaudeville Theater in London's West End. Not surprisingly, Hawthorne declines a ticket to the opening night. The play is panned by the critics. In particular, Sunday Times critic Margaret Throsby gives it a savage review, focusing particularly on the writing. The next day, Throsby is stabbed in the heart with an ornamental dagger which turns out to belong to Anthony, and has his fingerprints all over it. Anthony is arrested by an old enemy . . . Detective Inspector Cara Grunshaw. She still carries a grudge from her failure to solve the case described in the second Hawthorne adventure, The Sentence is Death, and blames Anthony. Now she's out for revenge. Thrown into prison and fearing for both his personal future and his writing career, Anthony is the prime suspect in Throsby's murder and when a second theatre critic is found to have died in mysterious circumstances, the net closes in. Ever more desperate, he realizes that only one man can help him. But will Hawthorne take the call?… (more)
User reviews
In his recent novels he has recently been experimenting with the format of the crime story, also with great success. In Magpie Murders and Moonflower Murders he toyed with the traditional âcosyâ whodunnit in the manner of Agatha Christie, in each case producing a novel within the novel, supposedly written by one of his characters.
This latest novel is the fourth to feature Horowitz himself as a character, working alongside former policeman Daniel Hawthorne who now works as an occasional consultant for the Met. The book opens with Horowitz advising Hawthorne that he wants to draw their partnership to a close, which the detective is not happy with. Later that day, Horowitz attends attending the opening night of a play that he has written. There is a subdued opening night party afterwards into which one of the leading critics intrudes. Shortly after her departure one of the cast members is sent a link to the criticâs review, which is particularly bitter and negative. The following morning that critic is found dead, having been stabbed at her home. Horowitz finds himself the policeâs principal subject, and he is arrested and detained overnight. Bemused by the turn of events, Horowitz feels his only resort is to contact Hawthorne and seek his help.
Horowitz is excellent at this sort of metafiction, and the relationship between him and Daniel Hawthorne is finely drawn temporarily released on a technicality, Horowitz and Hawthorne have a brief window of opportunity to conduct their own investigation, and hopefully clear the authorâs name. The plot moves swiftly, but never strains the readerâs credibility. The book is also excellently presented, with lovely endpapers in the hardback edition.
I can't recommend this series enough. It's clever in so many ways. The protagonist is the enigmatic Hawthorne, let go
There have been three books written about Hawthorn's cases, thereby fulfilling the publishing contract between the two. Tony has no desire to continue the agreement and lets Hawthorn know it. But....when Tony is arrested on murder charges for a death at a local theater, he reluctantly has to call on Hawthorn for help.
I often find myself stopping to check out the literary references related to Horowitz. They're all there and woven into these fictional accounts. And I wonder what it be like to characterize yourself. Horowitz certainly doesn't paint himself as perfect! Hawthorne has been an enigma over the course of the first three books. Slowly, but surely, we're seeing behind the protective barriers he's put in place.
The choice for whodunit has a 'locked room' feeling, as there is a finite list of suspects who could have done the deed. The mystery itself is excellent. Each and every player is a suspect at some point. I really enjoy Hawthorne's investigative techniques. Alongside Anthony, I question his methods and the information he is gathering. Much seems irrelevant, but as readers we just know there are answers hidden in the interactions. The reader (and Tony) just aren't seeing what Hawthorne does. The journey to the 'ah hah' moment is an excellent read. And the final reveal is a delightful homage to Christie.
Will there be more in this series? I most certainly hope so!
The title is Book 4 of the Horowitz and Hawthorne series.
Horowitz is the sidekick, the note taker, the writer. Hawthorne is the rogue detective who always seems to be one step ahead of the Police (and Horowitz) in his investigations.
Daniel
But Horowitz calls Hawthorne from a jail cell. He has been arrested for the murder of a theatre critic who trashed the play and desperately needs Hawthorne to prove his innocence.
Another witty, clever mystery title by Anthony Horowitz.
I like his memories and recollections of the theatre - his interest and eagerness to belong in that world.
The give and take, the banter, the frustrations between Horowitz & Hawthorne are amusing and cleverly written.
Also the frustrations - will they ever get along? Will Hawthorne ever let down his barriers?
A very good addition to this addictive series. ****
Horowitz is such a smart and witty writer. His mysteries are always a joy when I am looking for pure entertainment. (FWiW, I guessed several different solutions as I read, and all were wrong.) Additional note -- I always love when a book gives me a sense of place, and reading Horowitz's books always makes me feel like I somehow woke up to find that I live in London.
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Until I heard Horowitz on a podcast talking about this book, I wasnât sure if I was going to bother with the bookâbut he piqued my interest. Iâm glad he
I didnât buyâat allâthe way Horowitz didnât involve his wife in his situationâor how she reacted. The way the other detectives focused on Horowitz and didnât really listen to him seemed less-than-credible, tooâbut not as much.
Still, this was a fun listenâKinnearâs a great narratorâand this mystery was clever. It was a good timeâI know youâll find more enthusiastic recommendations from several other people, and you should probably take their advice. The best I can do is that this book probably led me to get the next one.
The bookâs character Horowitz wrote a mystery play and, after months in the hinterlands, it has finally arrived in London. The small cast of three, the theater agent and his assistant and Horowitz have their fame and, in some cases, fortune, riding on the criticâs reviews of opening night. The play goes well but the first published review dumps all over the play, cast and writer. At the premierâs after party the review is the heated topic that spoils the mood of all involved.
The critic, hated by so many both in and out of the theater trade, is found dead, stabbed by an ornamental dagger that was handed out to the cast and crew at the party. The guilty dagger had Horowitzâs fingerprints on the handle.
With one phone call between himself and total doom, Horowitz calls Hawthorne. But Hawthorne who doesnât want to play ball after the rejection he received a few days earlier.
It is nothing to say that Hawthorne comes around, on his own terms, and helps pull his ex-partner out of trouble and together they solve the case.
The writing is smooth with a good sense of humor as always, The author has once again down-played the fictional writerâs abilities in solving crimes. The crime itself is fairly ingenious in its simplicity, but also baffling in its brilliance. Like the works that precede this effort, be they books or television series/scripts, the author brings a level of humanity to his work that is lacking in the work of so many others. The plight of the authorâs characters manages to touch the reader/watcher, striking a note of commonality.
Also this acts as the first book in what Iâm hoping is a new trilogy. Fingers crossed.
With nods to the mystery writing skills of Agatha Christie and Arthur Conan Doyle, the author casts a fictional version of himself as a Watson and Hawthorne as the master sleuth with a mysterious past. There is humor sprinkled through out in the form of self deprecation and double meaning.
A little more is revealed about Hawthorne's past when Horowitz meets the mysterious "sort of half brother" while hiding from the police in Hawthorne's flat.
The ending suggests there will be future additions to this series.
This is the forth in a series where Anthony is a character in his own
This series is fun. It's very Agatha Christie-esque (there are even references to Agatha Christie at the end). It is what it is, a fun mystery series that is kind of reminiscent of your favorite murder of the week TV show.
As the novel
The Twist of a Knife by Anthony Horowitz is a cleverly crafted mystery with plenty of red herrings, several suspects with motives and interesting backstories linking them to the victim and a good dose of humor injected into the narrative for comic relief. As usual, I loved the dynamic between the two main characters and really like that with every book we get to know more about Daniel Hawthorne. I loved that I was unable to predict who the killer was and though a few aspects of this story were a tad farfetched, it did not detract from my overall reading experience. Those who enjoy classic detective stories would enjoy this series. I do recommend that the books be read in series order to fully enjoy the character dynamics.
Overall, this was a thoroughly enjoyable read. I paired my reading with the terrific narration by Rory Kinnear. I canât wait for the next installment in this series!