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"From the beloved Pulitzer Prize-winning and best-selling author: a rollicking murder mystery set in Gold Rush California, as two young prostitutes follow a trail of missing girls. Monterey, 1851. Ever since her husband was killed in a bar fight, Eliza Ripple has been working in a brothel. It seems like a better life, at least at first. The madam, Mrs. Parks, is kind, the men are (relatively) well behaved, and Eliza has attained what few women have: financial security. But when the dead bodies of young women start appearing outside of town, a darkness descends that she can't resist confronting. Side by side with her friend Jean, and inspired by her reading, especially by Edgar Allan Poe's detective, Dupin, Eliza pieces together an array of clues to try to catch the killer, all the while juggling clients who begin to seem more and more suspicious. Eliza and Jean are determined not just to survive but to find their way in a lawless town on the fringes of the Wild West-a bewitching combination of beauty and danger-as what will become the Civil War looms on the horizon. As Mrs. Parks says, 'Everyone knows that this is a dangerous business, but between you and me, being a woman is a dangerous business, and don't let anyone tell you otherwise . . . '"--… (more)
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I have mixed feelings about this novel. There are some aspects of it as historical fiction that I enjoyed - the setting is quite interesting, and the protagonist is often interesting company in her observations. The pace, considering the subject matter, is leisurely and ... oh, look, a butterfly.
Sometimes crime fiction has serious literary chops, and sometimes a historical mystery pays more attention to history than mystery, and that can be fine. (Consider Naomi Hirohara's Clark and Division, a decent mystery that gracefully took a backseat to the work of vividly recreating a time and place.) But somehow the parts of this novel didn't sit easily together for me, and the history itself seemed sometimes to be experienced by a twenty-first century time traveler. At any rate, I enjoyed it, somewhat, but felt overall dissatisfied, perhaps because I expected something more substantial from the author, even if it the mystery element were not front and center.
With this in mind, readers might forgive Smiley for some obvious historical blunders. Outside of Miss Kitty’s “Long Branch” in Dodge City, it is unlikely that the West saw many brothels like Mrs. Parks’ (i.e., clean, safe, and run by a protective madam who acknowledges that “being a woman is a dangerous business.”) At the time, Monterey was recently emerging from a Spanish culture; yet the novel has only one Hispanic character and he is a little too nice to be believed. The Western genre in fiction admittedly comes with many inaccuracies, but Smiley challenges it further with a feminist focus that fails to capture a realistic view of women on the frontier. Clearly, women were coerced, dismissed, ignored, and threatened in the old West. But it is unlikely that two appealing female sidekicks ever roamed the range on horseback looking for danger and adventure, as repeatedly transpired in the male version of that tired literary trope.
The plot centers on the relationship between two young prostitutes. Eliza Ripple is a naïve late teen, who takes to the profession almost casually following the violent death of her husband. This guy was not very likeable and thus not missed by anyone, including Eliza. Likewise, her backstory consists of a grim life with Christian fundamentalist parents, so she sees her new-found freedom in a Monterey brothel as a blessing. Jean MacPherson is her partner. She is a bold gender-bender who works at a women’s only brothel in town with the haunting name of “The Pearly Gates.” Smiley stretches credulity with Jean, but her worldliness and sense of adventure serve as the primary plot mover in the novel.
The two women begin the investigation of a series of unsolved prostitute murders. This Nancy Drew touch fails to drive the narrative, however. Neither the suspects nor the victims leap off the page. No one in town seems to care. The misleading clues Smiley leaves around are unconvincing. The characters’ motivations are unclear. The young women spend far too much time just roaming around, planning to meet, and chasing pointless clues. The narrative lacks suspense because the women face little risk. And the ending seems rushed. Apart from Smiley’s loving depiction of the setting and her touching feminist focus, the story lacks urgency and has too much wrong with it to be considered among her better offerings.
from A Dangerous Business by Jane Smiley
Eliza Ripple’s husband died and it didn’t bother her a bit. He seemed nice enough back in Kalamazoo, before he took her across the country to Monterey and
Eliza’s husband forced her to have an abortion before he was shot in the saloon, so Eliza was left alone in a strange place and needed to support herself. Luckily, Mrs. Parker had a job for her. In her brothel.
Still, Eliza was better off there than she ever was with Peter, for Mrs. Parker had a maternal bent and ran a clean and safe house. Eliza was freer than she ever was at home with her Covenanter family or with her husband who locked her up.
Eliza made friends with Jean, who worked at a different kind of business, servicing lonely women who just wanted a moment of affection. They shared an interest in books, especially the thrilling, new stories by Edgar Allan Poe. Eliza studied the detective Dupin who used logic and observation to solve mysterious deaths.
Women were disappearing from town, The police didn’t seem to care. After Eliza and Jean discover a woman’s body they commit to seeking justice for these women, observing the men who came to town, following the trails, and noting clues.
When the first of “the girls” disappeared, no one thought a thing of it.
from A Dangerous Business by Jane Smiley
I spend through this novel in a day.
I loved how Smiley brought in the political and social history of a divisive time in America, split over slavery, Native Americans reduced to ghosts haunting the landscape. It was a time of religious extremism. Children leaft their homes in Michigan and New York and New England for new opportunities in the West. Eliza’s customers include sailors and men trying to build ranches and farms.
The dangers of being female were multiple. Men might get themselves killed in a saloon fight, or lose their life in hazardous jobs, but women had no political power, no power in their own homes, no power over their own bodies.
I also loved how the girls’ reading the literature of the time figures into the story.
It’s a fast reading, entertaining story, with a mystery at it’s center. It’s revealing historical fiction and a feminist statement. Eliza’s descriptions of all her customers may, on the surface, seem extraneous, yet Eliza meets all kinds of men and gains a deep understanding of human nature. At the end, we are sure she is going to thrive.
I received a free egalley from the publisher through NetGalley. My review is fair and unbiased.
In A Dangerous Business, author Jane Smiley offers the reader a book that can be read in several ways: it can be viewed as historical fiction that recreates a time and place long in the past, it is a tender portrait of a few years in the life a woman coming to age under some trying circumstances, and it is a murder mystery told in the gentlest of manners. While the descriptions of the northern California coast circa 170 years ago were compelling, it is the mystery angle in the novel that is particularly engaging. In a clever sub-plot, Eliza, an avid reader herself, discovers the work of Edgar Allan Poe and becomes obsessed with the sleuthing abilities of C. A. Dupin, literature’s original detective, in the story “Murders in the Rue Morgue”, which involves figuring out who committed the gruesome killing of two women. So, Smiley gives us the “meta” experience of reading a story in which the main characters are informed by the actions of a character in another story that they themselves are reading!
Overall, I found this book to be interesting and enjoyable, but not without its flaws. The tale itself is nicely structured and it is certainly well written for the most part. Although the reader gets to know Eliza and Jean quite well throughout the brief story, many of the supporting characters—particularly the men who become Eliza’s clients—are underdeveloped and serve mainly as props to move the plot along. Also, the supernatural storyline involving spectral sightings was set up at some length, but then dropped altogether before the ending; this may have been intended as another nod toward the gothic themes in Poe’s work, but the payoff here never arrived. Finally, the resolution of the mystery is something of an anticlimax for its lack of surprise, thrills, or chills. Nevertheless, A Dangerous Business is a pleasant diversion and a book that I can happily recommend.
It tells the story of Eliza, a young woman from the Midwest who moves with her abusive husband to Monterey, California. He is murdered, so she has no choice but to work in a brothel. Several women go missing and are found murdered, and the law officials don't care, so Eliza sets out
First of all, the book makes prostitution in a gold rush town seem safe, fun, and profitable - the descriptions sound more like nightly blind dates. Smiley uses the same words over and over: brothels are always "establishments" and sex is always "doing his business" - those phrases get repeated ad nauseam.
Eliza's investigation barely counts as an investigation. She just happens to see the right combination of events and meet the right combination of people to put the pieces together, and even then she gets it wrong. The "investigation" takes many months.
Eliza has the help of a friend who is a seamstress and lesbian and apparently runs a brothel for lesbians? And no one objects to this, or to her frequent cross-dressing?
In the first part of the book, there is a lot of focus on ghosts and mediums, but that whole thread gets dropped in the second half of the book.
Despite the fact that this is a novel where multiple prostitutes are murdered, it feels like Smiley is trying to write a book where nothing bad happens: prostitutes are safe and enjoy their work and get to go on pleasant dates with their clients, lesbianism is totally understood and accepted, and everybody gets a happy ending.
This is not the most grittily realistic historical novel, but I am not sure it is setting out to be. I thought it was quite an enjoyable and entertaining lightweight story in which an apparently young innocent woman uses her wits and what she has read in novels to navigate her way through the dangerous business of being a young woman in a rather lawless town, a few years after the gold rush. No easy money here, but lots of travellers and chancers, including Eliza and her new friend Jean, who works at another establishment down the road. Young women are being murdered and Eliza and Jean set out to find out why.
The murder mystery plot is insubstantial. I enjoyed the book as a lightweight adventure story. Through her career, Jane Smiley has written books which played with various genre conventions, and in this she offers an alternative take on the options for 19th century women and on historical Westerns.
Should be interesting, right? Nope. Boring.
The whole novel spins in this average routine: Eliza takes in a
Bloated and tedious.